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Soulful Quotes

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Soulful Quotes

“Philip Kitcher has composed the most formidable defense of the secular view of life since Dewey. Unlike almost all of contemporary atheism, Life After Faith is utterly devoid of cartoons and caricatures of religion. It is, instead, a sober and soulful book, an exemplary practice of philosophical reflection. Scrupulous in its argument, elegant in its style, humane in its spirit, it is animated by a stirring aspiration to wisdom. Even as I quarrel with it I admire it.”

“Bob Moses, composer, drummer, poet, artist, conceptualizer, inspirer of people, has created a musical environment that is balanced between discipline and freedom, compositional design and spontaneous inspiration. A party with a purpose. This album is original, soulful, funny and very special. I hope a lot of people get as much enjoyment from it as I have.”

“In description we hear and feel the absorption of the author in the material. We sense the presence of the creator of the scene. .. This personal absorption is what we mean by 'style.' It is strange that we would choose so oddly surfacey a word - style - for this most soulful aspect of writing. We could, perhaps more exactly, call this relation between consciousness and its subject 'integrity.' What else is the articulation of perception?”

“Not only do we end up with a vivid, surprising and soulful sense of one artist and his work, but Leigh also offers us a commanding view of a city, London, and country at the dawn of the modern age and of a man being overawed and overtaken by new technologies such as photography and the railways. As ever with Leigh, 'Mr Turner' addresses the big questions with small moments. It's an extraordinary film, all at once strange, entertaining, thoughtful and exciting.”

“Many of my contemporaries in the developed world see subsistence farming as soulful and organic, but it is a poverty trap and an environmental disaster.”

“I think that watching artists, soulful artists, they get into it. It's always the way I perform, so when I'm on stage I just try to get into it - I'm in my own world. That's the whole thing about the stage, it's like a sacred place. They're [the audience] watching into the different world, right, so it's like you see performers and they're in the same room, so it's a different vibe. Sometimes it's great, but I try to separate it, you know, I wanna separate it 'cos otherwise I feel naked. It just feels natural.”

“Earl Scruggs had this thing that it wasn't just the technique or even the instrument. It was him. There was this soulful quality that came through that made you - if you're somebody like me who was, I guess, supposed to play the banjo, it made you stop in your tracks, and you couldn't do anything until you got done hearing him play, and then immediately you'd have to go try and find a banjo.”

“But Stacie Orrico was my childhood hero. I was about 12 when I found her music. She is a contemporary Christian artist, and I can honestly tell you that I don't think I'd have a soulful voice if I didn't listen to Stacie. I wanted to sound just like her growing up, and to this day I STILL think I sound a little bit like her. But she is AMAZING!”

“I've been listening to a lot of gospel. I think it's the most beautiful kind of music. Just thinking about a group of people on a Sunday morning - no drugs, no partying, just connecting with a higher power. Then there's usually a choir joining together on one or two mics, creating this soulful music. So the recording captures the spirit that comes through.”

“The society that produced The Who, The Stones, Dylan, Paul McCartney and later on people, like myself, is over. The materialistic society that produces these kinds of bombastic performances that don't have any value or musical meaning, is very conspicuous, look at me, I'm rich, dig my brand. That's what missing, Bob Dylan made us feel worthy, I try to do the same thing. Respect for the audience with music that is meaningful and soulful. Go for what moves you and not necessarily what you think will be commercial.”

“Jimi Hendrix came on TV on this documentary and it was this African-American soulful black guy, playing an electric guitar, which I'd just started. And it just blew my head off. I had like an afro at the time, too. It was a bit all over the place. And it wasn't a thing to have an afro. No, that's kind of quite old school. You're supposed to have like a neatly cut shaped up haircut.”