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“The word "art" means harmony for me. I never speak of mathematics and never bother with the Spirit. My only science is the choice of impressions that the light in the universe furnishes to my consciousness as an artisan which I try, by imposing an Order, and Art, an appropriate representative life, to organize.”

“When we try to pick out anything by itself, we find it hitched to everything else in the universe. One fancies a heart like our own must be beating in every crystal and cell, and we feel like stopping to speak to the plants and animals as friendly fellow-mountaineers. Nature as a poet, an enthusiastic workingman, becomes more and more visible the farther and higher we go.”

“When we begin to reflect Christ, the Bible, when more understood as being centered around Christ, seems to be potentially every man's biography regarding God's promised experiences and truth for him - his individual, unique path of humbling oneself before the Lord and then being exalted by the Lord back into his true and righteous personhood. Many followers may speak of it merely to try to change other people (before changing themselves), but the prophets speak of it as a living word which miraculously tells their very own experiences.”

“Is not the real experience of each individual very limited? And, if a writer dwells upon that solely or principally, is he not in danger of repeating himself, and also of becoming an egotist? Then, too, imagination is a strong, restless faculty, which claims to be heard and exercised: are we to be quite deaf to her cry, and insensate to her struggles? When she shows us bright pictures, are we never to look at them, and try to reproduce them? And when she is eloquent, and speaks rapidly and urgently in our ear, are we not to write to her dictation?”

“Our passions are the chief means of self-preservation; to try to destroy them is therefore as absurd as it is useless; this would be to overcome nature, to reshape God's handiwork. If God bade man annihilate the passions he has given him, God would bid him be and not be; He would contradict himself. He has never given such a foolish commandment, there is nothing like it written on the heart of man, and what God will have a man do, He does not leave to the words of another man. He speaks Himself; His words are written in the secret heart.”

“People only speak to get something. If I say, Let me tell you a few things about myself, already your defenses go up; you go, Look, I wonder what he wants from me, because no one ever speaks except to obtain an objective. That's the only reason anyone ever opens their mouth, onstage or offstage. They may use a language that seems revealing, but if so, it's just coincidence, because what they're trying to do is accomplish an objective.”

“When a person tries to act in accordance with his conscience, when he tries to speak the truth, when he tries to behave like a citizen, even in conditions where citizenship is degraded, it won't necessarily lead anywhere, but it might. There's one thing, however, that will never lead anywhere, and that is speculating that such behavior will lead somewhere.”

“I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.”

“I don't often want to speak. I try to be a reasonable person and to be diplomatic, but you go to that place and you see the settlements, you see what has happened to the land that was owned by the Palestinians. I have often said to my Jewish friends: "Please just remember where you come from. Remember Yahweh, who said to the Israelites, 'Treat the alien well with justice.'"”

“I grew up in the theater, and you can't improvise Shakespeare and Ibsen. You have to speak the language. But obviously, in a contemporary film, there's often room for improvisation and spontaneous things that happen. As long as I know what I'm trying to achieve in the scene, and when something comes up, I know that the response is genuine, I'm comfortable. That's really how I build everything.”

“John Lennon was just one of us, another human just trying to get through the day, and help make tomorrow a little better. And he was willing to put his thoughts and feelings about all that into his music, and when he had the chance to speak in interviews. He was only around for a short time, but he learned so much and was willing to give his heart and mind to all of us. What he had to say still resonates with me, with all of his fans.”

“One good reason for the popularity of "reductionism" among the philosophical outposts of the Western Establishment is that it can be, and is, used as a device for trying to take the wind, so to speak, out of the sails of Marxism. . . . In essence reductionism is a kind of anti-Marxist caricature of Marxist determinism. It is what anti-Marxists pretend that Marxist determinism is.”

“We have to design policies that have meaningful impacts on the quality of life of women and families. And that's something that I know I can speak passionately about because whether I'm in the White House as First Lady, as long as I have kids and I'm trying to have a life, I'm gonna be trying to make this balance work...”

“where I have seen good I shall speak of it with pleasure, and where I have seen the reverse, I shall try to be silent; for a book is meant to give pleasure, and pain that is inflicted in black and white lasts for ever.”

“I try to write each piece in the language of the piece, so that I'm not using the same language from piece to piece. I may be using ten or twenty languages. That multiplicity of language and the use of words is African in tradition. And black writers have definitely taken that up and taken it in. It's like speaking in tongues. It may sound like gibberish to somebody, but you know it's a tongue of some kind. Black people have this. We have the ability as a race to speak in tongues, to dream in tongues, to love in tongues.”

“The people trying to change others can conveniently be termed the angry, while the people trying to change themselves might be called the guilty, although it would be just as descriptive to speak of the controlling and the dependent, or the paranoid and the repressive, or, inelegantly, the screamers and the criers. In some circles, attaching labels to people rates only a little higher than chicken stealing, because ... a label immediately ends attempts to understand the individual.”

“The real truth that dare not speak itself, is that no one is in control, absolutely no one... Nobody is in control. This stuff is ruled by the equations of dynamics and chaos. Now, there may be entities seeking control - the World Bank, the Communist Party, the rich, the somebody-or-others - but to seek control is to take enormous aggravation upon yourself... It's like trying to control a dream.”

“I am an African-American in America. That will never change. But I don't have to be defined by thatWe always try to find similarities in life, no matter what it is so they're going to try to put you in a box with other African-American quarterbacks - Vick, Newton, Randall Cunningham, Warren MoonThat's the goal. Just to go out and not try to prove anybody wrong but just let your talents speak for themselves.”

“Science begins with the world we have to live in, accepting its data and trying to explain its laws. From there, it moves toward the imagination: it becomes a mental construct, a model of a possible way of interpreting experience. The further it goes in this direction, the more it tends to speak the language of mathematics, which is really one of the languages of the imagination, along with literature and music. Art, on the other hand, begins with the world we construct, not with the world we see. It starts with the imagination, and then works toward ordinary experience.”

“I read, I study, I examine, I listen, I reflect, and out of all of this I try to form an idea into which I put as much common sense as I can. I shall not speak much for fear of saying foolish things; I will risk still less for fear of doing them, for I am not disposed to abuse the confidence which they have deigned to show me. Such is the conduct which until now I have followed and will follow.”