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“No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.”

“Although love could grow in times of peace, it tempered in battle. Daddy told me once - when I'd said something about how perfect his relationship with Mom was - that I should have seen the first five years of their marriage, that they'd fought like hellions, crashed into each other like two giant stones. That eventually they'd eroded each other into the perfect fit, become a single wall, nestled into each other's curves and hollows, her strengths chinking his weaknesses, her weaknesses reinforced by his strengths.”

“Mexico admits you through an arched stone orifice into the tree-filled courtyard of its heart, where a dog pisses against a wall and a waiter hustles through a curtain of jasmine to bring a bowl of tortilla soup, steaming with cilantro and lime. Cats stalk lizards among the clay pots around the fountain, doves settle into the flowering vines and coo their prayers, thankful for the existence of lizards. The potted plants silently exhale, outgrowing their clay pots. Like Mexico's children they stand pinched and patient in last year's too-small shoes.”

“But this man had set down with a hammer and chisel and carved out a stone water trough to last ten thousand years. Why was that? What was it that he had faith in? It wasn't that nothin' would change. Which is what you might think, I suppose. He had to know better'n that. I've thought about it a good deal. . . And I have to say that the only thing I can think is that there was some sort of promise in his heart. And I don't have no intentions of carvin' a stone water trough. But I would like to be able to make that kind of promise. I think that's what I would like most of all.”

“Couldn't the wrong sort of living turn anyone mean? I remembered very well that one day back in Yoroido, a boy pushed me into a thorn bush near the pond. By the time I clawed my way out I was mad enough to bite through wood. If a few minutes of suffering could make me so angry, what would years of it do? Even stone can be worn down with enough rain.”

“In your hands The dog, the donkey, surely they know They are alive. Who would argue otherwise? But now, after years of consideration, I am getting beyond that. What about the sunflowers? What about The tulips, and the pines? Listen, all you have to do is start and There’ll be no stopping. What about mountains? What about water Slipping over rocks? And speaking of stones, what about The little ones you can Hold in your hands, their heartbeats So secret, so hidden it may take years Before, finally, you hear them?”

“Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lincoln's as an early American archetype, it was haunting, handsome, almost beautiful." I can't imagine what the great rail splitter's reaction would have been to this, though I sure was pleased.”

“Perhaps I will die too, she told herself, and the thought did not seem so terrible to her. If she flung herself from the window, she could put an end to her suffering, and in the years to come the singers would write songs of her grief. Her body would lie on the stones below, broken and innocent, shaming all those who had betrayed her. Sansa went so far as to cross the bedchamber and throw open the shutters ... but then her courage left her, and she ran back to her bed, sobbing.”

“All right, beautiful. You've got me tied down to this stone table, and there's a knife in your hand that says you get to rule Narnia for another hundred years. So maybe I die, and winter goes on. Maybe the hunger and the darkness and the fear never end. But as long as the children believe in me, I know that Aslan will live again. I, the Great Lion, Son of The Emperor Over The Sea, will live again and -- aaaaauugh!!”

“Dylan, this is my friend, Sadie, I told you about.” He looked at me and gave me a slow smile. “Amanda said you were at school last year. How did I miss you?” he asked, his smile turning into a cocky grin. Before I could think of anything to say, Amanda cleared her throat, again and said, “And this is her date tonight, Jax Stone.”

“Victory in defeat, there is none higher. She didn't give up, Ben; she's still trying to lift that stone after it has crushed her. She's a father working while cancer eats away his insides, to bring home one more pay check. She's a twelve-year-old trying to mother her brothers and sisters because mama had to go to Heaven. She's a switchboard operator sticking to her post while smoke chokes her and fire cuts off her escape. She's all the unsung heroes who couldn't make it but never quit.”

“I can feel his presence here in every stone he has touched, every person he has lifted up, every street and alley and city that he has changed in the few years of his life, because he is the Republic, he is our light, and I love you, I love you, until the day we meet again I will hold you in my heart and protect you there, grieving what we never had, cherishing what we did. I wish you were here. I love you, always.”

“Years! Years, ye shall mix with me! Ye shall grow a part Of the laughing Sea; Of the moaning heart Of the glittered wave Of the sun-gleam's dart In the ocean-grave. Fair, cold, and faithless wert thou, my own! For that I love Thy heart of stone! From the heights above To the depths below, Where dread things move, There is naught can show A life so trustless! Proud be thy crown! Ruthless, like none, save the Sea, alone!”