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Story Of My Life Quotes

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Story Of My Life Quotes

“Awareness and knowledge of what occurs in the present, which we call reality, is imperfect and vague. While we can never comprehend all aspects of reality, a person enhances personal comprehension by placing the seed of their existence under strict scrutiny. Acting as an impartial judge of our own deeds and by reviewing the lives of other people whom underwent similar experiences, we enhance our level of self-awareness. Reviewing other people’s stories increases our understanding of humanity and provides insight into our own personal struggles.”

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Book:Dead Toad Scrolls
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“I seek to create an artistic statement of my being by producing a unified voice that speaks for me and to me. I will attempt to capture the pulsation of my mind and harness its incessant rush into a telling format that is revelatory and self-healing. Confessing my sins is the first steps of communing with the self by focusing the light of consciousness upon the darkness of the unconsciousness in an attempt to comprehend what I am for the very first time. I endeavor to open my heart and mind, be an indomitable witness to the paradoxes that bedevil humanity, and serve as an unrepentant admirer of the irrepressible splendor of living in a natural manner undisturbed by the behavior of other people or the inevitable changes in the world that we occupy.”

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Book:Dead Toad Scrolls
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“Scholars laud personal essay writing for its ability to explore the past, present, and the future, and assist people gain a better understanding of life, people, and oneself. A growing trend is for both famous and non-famous people to write their memoirs as a means of documenting their personal history and exploring their quest for identity.”

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“As a prose mode of expository writing, the narrative approach, more than any other, offers writers a chance to think and write about their personal history and cultural identity. A personal narrative process that constructs memories in thematic sequences represents the fundamental nature of the self.”

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“Human beings construct their individual life stories by navigating a complex network of recursive natural structures that guide and shape human behavior. Akin to a revolving top spinning on its axis, an inexhaustible number of natural responses are available to a person when conducting a walkabout in a chaotic world. A mature person comprehends that there are many ways to conduct their lives, appreciates the richness and complexities of alternative ways of life, and makes conscious decisions pertaining to what course of behavior will provide them with personal bliss.”

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“It has been suggested that each person lives hermetically sealed within his or her self-perpetuated myths. Scholars postulate that we tell ourselves stories to make sense of our lives. We begin exploration of the self with the experience of failed transcendence. Philosophy originates from the experience of disappointment. Our failures lead us to discoveries. At birth, we know very little, almost nothing; all knowledge instigate from the experience and recognition of our limitations. With the uncertainty that surrounds our existence in the universe, perhaps we must create ourselves. Perchance we seek self-exploration when the myths that we once operated under no longer work. Perhaps we undergo self-analysis only when a coalescence of the past, the present, and the future betrays our current myth-making. Perhaps at such times when failure reigns center court, our survival instinct urges us to create a new story-line.”

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“Philosophic thoughts allow people to use human reason and imagination to consider eternal matters and explore the ramifications of their own transience. American author Joan Didion postulated that we tell ourselves stories in order to live. Conceivably a personal crisis propels a person to delve into creating a guiding philosophy for living with reduced mental and emotional turmoil. Alternatively, perhaps we tell stories to examine, explain, and justify our failures.”

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“Reflecting on the past while living in the present, we make decisions that will reverberate in the future. Our daily actions, thought patterns, and the concepts we choose to cherish will create the paradigmatic structure of our life story; our collective decision-making determines our final manifestation.”

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“Storytelling is an imperfect methodology to provide a true accounting to a multiplicity of bilateral and three-dimensional interactions. Language cannot reach every recess of the mind, it cannot document every emotional chord, and it cannot splice the discordant pieces within us. Each story by a writer represents the sanitized accounting of the mind’s depictions. Try as one might, employing a panoply of traditional technique or other slick tools of modernist stage craft, it is impossible to separate the teller from the telling any more than one can distinguish the author from their doppelganger writer’s voice.”

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“A good story is both one hundred percent true and one hundred percent false. A good story uses small lies to take a stab at piercing larger truths. An overstatement and understatement are part of writer’s craft; each standing alone is an untruth. An understatement might be used as an attempt at humor, just as an overstatement might be used to probe a truth that lies beyond the exact retelling of who, what, when, and where style employed in police report writing. Even writing biography, autobiography, memoir, and personal essays that studiously and relentless adheres to established facts can distort the truth. Faithful adherence to stringing rote facts together omits many aspects of both the subject and the operable social, cultural, and political environment that stages human interaction, contest, conflict, drama, and strife.”

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“Storytelling is one means to entertain, share knowledge, and transmit cultural ideology. Through the universal lens of storytelling, do we become familiar with the life altering dilemmas and moral challenges that fuselage provides the linkage to mode the character patterns essential to leading a principled life? By shuffling through scores of loose leafed stories, can we glean the clarity of thought and the lucidity of perception needed successfully to tackle our own life with gusto? Is reading stories of struggle and redemption one way that we become acquainted with the chemistry of pain and suffering that permeates the arteries of all thinking human beings? Does appreciation for other people’s hardbound stories assist us place the vertebrae of our own experiences into a telling template? Can we draw upon the accumulated experiences of other people’s lives as well as our own hands-on experiences when we see our lives folded into a comprehensible scabbard depicting what it means to be human and, therefore, fallible?”

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“Self-knowledge enables a person to grasp what future decisions will define their final formation. The human mind habitually hits the rewind button and replays past events. Can looking back over the rim of time and engaging in thoughtful criticism of the precursor events of my formative years be of any possible assistance to expose the indurate truth of factual reality? Can I employ the tools of memory and imagination along with the techniques of logos – reasoned discourse – to escape strife and pathos? Does it make sense to write the story of my life so that I can ascertain who I am? With these unsettling thoughts and these maieutic questions in mind, I began writing an enantiomorphism-like scroll. The crystal molecules that comprise this text construct a mirror that replicates the multiple dimensions of a risky adventure into self-psychology. I harbor no expectation regarding the outcome of this reflective venture. Regardless of the consequences, all I can do is follow the psychic flow generated by this writing enterprise. I do not know where this positional analysis will take me or how this psychodynamic field study will end. I am simply dedicating all remaining personal energy reserves to capitulating to a tornado-like process of self-study, a turbulent procedure with an unpredictable outcome. Perhaps something sensible will result from deploying a series of narrative personal essays to deconstruct the parasitic evolution of an egocentric self.”

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Book:Dead Toad Scrolls
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“This narrative scroll is my story. It represents a peep show into a self-prescribed, ceremonial quest to stare myself down, mutilate myself, slice myself into minuscule pieces, exam and innervate my paralytic soul. Writing this manuscript documenting disenchantment with my selfhood’s unsatisfactory interactions with significant life defining experiences constitutes a calculated surgical disembodiment of my former egoistical self. The act of writing my life story serves as a spiritual dismemberment undertaken to reconfigure and reconstitute my essential being. Perhaps this anatomical deconstruction of a delusional self represents a talisman-like step in attempted self-healing. Alternatively, perhaps this megalomaniac manuscript, which amplifies my psychopathic condition characterized by narcissistic fantasies of power and greatness, and chorusing ring of self-doubt, is nothing more than the sound and fury of an idiot’s paranoid rant. Is my self-induced schizophrenia running rampant, writing page after page of pure drivel, descending me deeper into a private hell? Perchance writing this oscillating scroll is a well-intended personal attempt to escape my mortality, an effort to cheat death by entering into the web of eternity, immerse my voice into the collective consciousness of humankind by creating an immortality vessel. Conversely, mayhap the illogical rant that demarks this scroll proves that the devil does take the hindmost.”

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“We learn about ourselves by taking one footstep at a time along a road of discovery. Greek philosopher Heraclitus who lived around 500 BCE proffered cogent advice about how to acquire wisdom and achieve a proper perspective on all worldly events. ‘Whosoever wishes to know about the world must learn about it in its particular details. Knowledge is not intelligence. In searching for truth, be ready for the unexpected. The same road goes both up and down. The beginning of a circle is also its end. Not I, but the world says it: all is one.’ This script tells of one man’s journeying a full circle in an effort to become one with all that exists.”

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Book:Dead Toad Scrolls
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“You want a story? Fine I'll tell you a story. a true story. Back in 2009. A lot of things were going wrong in 2009… I would go to a room to talk to lawyers about various employers not paying their people enough money. Different thoughts would run through my head. For instance, why, instead of just paying people their wages (it’s not that hard, minimum wage plus overtime where applicable) is this business paying a ridiculous lawyer to come and try to bullshit me… or something. A few years later a different thought would pop in my mind from time to time. Why would the United states federal government hire a hardcore alcoholic like myself (thanks to the University of Michigan) to enforce these Labor laws and run around with a badge and stuff. I’m pretty sure I wasn’t the only one.”

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Author:Dmitry Dyatlov
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“My first job out of college was at 211 W. Fort St. in downtown Detroit. The guy that hired me made about 150k a year and didn't really know, by his own admission, what was going on in his office (Room) during regular business hours. When I resigned, he was kind enough to send me a letter stating that I was in good standing while I was there. The letterhead (211) reminds me that as an alcoholic, I can go ahead and steal Steel Reserve High Gravity beer from Kroger, and they probably aren't going to be any more sophisticated than a Director at the United States Dep. of Labor. Thank God, they are not. That's what Success means to me. You can get your beer, and not worry about catching Covid19 from the Cashiers at these establishments. If you believe it, You can achieve it!!!”

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Author:Dmitry Dyatlov
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“Unable to face the paltriness of our lives, it is simpler to bask in a fleeting pleasure dome than labor endlessly to create worthy secular testimonies demonstrating that a life well lived does in fact have intrinsic value. Regardless of what providence has in store, dense men such as me fritter away their lives hoping to capture eroticism’s delights. It is less taxing to rummage through the garbage dump picking amidst the trash heap of life’s inglorious scandals than it is to delve into penetrating our defensive shells.”

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“I mean, I just got to a point, where I was unbelievably exhausted. And I didn't really know why. They kept telling me America. such a nice place. So wonderful. Opportunities! But I get to this place where I'm 22. I'm an alcoholic. I got through fucking college. I got a fucking job. This girl says she likes me. but she's fooling around with some married guy I think. SO PEOPLE DONT FIND OUT. that's her logic. 2 Masters degrees. And I just cant fucking do this shit anymore. I'm not doing shit. Really. Until A. things start making sense. or B. they send me back to Russia. just say I'm a spy. I want a book deal. or C. I get to 65 and I can begin to drink continuously again. That's it. period. end of story. I did have one nice year there where I got to do drugs and smash random pussy. in Philadelphia. Yep. Thank you, Accenture. Much love.”

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Author:Dmitry Dyatlov
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“ঘুঞ্চর পরীক্ষা চলছে। পরীক্ষা নিয়ে ওর সাথে আমার কিছু গুরুত্বপূর্ণ কথাবার্তা হচ্ছিল আজ। আমি- তোদের আর কী এমন লিখতে হয়। আমাদের এতো লিখতে হত, খাতা এতো মোটা হত, ওটা এক্সাম শিট না টেক্সট বুক বোঝা যেত না। ঘুঞ্চ- হ্যাঁ বাবা বলছিল, একবার তুমি খাতা জমা দিতে গিয়ে ভুল করে বেঞ্চের নীচে রাখা বইটা জমা দিয়ে এসেছিলে। আমি - তুই কি বলতে চাস আমি চিটিং করতাম? ওরে লিখতে লিখতে আমার আঙুল ক্ষয়ে যেত। ঘুঞ্চ - হ্যাঁ একবার তো ভেঙেও গেছিল, তাই না কাকাই? আমি - বাজে বকিস না। তোদের তো জলের মতো কোশ্চেন দেয়। আমাদের সময় এতো কঠিন প্রশ্ন আসত, যে স্যারেরা বুঝতে পারতো না প্রশ্ন দেখে উত্তর মেলাবে না উত্তর দেখে প্রশ্ন মেলাবে। ঘুঞ্চ - সে তো হবেই। উত্তর না জানলে তো তুমি প্রশ্নটাই ১০০ বার লিখে খাতা ভরিয়ে আসতে। আমি বুঝলাম এই নিতান্ত বালককে আমার কঠোর পরিশ্রমের কথা বোঝাতে পারবো না। তাই আর কথা বাড়াই নি।”

Story Of My Life
Author:Mriganka Sekhar Ganguly
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“Storytelling is ultimately the only way that we know besides song, dance, painting, and music to share with our tribesmen what it means to be human, express the indefinable feelings that unite humankind.”

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Book:Dead Toad Scrolls
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“Life is a collection of memories and feelings. Mawkish sentimentally urges us to engage in artistic overtures, we yearn to share with other people a melody of rudimentary experiences and respond to a stabilizing tune strung together with a shared ethos. We walk in parallel strides with our brethren seeking out equivalent affirmations of our being. We long to shout out to the world that we once walked this earth; we seek to leave in our wake traces of our pithy habitation. Our unfilled longing propels us into committing senseless acts of self-sabotage and then we desperately seek redemption from our slippery selves by building monuments to the human spirit. We employ a bewildering blend of conscious and unconscious materials to construct synoptic testaments to our temporal existence. We labor on the canvas of our choosing to scrawl our inimitable mark, fanatically toiling to escape a sentence of total obliteration along with our impending mortality.”

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Book:Dead Toad Scrolls
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“The whole of eternity is present now. We apprehend eternity through our senses and mental imagination. We can never recapture lost time. Memory allows us to taste the scintillating experience of living by recollecting our past in a series of sequential personal events and an orderly arrangement of a linked series of cultural happenings. Writing our personal story calls for us to remember the sensation of what it entails to live tactilely before losing lucidity of the mind.”

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“The metaphysical poetry of our innovative life springs from the aesthetic, scenic, and systematic processes of inventiveness, the creative impulse of an active mind generating aesthetical intuition.”

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“The story of what it means to be human is never complete. Every generation will produce its own share of comedies and tragedies, fools and geniuses. What the Greeks started the rest of the world will continue to build upon. The old stories will continue to explicate where we came from, while the new stories will illuminate in what direction humankind trends. The collection of future stories of humanity will add to the cumulative library of stories that past writers told, an anthology of collaborative stories will shed light upon the singleness of the human spirit in its aspirations, powers, vicissitudes, and wisdom.”

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“Storytelling is an ancient art. The lucent vibes of stories express what we cannot articulate directly. When we hear someone’s story, we respond to the spark of humanness within ourselves that seeks to come out in the light and greet the world. When we tell the stories of our lives, we give voice to people bereft of speech, we make the persons whom we love or loved immortal, and we pass along our familiarity with the natural and physical world.”

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“Each of us, along with our ancestors, inhabits the same cosmos. When we tell stories, we enter the stream of human consciousness; we take with us into the Ring of Time the people whom we crossed paths with in our earthly sojourn.”

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