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Storytelling Quotes

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Storytelling Quotes

“Life is one long story we tell ourselves to make sense of the world, and in our quest for meaning, we make other people players in our own psychomachia. Sometimes the consequence of doing that can be terrible, like what happened to me. But it’s worth remembering that everyone is trying their best to look for their dragon, to find the heart of their story, and to then tell it as well as they are able”

“Stories have no beginning and no end, only doors through which one may enter them. A story is an endless labyrinth of words, images and spirits, conjured up to show us the invisible truth about ourselves. A story is, after all, a conversation between the narrator and the reader, and just as narrators can only relate as far as their ability will permit, so too readers can only read as far as what is already written in their souls.”

“A writer gets to live yet another life every time he or she creates a new story.”

“Writing a story is like going on a date—you will spoil it if you aren't living in the moment.”

“If certain aspect needs to be inconsistent, it must better be consistently inconsistent throughout the story.”

“Be a good reader first if you wish to become a good writer.”

“Tell a story in fewer and simpler words.”

“Turn those deep feelings and obsessions of your heart into captivating pieces of literature.”

“Don’t interrupt when your characters take a flight of their own.”

“Don’t break the rules when you haven’t fully figured them out yet.”

“If you think there is no time to write now, there will never be.”

“Good writing ideas don’t have to be about political turmoil, mass killings, capitalism, racism, injustice, and so on. Find that one idea that has deep roots in your heart.”

“A writer can do without food for a few hours but not without the sight of books.”

“Ideas either age like fine wine or rot like potatoes over time.”

“If you are a singer, you must sing. If you are a dancer, you must dance. If you are a writer, you must write. Don’t suffocate your heart.”

“As you become a better writer, the writing becomes more difficult. You toil harder to tell a story in a smaller number of words.”

“Clichés are the viruses that infect your writing with diseases.”

“There are indeed many places where I could start. I might start with Rachel's tears, or Priscilla's. There is much shedding of tears in this story. In a complex explanation any order may seem arbitrary. Where after all does anything begin? That three of the four starting points I have mentioned were causally independent of each other suggests speculations, doubtless of the most irrational kind, upon the mystery of human fate.”

“Once upon a time,' I whispered, "there was a girl who got away.' The light burned a little less brightly through my lids. Maybe. 'Once upon a time there was a girl who changed her fate,' I said, louder. The words ran together like beads on a string. Like a story, or a bridge I could climb-- up, up, up, like a nursery-rhyme spider. 'She grew up like a fugitive, because her life belonged to another place." I held my fingertips out, feeling the ice of them melt the wall's fine, hot fizzing. 'She remembered her real mother, far away on an Earth made of particles and elements and /reason/. Not stories. And she ripped a hole in the world so she could find her way home. And she lived happily ever after in a place far, far from the Hinterland,' I said. I begged. 'And the freeze left her skin. And she found her real mother in the world where she had left her.' Slowly, slowly, I opened my eyes.”

“Giving people information is like giving them a bunch of dots and letting them come to their own conclusion. 'Let the facts speak for themselves.' The problem is, they rarely do.”

“It is in human nature to share narratives, whether true or fictional, collectively learning about the universe and ourselves. We, as a species, have evolved to be passionate about all kinds of stories, from myths to gossip, from news to cinema, because without them, we would be lost. We organize our reality through narratives.”

“Properly told, stories are able to operate on two levels. On the surface, they deal with particulars involving a range of facts related to a given time and place, a local culture and a social group--and it is these specifics that tend to bore us whenever they lie outside of our own experience. But then, a layer beneath the particulars, the universals are hidden: the psychological, social and political themes that transcend the stories' temporal and geographical settings and are founded on unvarying fundamentals of human nature.”

“Emotional position is part of it, but as an individual you are not your emotions, neither are you your intellect. These are things that you have . They're not things that you are . Therefore you have to start to become aware of the different requirements that human beings have, the different areas that they like to be satisfied in. Which means becoming aware of yourself. I mean, as a writer you're gonna have to understand pretty much the whole universe. But the best place to start is by understanding the inner universe. The entire universe – for one thing – only exists in your perceptions. That's all you're gonna see of it. To all practical intents and purposes this is purely some kind of lightshow that's being put on in the kind of neurons in our brain. The whole of reality. So. To understand the universe there's worse advice than that which was carved above the shrine of the Delphi oracle. Where it just said: “Know thyself”. Understand yourself. Know thyself is a magical goal, but like I say to me there is very little difference between magic and creative art in any sense – the laws of one apply perfectly well to the other.”

“402Emotional position is part of it, but as an individual you are not your emotions, neither are you your intellect. These are things that you have . They're not things that you are . Therefore you have to start to become aware of the different requirements that human beings have, the different areas that they like to be satisfied in. Which means becoming aware of yourself. I mean, as a writer you're gonna have to understand pretty much the whole universe. But the best place to start is by understanding the inner universe. The entire universe – for one thing – only exists in your perceptions. That's all you're gonna see of it. To all practical intents and purposes this is purely some kind of lightshow that's being put on in the kind of neurons in our brain. The whole of reality. So. To understand the universe there's worse advice than that which was carved above the shrine of the Delphi oracle. Where it just said: “Know thyself”. Understand yourself. Know thyself is a magical goal, but like I say to me there is very little difference between magic and creative art in any sense – the laws of one apply perfectly well to the other.”

“There’s a statement by [the Roman dramatist] Terence: “I am a human being. Nothing human can be alien to me.” If you know that, accept that, then you can tell a story. You can make people believe characters are just like they are. Jack and Jill went up the hill, one fell down and the other came tumbling after. The listener thinks, “Oh, I’ve fallen down, so I can understand,” even if it happened in Holland or Kowloon. Human beings should understand how other humans feel no matter where they are, no matter what their language or culture is, no matter their age, and no matter the age in which they live. If you develop the art of seeing us as more alike than we are unalike, then all stories are understandable.”

“We humans love telling each other stories. . . we've done just that in caves, and in amphitheaters, and in the Globe, and in kitchens around campfires, and in the trenches. Every culture, every country, every type pf person in the world tell stories. They've been whispered and sung and written down on scraps of paper and they always, always been an indelible part of our very humanity.”

“We, who so often think we're cultureless, can unpack a galaxy of stories from one garden weed. But the time has come for us to understand what these stories mean to us, and to reconnect with the other stories, too, which are all waiting for us in our gardens and surging up from the cracks in the pavement. We must tell them to our children, so that they can't imagine living without them. Telling them is an act of belonging, a way of pushing taproots deep into the ground. In a world full of restless and displaced people, it's an act of welcome, too. When we tell the stories of the things that inhabit our land, we help newcomers to read the deep terrain around them and perhaps to feel a little more at home. And storytelling is always an exchange; when we listen to what is told to us, we enrich our mythology. We get closer to the big beautiful metaphorical whole.”

“Tell your story to inspired other people to rise up and live their dreams.”