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Storytelling Quotes

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Storytelling Quotes

“Children don't realize how bad things are. This is their norm. They don't realize how much of their childhood is being stolen by screens. They simply have no escape. It follows them home. It follows them everywhere. The phone is always on their minds. Texts are constant, often misinterpreted, hurtful, with no visual cues. They take the place of learning how to have genuine conversations.”

“তোমরা ভাব তারানাথ গল্প বললেই বোধ হয় কেবল কষ্ট, দুঃখ আর ভয়ের গল্প বলে। কিন্তু সেটা সত্যি নয়। আমি জীবনের গল্প বলি, জীবন যেমন বিচিত্র উপলব্ধির মালা দিয়ে গাঁথা, আমার গল্পও তাই। কখনও মেঘ, কখনও রোদ্দুর।”

“lifeisposi 03/20/2024 PublicSpeaking the ultimate battle between your brain and your vocal cords. It's like your mind turns into a circus ringmaster, juggling sweaty palms, a pounding heart, and a brain that's suddenly gone AWOL. But hey, don’t let those jitters steal the spotlight! With a pinch of humor and a sprinkle of confidence, you can turn that stage fright into a standing ovation. So, take the mic, crack a joke (or two), and show that audience who’s boss.”

“Public speaking is the ultimate battle between your brain and your vocal cords. It's like your mind turns into a circus ringmaster, juggling sweaty palms, a pounding heart, and a brain that's suddenly gone AWOL. But hey, don’t let those jitters steal the spotlight! With a pinch of humor and a sprinkle of confidence, you can turn that stage fright into a standing ovation. So, take the mic, crack a joke (or two), and show that audience who’s boss.”

“Don't you fear the unknown..?" "No..I don't." "What belief makes you say that?" "Unknown can be friendly too.." "An example?" "People. My best friends today were strangers, completely unknown just three years ago." "What about places, circumstances?" "Same. Can they really be unknown? What can be different? When you know yourself well, with the confidence to face it because you are prepared, then why fear.." "If you are not prepared and it is something you couldn't imagine and it is bad, then?" "Then what? We are wired for Fight or Flight response. Choose wisely.." "Can it be so simple?" Now it was my turn to ask - "Do you believe in reincarnation? Rebirth?" "Yes..I do." "Then it's either a new day or a new life. Isn't it?" He kept looking at me for few moments. "Do you mean one should not carry fears?" "No, I don't say that. You can't avoid fear. It is a natural emotion, a basic one. Let it motivate you. Not hold you. And unknown can be so pleasant too as I said right in the beginning. " " Are you telling me that life can be so simple and cool..?" "You tell me," I asked. Thanks, #simplySOOD", s/he said. From an interview that NEVER HAPPENED. RS #RameshSOOD #Coaching #StoryTelling”

“Miss Foxe's other passion was fairy tales. She loved the transformations in them. Everybody was in disguise, or on their way to becoming something else. And all was overcome by order in the end. Love could not prevail if the order of the tale didn't wish it, and neither could hatred, nor grief, nor cunning. If you were the first of three siblings, then you were going to make a big mistake, and that was that. If you were the third sibling, you couldn't fail.”

“Yesterday,’ she said, referring to the collective past of her tribe, ‘the people of these forests knew the secret. They made the finest silk thread from the cocoon of a beautiful sleeping butterfly. The women reeled the silk thread on the spinning wheel, slowly and gently. Such delicate work it was, that the silk remembered, at last, the moth which had created it. And the women were awed at the silver shine of the silk produced. If the silk is so divine, they thought, what must be the beauty of the butterfly waiting to be born? They stopped breaking the cocoons and looked for the crimson wings of the butterflies emerging from the torn nests of raw silk. The sight took them aback. They became sages and storytellers..”

“In the Ottoman times, there were itinerant storytellers called "meddah. " They would go to coffee houses, where they would tell a story in front of an audience, often improvising. With each new person in the story, the meddah would change his voice, impersonating that character. Everybody could go and listen, you know ordinary people, even the sultan, Muslims and non-Muslims. Stories cut across all boundaries. Like "The Tales of Nasreddin Hodja," which were very popular throughout the Middle East, North Africa, the Balkans and Asia. Today, stories continue to transcend borders”

“We know that now. Vehicles of transportation include, according to the scholar of memory studies Marianne Hirsch, "narratives, actions and symptoms." The stories we tell and don't tell, the actions we take and don't take, the symptoms expressed by a mother holding the trauma tightly to herself, because she refused to burden her children with it.”

“Stories weren't just make believe, all Dr. Seuss and Mother Goose. I saw a circle: first life, then death. Spring, summer, fall, winter. Blue sky and storms and quilts of cold clouds occupy the same space but at different times. Memories and stories help you rebuild. Things most precious to you may be gone, lost to the wicked wind, but you remember what had been, and you move on.”

“In these story telling moments we equip our children, with crucial solution tools for life. To deprive them of these necessary teachable moments is like denying a carpenter the tools of his trade.”

“I swear to you that I heard the story of the lion-sorcerer just before leaving for the war. This story, like all interesting stories, is full of clever innuendo. Whoever tells a well-known story like the one about the lion-sorcerer and the fickle princess might always be hiding another story beneath it. To be seen, the story hidden beneath the well-known story has to peak out a little bit. If the hidden story hides too well beneath the well-known story, it stays invisible. The hidden story has to be there without being there, it has to let itself be guessed at, the way a tight saffron-yellow dress lets the beautiful figure of a young girl be guessed at. It has to be transparent. When it’s understood by those for whom it is intended, the story hidden beneath the well-known story can change the course of their lives, can push them to transform a diffuse desire into a concrete act. It can heal them from the sickness of hesitation, no matter the expectations of an ill-intentioned storyteller.”

“I would travel far and wide...seeing, listening, creating. I would weave tales for an enthralled audience. A song would be heard throughout the kingdom, and I would be a part of that. You would normally think that a bard would pick up his tales from stories heard in his travels or, perhaps, from personal observation of these events. Perhaps some bards would create the stories themselves or, at least, adapt the original versions heard... But what if the bard were really more than a bard? What if he were once a gallant knight or an old sea captain...perhaps even a forgotten prince? What if the stories he told, what if the characters brought to life in his stories, were really of his comrades and himself? Stories from long ago that he finally wished to be heard? What if those who listened to his tales, all the while assuming that they were far disconnected from their communicator, were really listening to the narrative of a wanderer intimately connected to it all? And where would such an individual go when his final days as an “official” bard were spent? Perhaps he would decide to retire in a lighthouse. For, surely, no place would be more fitting for the hero emeritus. He would gaze upon the glorious sea in recollection...guiding others with the beacon of light atop his home as he had once been shepherded. The adventurer became the storyteller...and then the Sentinel of the Sea.”

“Once, while at my uncle’s farm my father took me for a ride on my uncle’s buckboard. Not knowing any better, my father took the bridle off of the horse to give him a break. It seemed reasonable to me, but any farmer will tell you that’s not what he should have done. Thinking that he was free and then realizing that he wasn’t, the horse bolted, dragging the wagon down a path and then through a stone quarry where the buckboard was reduced to kindling wood. After my uncle found out what had happened, things were not quite the same for some time to come. Fortunately, the horse survived with only a few scratches but the buckboard was beyond repair and poor Pop never lived down this occurrence. I guess that he wasn’t much of an equestrian either.”

“Once, just west of Framingham on the Worcester Turnpike or Route 9 in Massachusetts, I caught a ride in a truck that had worn brakes. The driver, a jolly red-nosed individual with a white beard who could have passed as Santa Claus, suggested that I might want to get out considering the situation regarding the truck’s brakes. Not wanting to turn down a ride in the middle of the night, I rode it out with the driver. Going uphill was all right, but coming down was decidedly hairy. The driver knew what he was doing and used his engine to slow himself down, but he had to depend on his emergency brake if he wanted to, or had to, stop. At one traffic light, which was on a downhill slope, he couldn’t bring his rig to a stop and just blew through the intersection, horn blowing, weaving past the cross traffic. I hung on enjoying the excitement as the driver narrated his moves, as if he was telling a story. I watched and listened to him, too caught up in this wild ride to get concerned about the danger. There were a number of downgrades where he totally lost control of our speed, but fortunately the upgrade would slow us down again. He relied on his loud air horn, which sounded even louder in the dark of night. Fun was fun and eventually we got to Worcester, where I was glad to get off in one piece. I hope that he got his load to where it was going, but I knew that the farther west on Route 9 he went, the more mountainous the terrain would become and I didn’t want any part of that. Besides, this was where I needed to get off. My next leg would take me through Sturbridge and then on to Connecticut. .”

“All writers are demonic dreamers. Writing is an act of sharing experiences and offering of an individualistic perspective of our private attitudes pertaining to whatever topics of thought intrigues the author. Writing is a twitchy art, which attempts to employ linguist building blocks handed-down from past generations. Writers’ word choices form a structure of conjoined sentences when overlaid with the lingua of modern culture. Writers attempt to emulate in concrete form the synesthesia of our personal pottage steeped in our most vivid feelings. Writing a personal essay calls for us to sort out a jungle of lucid observations and express in a tangible technique our unique interpretation of coherent observations interlaced with that effusive cascade of yearning, the universal spice of unfilled desire, which turmoil of existential angst swamps us.”

“Storytelling gives form to the metal dialogue of the mind and in doing so, reveals our self-fiction. Memory and imagination fills part of the space and time dimensions that we live in. We use memory and imagination to write stories in order to bridge our fear of nothingness and offset our trepidation of paddling into the river of insanity. We write into the heart of darkness and flirt with oblivion in order to ascribe meaning to our lives and to immortalize the people who we love.”