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Storytelling Quotes

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Storytelling Quotes

“We are not told of things that happened to specific people exactly as they happened, but the beginning is when there are good things and bad things, things that happen in this life which one never tires of seeing and hearing about, things which one cannot bear not to tell of and must pass on for all generations. If the storyteller wishes to speak well, then he chooses the good things; and if he wishes to hold the reader's attention he chooses bad things, extraordinarily bad things. Good things and bad things alike, they are things of this world and no other.”

“And if I'm guilty of having gratuitous sex, then I'm also guilty of having gratuitous violence, and gratuitous feasting, and gratuitous description of clothes, and gratuitous heraldry, because very little of this is necessary to advance the plot. But my philosophy is that plot advancement is not what the experience of reading fiction is about. If all we care about is advancing the plot, why read novels? We can just read Cliffs Notes. A novel for me is an immersive experience where I feel as if I have lived it and that I've tasted the food and experienced the sex and experienced the terror of battle. So I want all of the detail, all of the sensory things—whether it's a good experience, or a bad experience, I want to put the reader through it. To that mind, detail is necessary, showing not telling is necessary, and nothing is gratuitous.”

“Fiction is for those who like to escape to an all expense paid, priceless journey to a place which may or may not exist for the sake experiencing every ride the attraction has to offer and to take anyone with them in exchange for the small cost of the purchase of the book.”

“If the first step in establishing a professional identity is claiming our interests and talents, then the next step is claiming a story about our interests and talents, a narrative we can take with us to interviews and coffee dates (...) a story that balances complexity and cohesion is frankly, diagnostic.”

“If I can recommend storytelling to you for any reason at all, it would be that storytelling helps you realize that the biggest, scariest, most painful or regretful things in your head get small and surmountable when you share them with two, or three, or twenty or three thousand people”

“I might have told him, in those hours, stories of my own. Scylla and Glaucos, Aeëtes, the Minotaur. The stone wall cutting into my back. The floor of my hall wet with blood, reflecting the moon. The bodies I had dragged one by one down the hill, and burned with their ship. The sound flesh makes when it tears and re-forms and how, when you change a man, you may stop the transformation partway through, and then that monstrous, half-beast thing will die. His face would be intent as he listened, his relentless mind examining, weighing and cataloguing. However I pretended I could conceal my thoughts as well as he, I knew it was not true. He would see down to my bones. He would gather my weaknesses up and set them with the rest of his collection, alongside Achilles’ and Ajax’s. He kept them on his person as other men keep their knives.”

“Centuries telescoped into one evanescent moment. History was wrong-footed, caught off guard. Sloughed off like an old snakeskin. Its marks, its scars, its wounds from old wars and the walking backwards days all fell away. In its absence it left an aura, a palpable shimmering that was as plain to see as the water in a river or the sun in the sky. As plain to feel as the heat on a hot day, or the tug of a fish on a taut line. So obvious that no one noticed.”

“You may have come to advocacy on your own, it may be part of your job or you may have been asked to “put a face” on a campaign by serving as its spokesperson. You may be acting as a lone crusader or as part of a larger advocacy effort. Either way, you share an objective with all other advocates: to have your story move audiences from apathy to empathy to action.”

“History is full of incremental improvements and revolutionary convulsions - often these are followed by reactionary backlashes in which rights are revoked, inequalities re-established.”

“We don't do well with infinity and endless possibility, and so we break things down into individual units and into stories. And then we accidentally believe in those stories, and we accidentally start acting them out. Stories about what love is, what happiness is. What men are, what women are. Unable to shape our own stories about the madness that surrounds us, we get infected with other people's stories, trying to ignore the discomfort that comes with an imperfect fit.”

“All she captures is a moment and what she calls it is a memory, Sometimes, it is assumptions that we use; all we need is a theory, Because you don’t know what is there in the future, And all you need is a vision to make a perfect picture. I feel that I have known you for a century, And whatever she calls is a memory.”

“Chimerical words, the words were written, Some are wasted; some are still on the page, Tattered words, the words were written, Some are young, some are aged, Gloomy words, the words were written, Some are unspoken, some are told, Words were hurt, though they can heal, Words are breathless, though can feel, Words won hearts, words shattered hearts, Words lost battles, words won wars, Wars within, words had scars.”

“How might I get over this? How would I be able to overlook the way he used to be with me? How could I overlook that his fingers touched my indiscernible soul before it twisted my nipples? How might I overlook his essence that still is in my garments? Despite everything, I still hear you saying that you love me. Though I know you don't.”