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Collective Memory Quotes

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Collective Memory Quotes

“The excessive greedy players of endless power play, corruption, megalomania, injustice, impunity, and kleptocracy continue to reign for how many succeeding decades? When will the country stop being corrupted by revisionism, kleptocratic political dynasties, dirty politics, Machiavellian manipulations, political patronage, destructive lies, and a lack of genuine collective memory of the past and the erosion of truth? This is a long life work-in-progress for honest public servants, marginalised sectors, and the concerned hard-working citizens with the right moral compass: How to effectively triumph against the oligarchs, kleptocrats, Machiavellian manipulators, megalomaniacs, and the unscrupulous benefactors of corruption, injustice and impunity? ~ Ana Angelica Abaya van Doorn writing as Angelica Hopes an excerpt from Onestopia Book 3, Solo la verità è bella Trilogy Genre: political, inspirationa, literary novel © 2022 Ana Angelica Abaya van Doorn”

“In childhood, overhearing everyday conversations among relatives about collectivization, famine, war, and political repression, I perceived these stories as curious — sometimes frightening — episodes my loved ones had endured. Although they belonged to a past not so distant, I felt them as something that had happened long ago, almost like events that occurred only slightly later than the fairy tales I loved so much. Much of what I heard I did not yet understand, but my young memory — still largely unfilled — carefully recorded these fragments of history, preserving events and facts deep within its silent annals.” — Volodymyr Shablia, Stone. Book One. Author's foreword Context note: This reflection from the author’s foreword shows how the collective trauma of the early twentieth century entered a child’s consciousness indirectly — through family conversations, half-understood words, and inherited memory. What first felt distant and almost mythical would later reveal itself as lived history, shaping both the author’s worldview and the moral foundation of the novel.”

“It is true that one of the first acts of tyrants is to erase history, to wipe out the recorded memory of a people. With that in mind, it's important to remember that the work that we do as writers, artists and performers will form an essential part of the collective memory that future generations will draw upon. And so we owe it to those future generations to defend that memory and be honest witnesses to our times.”

“Outsiders think of Silicon Valley as a success story, but in truth, it is a graveyard. Failure.. is Silicon Valley's greatest strength. Every failed product or enterprise is a lesson stored in the collective memory of the country. We not only don't stigmatize failure, sometime we even admire it. Venture Capitalists actually like to see a little failure in the resumes of entrepreneurs.”

“I think I've got a peculiar disease. I call it the curse of history, and it has to do with the fugitive absence/presence of both personal and collective memory. At first I thought it was a kind of personal illness, just related to time, private time, time that passes in one's life. So I decided to forget and throw myself into the future.”

“For the survivor who chooses to testify, it is clear: his duty is to bear witness for the dead and for the living. He has no right to deprive future generations of a past that belongs to our collective memory. To forget would be not only dangerous but offensive; to forget the dead would be akin to killing them a second time.”

“In some ways more painful is the fact that their experience appears to be fading from the collective memory of humankind. Having never experienced an atomic bombing, the vast majority around the world can only vaguely imagine such horror, and these days, John Hersey's Hiroshima and Jonathan Schell's The Fate of the Earth are all but forgotten. As predicted by the saying, 'Those who cannot remember the past are condemned to repeat it,' the probability that nuclear weapons will be used and the danger of nuclear war are increasing.”

“To collude in the minimisation of British history on the grounds of its imagined irrelevance to our rebranded national future, or from a suspicion that it does no more than recycle patriotic pieties unsuited to a global marketplace, would be an act of appallingly self-inflicted collective memory loss.”

“I want my work to become part of our visual history, to enter our collective memory and our collective conscience. I hope it will serve to remind us that history's deepest tragedies concern not the great protagonists who set events in motion but the countless ordinary people who are caught up in those events and torn apart by their remorseless fury. I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.”

“There were two forests for every one you entered. There was the one you walked in, the physical echo, and then there was the one that was connected to all the other forests, with no consideration of distance, or time. The forest primeval, remembered through the collective memory of every tree in the same way that people remembered myth- through the collective subconscious that Jung mapped, the shared mythic resonance that lay buried in every human mind. Legend and myth, all tangled in an alphabet of trees remembered, not always with understanding, but with wonder. With awe.”