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Survivor Quotes

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Survivor Quotes

“I asked my grandmother how a Hungarian Jewish person can experience being Jewish. My grandmother answered was the only choice was to "keep quiet." I can understand her because she was a Holocaust survivor, and for her survival, she had to keep quiet. But I didn't obey my grandmother when I was a child, and in this case, I don't obey her either.”

“I literally cried on Lisa Joy's shoulder when it ended. Just, "Thank you." Because those roles [like Dolores in the Westworld] are few and far between. What an amazing opportunity. It was an honor and a privilege to get to bring it to life, and I hope she gives other people the strength that she's given me as a survivor and as a human. I don't even mean to make it just a woman's issue because obviously it's men and women, but it certainly is an epidemic with women.”

“To some degree, the critic arises out of that negativity bias in that our brains are oriented towards threat and toward survival. The critic really started as a survivor mechanism in early infancy and childhood when we were trying to navigate our early family system and culture; when we're learning how to fit in so we could optimize that flow of love and affection. It was an internal voice telling us to shut certain patterns and reactions down, that negativity bias that's always looking for what's wrong, looking for the threat.”

“Remember that in any major nuclear war, the first strike destroys the country that attacks; it's been known for years. The first strike of a major power is very likely to cause what's called nuclear winter, leads to global famine for years and everything's basically gone. Some survivors straggling around. Could [Donald Trump] do it? Who knows.”

“I managed because of my mother. I managed because I'm strong. I managed the same way every other abuse survivor survives, you just do. So many people have been abused, it's not rare, it's a very common human experience, and we survive. Also, my music plays a big role in my thriving. Having an outlet, it really makes a difference.”

“We know that we need to explore desire in fiction - many say that the only way a story exists is that a character feels a strong desire - and nature is the place where creatures act on their desires in the most pure way imaginable, so maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I'm interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.”

“My grandfather was a Holocaust survivor and his life and history were very formative to myself and my family. The almost unimaginable dichotomy between the different eras of his life always crushed my brain on some level. That this guy who was shoveling carob chips out of a barrel and restocking yogurt popsicles could also have those numbers on his arm. It was an inconceivable juxtaposition. His experience was the main window for our family into any kind of social consciousness, or sense of history, or politics, even though a lot of it went unsaid.”

“I'm connected to the event of 9/11 by my desire to do something to honor the 9/11 survivors and those who didn't survive. Something that moves our society forward, something that engages children in what it means to be a citizen and encourages them to love and be inclusive. Because if we don't live our lives well - if I don't live my life well - it's an affront to all the people who were involved in the tragedy of 9/11.”

“Our whole goal is really to create a culture of accountability. Because for a very long time, ending sexual assault has been on the backs of survivors. And it's really up to everyone to be part of the solution. It's really about not creating a culture of awareness. It's something I often tell parents of kids who are going off to college: It's about asking those hard questions when your kids are applying to school and encouraging them to ask about their rights, to ask about their resources.”

“There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.”

“Each time a Palestinian or an Israeli dies, it is terrible. But they have the right to have a funeral, to be buried, to have a place in the memory of the survivors. And then you have these other places - Darfur, Rwanda, even Colombia - where the dead have no faces and literally cannot be counted. Theirs are minuscule lives moving toward imperceptible deaths. For me, it is the essence of tragedy.”

“Ever since Steve Bannon was demoted, and drama started playing out between Bannon and Jared Kushner and the firing of Comey and "Is he going to get impeached?" we have been trapped in a classic Survivor reality TV show, like, "Who's going to get voted off the island?" And this has every single news show enjoying ratings never seen before. And it physically pains them to talk about the stakes of this administration, whether it's health care or climate change or the deregulation of the financial sector or social security. None of it can compete with this reality show.”

“I have a German friend who works on memorialization. The last generation of Nazis and Holocaust survivors are now dying. So literally, we are threatened now for the first time ever, with memorializing that, with no first-person account of it left on earth. There's a lot of worry amongst scholars in Germany about what comes next: "All the memorialization has been done, we've done with everything we can."”