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Survivor Quotes

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Survivor Quotes

“I want to celebrate these elms which have been spared by the plague, these survivors of a once flourishing tribe commemorated by all the Elm Streets in America. But to celebrate them is to be silent about the people who sit and sleep underneath them, the homeless poor who are hauled away by the city like trash, except it has no place to dump them. To speak of one thing is to suppress another.”

“There's a reason survivors choose not to go to the police, and that's because they're treated as the criminals. The rapists are innocent until proven guilty, but survivors are guilty until proven innocent - at least in the eyes of the police.”

“Most days I feel like the sole survivor of a shipwreck, rowing my paddleboat across a sea of people on waves made of an infinite array of hands and crests that reveal anonymous faces. On a good day, the clouds part to alight on-lo and behold-an island! I step ashore, only find that it too is made of people, mangled bodies somehow still alive. They grab at my feet, pulling me under like quicksand. The last thing I see before suffocating is the sky, a billion eyes staring down, blinking in undulating electric ripples. The cold rain I feel on my cheeks is the tears of the people.”

“I felt hopeful for the future because Obama is here. But nothing has changed. It's time for young kids to get serious again and really think about what their four fathers were like. As African-Americans, we are resilient, we are some bad mf-ers, and we are survivors. So get those i-pods out of their ears and become heroes again like the Freedom Riders.”

“When the war (WWI) finally ended it was necessary for both sides to maintain, indeed even to inflate, the myth of sacrifice so that the whole affair would not be seen for what it was: a meaningless waste of millions of lives. Logically, if the flower of youth had been cut down in Flanders, the survivors were not the flower: the dead were superior to the traumatized living. In this way, the virtual destruction of a generation further increased the distance between the old and the young, between the official and the unofficial.”

“When we're in the story, when we're part of it, we can't know the outcome. It's only later that we think we can see what the story was. But do we ever really know? And does anybody else, perhaps, coming along a little later, does anybody else really care? ... History is written by the survivors, but what is that history? That's the point I was trying to make just now. We don't know what the story is when we're in it, and even after we tell it we're not sure. Because the story doesn't end.”

“There's another way to edit the sentence, which is to add a comma before the second 'which.' The survivor is struggling toward 'some resolution,' not a specific resolution that the mind may never find. The final clause is an appended thought, not a conclusion of the previous clause: 'Death ends a life, but it does not end a relationship, which struggles on in the survivor's mind toward some resolution, which it may never find.'”

“Advance warning of Katrina's path was wrested from mute Nature by meteorological calculations and satellite imagery. God told no one of His plans. Had the residents of New Orleans been content to rely on the beneficence of God, they wouldn't have known that a killer hurricane was bearing down upon them until they felt the first gusts of wind on their faces. And yet, as will come as no surprise to you, a poll conducted by The Washington Post found that 80 percent of Katrina's survivors claim that the event only strengthened their faith in God.”

“Here's my proposal, which is based on the TV show Survivor: We put the entire Congress on an island. All the food on this island is locked inside a vault, which can be opened only by an ordinary American taxpayer named Bob. Every day, the congresspersons are given a section of the Tax Code, which they must rewrite so that Bob can understand it. If he can, he lets them eat that day; if he can't, he doesn't.”

“As we grow older we think more and more of old persons and of old things and places. As to old persons, it seems as if we never know how much they have to tell until we are old ourselves and they have been gone twenty or thirty years. Once in a while we come upon some survivor of his or her generation that we have overlooked, and feel as if we had recovered one of the lost books of Livy or fished up the golden candlestick from the ooze of the Tiber.”

“I try to make films where the audience forgets the filmmaking and gets engrossed in the story as it unfolds. I don't want them to ever feel bored, or that they're being told what to think, or to feel depressed. I don't like films about victims - I want to celebrate brave survivors like Brenda and the wonderful women in the film.”

“Maybe at the core of me, I'm a survivor, but I don't do it on purpose. Sometimes, in acting of course with your performance, some of your own personal character seeps through. My performance goal has always been to perform for the audience. People pay their hard earned money, and so I always desire to give all of myself in every single scene.”

“One of the top challenges is the fact that you are dealing with survivors. Every time you deal with a documentary film subject it is fraught with obvious minefields but when you are dealing with a population that is severely traumatized and trying to recover from that trauma there is an extra level of vigilance and care and attention that has to be implemented all the time at every level.”

“Well, there isn't any one profile of a survivor, but there are profiles. Depending on the disaster you have certain advantages and disadvantages just based on who you are. Women are more likely to survive hurricanes. In hurricanes the deaths come from floods and people driving through high water. That's much more likely to be a man who dies that way.”

“I believe that at the beginning of the life of every artist there is some kind of trauma. We have a problem and all of our life we try to speak about this problem. My trauma was historical. When I was three or four, all the friends of my parents were survivors of the Holocaust; they spoke a lot about that. My father was hiding during the war, it was something totally present when I was a boy. It is sure that it has made me.”

“I think it's really hard to say now what makes a show kind of sink or swim, and what creates longevity. For instance, I think that Survivor is a very well produced show. It's very simple, it's very elemental, and I think it gets into big issues. I think American Idol has been an amazing show for many, many seasons.”

“I think the biggest challenge was being aware of a certain audience that was going to see this film [lone survivor]. There's a big difference from a typical movie, journalists and critics and film goers that go see it find that, that's the general experience you have as a filmmaker. So that just kind of proves my point that there's a really different audience.”