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Toys Quotes

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Toys Quotes

“Ever since I began working with toys, I have been intrigued with the idea that these seemingly benign objects could take on such incredible power and personality simply by the way they were photographed. I began to realize that by carefully selecting the depth of field and making it narrow, I could create a sense of movement and reality that was in fact not there”

“When I was creative director [at Estée Lauder], I was always being asked about my beauty must-haves. From there I had this fun idea to create a line of what was in my makeup bag. But I also love accessories, and people associate me with home, family, and beauty. As a girl, my favorite toy was my dollhouse; if I could still play with it now, I would! I used to love a well-arranged room: the furniture, the fabric, the lighting.”

“I often accompanied my father. I really liked riding with him on his bicycle on Saturdays. He was very fond of fishing. I don’t think I liked fishing. I mean, you had to sit quietly and still, but I enjoyed the ride. And it was fun, it was fun. I mean, as I say, you didn’t go around lugging a deep sense of resentment. We knew, yes, we were deprived. It wasn’t the same thing for white kids, but it was as full a life as you could make it. I mean, we made toys for ourselves with wires, making cars, and you really were exploding with joy!”

“The weaving of mankind into one community does not imply the creation of a homogeneous community, but rather the reverse; the welcome and adequate utilization of distinctive quality in an atmosphere of understanding.... Communities all to one pattern, like boxes of toy soldiers, are things of the past, rather than of the future.”

“He brought toys to the children because they were little and helpless, and because he loved them.”

“Dear Brothers and Sisters, Never resort to war! Never war! Above all, I think of all the children who are robbed of their hope for a better life and a decent future. Killed children, wounded children, mutilated children, orphans, children who play with remnants of war, instead of toys. Children who don't know how to smile. Please stop! I ask you with all my heart. It's time to stop. Stop it please!”

“I like my boy with his endless sweet soliloquies and iterations and his utter inability to conceive why I should not leave all my nonsense, business, and writing and come to tie up his toy horse, as if there was or could be any end to nature beyond his horse. And he is wiser than we when [he] threatens his whole threat "I will not love you."”

“But from the perspective of the aging parent, there is no major difference between four and fifteen, except that when your child is four, his motoring privileges are restricted to little toy Fisher-Price vehicles which are unlikely (although I would not totally rule it out in America) to sue you.”

“I didn't think that and I didn't verbalize that to myself or within meetings that we ever had, but we wanted to make a hard-nosed, gritty, realistic spy thriller. Roger talked about using lenses. He shot hi-def, but using anamorphic lenses that he'd found from this warehouse. He was so thrilled with that. Him and Romain [Lacourbas] were just like kids in a toy store with their lenses.”

“We've never pulled from the toy line. We've always pulled from the mythology. What's great is there's so much mythology, so there's always stuff to pull from that. It never lines up perfectly for a movie; it's just like adapting a book or anything else, you know? But you come up with things to create, you come up with different ideas, but fundamentally the ideas always start from the mythology.”

“The price of Christmas toys is outrageous - a hundred dollars, two hundred dollars for video games for the youngsters. I remember a Christmas years ago when my son was a kid. I bought him a tank. It was about a hundred dollars, a lot of money in those days. It was the kind of tank you could actually get inside and ride in. He played in the box it came in. It taught me a very valuable lesson. Next year he got a box. And I got a hundred dollars' worth of scotch.”

“Our audience holds us to an incredibly high standard of continuity and emotional authenticity. We don't toy with that, but oftentimes we write stories, in order to spark debate. We're very determined to always give the answer. We don't want to leave a lot of things open to debate, at the end of the day.”