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Twenties Quotes

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Twenties Quotes

“We could have made it to the Arizona border in a few more hours if we hadn't been distracting each other with stupid little arguments. Don't get me wrong; I liked J.Lo fine. I've made that bed. But I'm not sure there's a person in the world I could be with twenty-four hours a day for three weeks without getting a little snippy. If I ever meet such a person, I'm marrying them.”

“Little brother, I don’t mean to be a downer, but we’re talking about War here. There’s no way to mitigate damages. He won’t let us. I was there with twenty-five Chthonians to fight him and he spanked our hides like we were Lemurian slave women. Two of us had our hearts ripped out and shoved down our throats while he laughed, then he licked the blood clean from his fingers and came at the rest of us. (Savitar)”

“Twenty aspirin, a little slit alongside the veins of the arm, maybe even a bad half hour standing on a roof: We've all had those. And somewhat more dangerous things, like putting a gun in your mouth. But you put it there, you taste it, it's cold and greasy, your finger is on the trigger, and you find that a whole world lies between this moment and the moment you've been planning, when you'll pull the trigger. That world defeats you. You put the gun back in the drawer. You'll have to find another way.”

“I'll tell them how I survive it. I'll tell them that on bad mornings, it feels impossible to take pleasure in anything because I'm afraid it could be taken away. That's when I make a list in my head of every act of goodness I've seen someone do. It's like a game. Repetitive. Even a little tedious after more than twenty years. But there are much worse games to play.”

“If poets often commit suicide, it is not because their poems are bad but because they are good. Whoever heard of a bad poet committing suicide? The reader is only a little better off. The exhilaration of a good poem lasts twenty minutes, an hour at most. Unlike the scientist, the artist has reentry problems that are frequent and catastrophic.”

“They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then—how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal.”

“…I'm sorry, and a little dissatisfied as well. Miss Stacy told me long ago that by the time I was twenty my character would be formed, for good or evil. I don't feel that it's what it should be. It's full of flaws.' 'So's everybody's,' said Aunt Jamesina cheerfully. 'Mine's cracked in a hundred places. Your Miss Stacy likely meant that when you are twenty your character would have got its permanent bent in one direction or 'tother, and would go on developing in that line.”

“Does character develop over time? In novels, of course it does: otherwise there wouldn't be much of a story. But in life? I sometimes wonder. Our attitudes and opinions change, we develop new habits and eccentricities; but that's something different, more like decoration. Perhaps character resembles intelligence, except that character peaks a little later: between twenty and thirty, say. And after that, we're just stuck with what we've got. We're on our own. If so, that would explain a lot of lives, wouldn't it? And also - if this isn't too grand a word - our tragedy.”

“My friend Madea has "attitude" that comes with wisdom. Back in our teens and twenties, we thought we knew everything and made all those foolish mistakes. Then, when we got a little older, at thirty, we started getting these flashes of light, revelations of what a great and lucky thing it is that we didn't get caught doing those stupid things back then. Around forty, if we are lucky, we stop lying to ourselves. Fifty and above, we've run out of patience for foolishness. Take me to the bottom line.”

“No, books. She would have maybe twenty going at a time, lying all over our house--on the kitchen table, by her bed, the bathroom, our car, her bags, a little stack at the edge of each stair. And she'd use anything she could find for a bookmark. My missing sock, an apple core, her reading glasses, another book, a fork.”

“Valancy herself had never quite relinquished a certain pitiful, shamed, little hope that Romance would come her way yet - never, until this wet, horrible morning, when she wakened to the fact that she was twenty-nine and unsought by any man. Ay, there lay the sting. Valancy did not mind so much being an old maid. After all, she thought, being an old maid couldn’t possibly be as dreadful as being married to an Uncle Wellignton or an Uncle Benjamin, or even an Uncle Herbert. What hurt her was that she had never had a chance to be anything but an old maid.”

“Master those books you have. Read them thoroughly. Bathe in them until they saturate you. Read and reread them…digest them. Let them go into your very self. Peruse a good book several times and make notes and analyses of it. A student will find that his mental constitution is more affected by one book thoroughly mastered than by twenty books he has merely skimmed. Little learning and much pride comes from hasty reading. Some men are disabled from thinking by their putting meditation away for the sake of much reading. In reading let your motto be ‘much not many.”

“I finally made friends with my father when I entered my twenties. We had so little in common when I was a boy, and I am certain I had been a disappointment to him. He did not ask for a child with a book, off in its own world. He wanted a son who did what he had done; swam and boxed and played rugby, and drove cars at speed with abandon and joy, but that was not what he wound up with.”

“Teenagers don't know what love is. They have mixed-up ideas. They go for a drive and the boy runs out of gas and they smooch a little and the girl says she loves him. That isn't love. Love is when you are married twenty-five years, smooching in your living room and he runs out of gas and she says she still loves him. That's love.”

“Loveliest of trees, the cherry now Is hung with bloom along the bough, And stands about the woodland ride Wearing white for Eastertide. Now, of my threescore years and ten, Twenty will not come again, And take from seventy springs a score, It only leaves me fifty more. And since to look at things in bloom Fifty springs are little room, About the woodlands I will go To see the cherry hung with snow.”

“I am above the forest region, amongst grand rocks & such a torrent as you see in Salvator Rosa's paintings vegetation all a scrub of rhodods. with Pines below me as thick & bad to get through as our Fuegian Fagi on the hill tops, & except the towering peaks of P. S. that, here shoot up on all hands there is little difference in the mt scenery—here however the blaze of Rhod. flowers and various colored jungle proclaims a differently constituted region in a naturalists eye & twenty species here, to one there, always are asking me the vexed question, where do we come from?”

“What is the reason that some believers are so much brighter and holier than others? I believe the difference, in nineteen cases out of twenty, arises from different habits about private prayer. I believe that those who are not eminently holy pray little, and those who are eminently holy pray much.”

“The students I've been with these twenty years are looking for a world where it becomes a little easier to love and a lot harder to hate, where learning nonviolence means that we dedicate our hearts, minds, time, and money to a commitment that the force of love, the force of truth, the force of justice, and the force of organized resistance to corrupt power are seen as sane and the force of fists, guns, armies, and bombs insane.”

“It is the duty of all papas and mammas to forbid their children to drink coffee, unless they wish to have little dried-up machines, stunted and old at the age of twenty... once saw a man in London, in Leicester Square, who had been crippled by immoderate indulgence in coffee; he was no longer in any pain, having grown accustomed to his condition, and had cut himself down to five or six cups a day.”

“I was wholly at peace, at ease and at rest, so that there was nothing upon earth which could have afflicted me. This lasted for a time, and then I was changed ... I felt there was no ease or comfort for me except faith, hope and love, and truly I felt very little of this. And then presently God gave me again comfort and rest for my soul ... And then again I felt the pain, and then afterwards the delight and joy, now the one and now the other, again and again, I suppose about twenty times.”

“So there he is at last. Man on the moon. The poor magnificent bungler! He can't even get to the office without undergoing the agonies of the damned, but give him a little metal, a few chemicals, some wire and twenty or thirty billion dollars and vroom! there he is, up on a rock a quarter of a million miles up in the sky.”

“Well I’ve been doing it for about twenty years, I did films when I was a little kid, when I was about six or seven, I was in films and I had this really high voice, I did a series called Dinobabies, that was my first one. And then after that I did Madeline, yeah so it just kind of happened and then never went away. Then everyone said your voice is going to change and you’ll be out... No, no, still on helium.”

“When I started looking for pointed shoes, I used to go to Fairfax on Orchard Street in New York City, one of those little pushcart guys. I'd say, 'You got any pointy shoes?' They would go way, way in the back and come back with a dusty box, blow the dust off the top, and say, 'What do you want with these things? Give me twenty bucks. Go on, get outta here!' And that was the beginning.”