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“Back in the days when American billboard advertising was in flower [said Hemingway], there were two slogans that I always rated above all others: the old Cremo Cigar ad that proclaimed, Spit Is a Horrid Word-but Worse on the end of Your Cigar, and Drink Schlitz in Brown Bottles and Avoid that Skunk Taste. You don't get creative writing like that any more.”

“It's disheartening that animal people criticize societies that enlist the help of actors or organize creative acts like 'I'd rather go naked than wear fur,' to increase public awareness to our cause. These are great/courageous ideas which time has come! Liberation of animals is REVOLUTION - not elegant performance/ intellectual competition. We should do most anything to advance the animal rights cause. All the bickering may make the one step forward... TWO STEPS BACKWARD???”

“Choose one thing and become a master of it. Choose a second thing and become a master of that. When you become a master of two worlds, say, engineering and business, you can bring them together in a way that will a) introduce hot ideas to each other, so they can have idea sex and make idea babies that no one has seen before and b) create a competitive advantage because you can move between worlds, speak both languages, connect the tribes, mash the elements to spark fresh creative insight until you wake up with the epiphany that changes your life.”

“For loving, working, and creative people to throw off the yoke of power it is necessary to abolish power itself, not merely to make the yoke comfortable. Where some have power, others do not, and the two classes persist. A free society is where all have power-power over and responsibility for their own lives, power and reason to respect the lives of others. This is also a society without classes, a society of human beings, not rulers and the ruled.”

“It seemed to me that I now saw the Star Maker in two aspects: as the spirit's particular creative mood that had given rise to me, the cosmos; and also, most dreadfully, as something incomparably greater than creativity, namely as the eternally achieved perfection of the absolute spirit. Barren, barren and trivial are these words. But not barren the experience.”

“In the early days the Cubism' method of grasping an object was to go round and round it. The Futurists declared that one had to get inside it. In my opinion the two views can be reconciled in a poetic cognition of the world. But to the very fact that they appealed to the creative depths in the painter by awakening in him hidden forces which were intuitive and vitalizing, the Futurist theories did more than the Cubist principles to open up unexplored and boundless horizons.”