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Wall Quotes

“I think the film [Aquarius] comes from that original feeling I had 18 years ago, when I was in a São Paulo supermarket. I was in line to pay for something, and when I looked up, I saw the little windows of a projection booth. That's when I realized the supermarket used to be a movie theater. They didn't even bother to change the walls. Years ago, "The Sound of Music" could've been playing in that space.”

“I mean you know at midnight everything is going to turn to pumpkins and mice; right? But if the evening goes along, I mean, you know, the guys look better all the time, the music sounds better, it's more and more fun, you think why the hell should I leave at quarter of 12. I'll leave at two minutes to 12. But the trouble is, there are no clocks on the wall. And everybody thinks they're going to leave at two minutes to 12.”

“If you're a realist, you know that people have different roles to play in politics, economics, and this is an important role, but I do think that there has to be an understanding of how what happens here on Wall Street has such broad consequences not just for the domestic but the global economy, so more thought has to be given to the process and transactions and regulations so that we don't kill or maim what works, but we concentrate on the most effective way of moving forward with the brainpower and the financial power that exists here.”

“You start with a generic body, but I think the first wall you hit with portraiture is comprised of history and storytelling and the nature of characters - whether they are historical or coming from literature or documentation. Those are the references we have to people, besides your family, and the intimacy of portraiture is in the specifics of individuals. For me, it came out of doing things about animals.”

“I could vanish the silk better than Ben Vereen - that was for sure. So I think maybe they said, "Okay, maybe he has something to offer." Years pass and I get a bit of a career, and Ben Vereen ends up hosting one of my specials where I walked through the Great Wall of China. Things came full circle in kind of an ironic way, when you have that honor of people that have influenced you so much host your show. It's a huge experience in your life.”

“We're full of electricity, and the walls and floor of a building contain carbon - the same makeup as a video tape - and I think we give off a huge amount of energy. Some people are able to see that and pick that up. I think almost every person I've met in my life has had some sort of experience that they can't explain, and those fascinate me.”

“I think people need to see on both sides. Seeing how the people in the Palestinian Territories can't move around - it's a maze now, with the wall, the road blocks and everything else. It takes you hours to get from one person's house to your job or to a friend or even to the hospital if someone's hurt. Then you go into Israel and see in Tel Aviv, where they have 12-18 bomb threats a day, which are real. It completely disrupts their life. Or Sderot where bombs are falling daily from the sky fired by Hamas militants in the Gaza Strip.”

“Occupy was not a movement, it was a tactic. You can't sit forever in a park near Wall Street. You can't do it for more than a few months. It was a tactic I had not predicted. If people asked me, I would have said "don't do it." But it was a great success, an enormous success, with a big impact on people's thinking, on people's actions.”

“I think that America is an ideal place for the privileged homeless, who are used to different cultures. It's easiest and most accommodating because it is a country of exiles and immigrants and newcomers. There are no walls, in that sense. There is always the sense that traditions are being made as we speak. So you can slot yourself in. If you are living at a distance in society, this is one of the most congenial societies to live in.”

“My colleagues knew I was writing poems. I never hid it from them. I don't think they ever thought I was cheating on them. So, I think they probably saw it as being rather peculiar, that I was doing that sort of thing, but nobody ever suggested I shouldn't be doing it. I think that would be different on Madison Avenue or Wall Street, where you're really expected to be doing 110 percent for the company.”

“There's no doubt that the Donald Trump administration, part of the red meat that he ran on from the first day when he announced his candidacy was a very extreme anti-immigrant rhetoric that he kept up through the whole campaign - the wall, deportation, more detention. And I think that that particular piece of red meat, he's going to throw out every once in a while and try to - of all the commitments that he's made, this is the one that is most disturbing, because it's one that he will try to fulfill through his presidency.”

“People think of a parasite as simply taking money, taking blood out of a host or taking money out of the economy. But in nature it's much more complicated. The parasite can't simply come in and take something. First of all, it needs to numb the host. It has an enzyme so that the host doesn't realize the parasite's there. And then the parasites have another enzyme that takes over the host's brain. It makes the host imagine that the parasite is part of its own body, actually part of itself and hence to be protected. That’s basically what Wall Street has done.”

“If you have the abilities to earn a lot of money and if you have the character to persist in giving that to the most effective charities you can find, then that may be the best thing that you can do. And - also, if you do become a Wall Street banker, I think you need to be aware of what you're doing in terms of your daily work, not just earning money to give a lot away. But you need to think about - am I harming people through the work that I'm doing?”

“Berlin is still a very edgy place, a very cosmopolitan place. It's a place where completely different ideas and cultures come together and clash in a very warm way. In a very warm-hearted way. It's a very young city. It's a vibrant city. It's an exciting city. It's a city that's also scarred by history. I think that's to be celebrated and graffiti is to be celebrated. Graffiti in Berlin is very different than when they spray something on the wall dividing the west bank and Israel. And should be treated as such in Berlin.”

“Trump's not showing up and trying to politely insert himself in political system and the way politicians do things. He's not trying to ingratiate himself. He doesn't care. He's elected to do specific things. His campaign, his agenda, his rallies, a very long list of specific things, and he reminded everybody, if you're thinking he's not gonna build a wall, if you're thinking that was just chatter, I'd change my mind if I were you.”

“I think there's no question that the barriers, the fences and in certain urban areas, the walls, have had an important effect in terms of increasing the manageability and the security of the border. But in fact as Secretary of Homeland Security General John Kelly acknowledged at his confirmation hearing, walls and barriers alone are insufficient to insure security.”

“I think a good painting or a good work of art does many things it wants, I mean, maybe 15 or 20 or 100. One of the things a painting does is to make the room look better. It improves the wall that it's on. Which is much harder than it looks. And that's a good thing. And if one engages with a painting on that level, that's fine, that's great. After some time, familiarity, the other things that a painting does, the other layers, they just start to make themselves felt.”

“And if I'm ahead, I can sometimes tell. It might mean I'm having a good swim, but pretty much, I'm just focused on how fast I'm going, how fast I'm feeling, and pretty much block everything out, the sounds, the sights, just kind of listen to the rhythm of the water, and just maintaining the same stroke, the same rhythm, the same tempo, and thinking about how I want to get my hand to the wall.”

“I like Paul Ryan, and to a certain extent, I feel bad for him. But this is a moment of moral choice. And if he says that Hillary Clinton is worse than a openly racist, Muslim-hating misogynist who wants to build a wall to exclude Mexicans, who thinks that a judge, an American judge because of his Mexican lineage cannot be fair to him, if you`re saying that Hillary Clinton is worse than all that, then I just think that that just is ridiculous, it`s absurd, and it really starts to damage the speaker`s credibility.”

“A lot of my friends are struggling. A lot of my friends didn't make movies, which was really hard and sad. I'm good friends with this film collective, Red Bucket, which made Daddy Longlegs and The Pleasure Of Being Robbed. They're climbing the walls. They're all making cartoon booklets now, because they can't raise the funds to make another movie. But I think that when it returns, which it hopefully will, there will be another surge of energy.”

“You do stuff that gets a reaction and you think 'that's a winner' and then it never sees the light of day. But the thing with improvisation is that 90% of what you come up with won't be used and for good reason. But you keep going for the occasional gem that you might come up with. You do a scene and a lot of the time. We wouldn't cut. So, you come up with something that might be funny and then you go, 'alright, what else'? So, you kind of throw stuff against the wall and see what happens. But you've got to be prepared to make a fool of yourself.”

“I did sit in cinemas as a kid looking at English and American movies thinking, "Wouldn't it be great if the characters were like real people?" And the worst thing is films are constantly advertising themselves, drawing attention to their style of things. But actually I make films that I think are extremely sophisticated and cinematic. But you don't want the audience thinking about the bloody film. You want them to think about what's going on, and believe in it. Be flies on the wall, you know?”

“What I really intend to achieve is to be that fly on the wall, and to try and observe as much as I can without affecting what I've seen. I want to get a sense that what I'm seeing in a place would have happened had I not be there. Were I to make myself an important presence, that would be lost. The danger of a certain other kind of reporting is that people give you what they think you are seeking. People know what you want. When I was traveling in Congo and Rwanda and people asked me what I wanted, I would say, "Nothing. I just want to be here." And that immediately disarmed them.”

“Generally, I don't want to do things. I feel lazy and unmotivated. It's only when an idea grabs hold of me and I can't get rid of it, when I try not to think about it and yet it's ambushing me all the time. I'm thrown up against a wall. The idea is saying to me, "You have to pay attention to me because I am going to be the future of your life for the next year or two or five." Then I submit. I get into it. It's something that becomes so necessary to me that I can't live without doing that project.”