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Young Women Quotes

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Young Women Quotes

“When I bought the [WNBA] team, I saw that no one really cared about them. Like the locker facilities that these young women have to work in-they weren't right. I want to give them the best locker room facilities and show them they're valued-because if you show them value, they're going to perform better. And this goes for all women, not just basketball players.”

“But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.”

“An interesting example is that the worst woman in the book, who is so cruel and violent, is the sorceress in "The Prince of the Black Islands." She's a beautiful young woman, and she has turned her husband into stone from the waist down. A traveling sultan finds him, in his dreadful state, and the man petrified from the waist down tells his sad story...how his wife comes every afternoon and beats him until the blood runs down. She's just unwontedly, arbitrarily cruel.”

“Someone said to me that we have to encourage more young women to want top-level editing jobs. I think that will happen naturally as we have more role models, more examples of boss ladies who aren't sad and cruel and overworked and undersexed like in DevilWearsPrada, but who are straight-up owning it and notable not for their gender but for their editorial savvy.”

“There's one logical generational difference and that is that young women will have more chances to support a female president than older women. Older women feel it's their last chance, so that's just a factual, obvious difference. But other than that it depends on experience, on individual experience.”

“Well, in Washington, this is a very hard time for Eleanor and Franklin. This is when Lucy Mercer first appears. And Lucy Mercer is Eleanor Roosevelt's own secretary. Very beautiful young woman, not unlike Eleanor Roosevelt: tall, blonde, thick haired. And FDR is having an affair with her, which Eleanor Roosevelt finds out when FDR returns from Europe in 1918 with the famous flu of 1918.”

“I think today's young women are an especially powerful breed. They will be taking on even greater challenges, which is why achieving personal empowerment is so important for them. These women are going to be holding positions of significant authority, owning more businesses, and shaping public policy.”

“It's really the story of a young woman, or two women, growing up in Naples in a poor neighborhood. The way that they get out of it - or don't get out of it - that's part of it. But it's also the story of the mid-20th century in Italy so it's really like a social, historical and personal novel. I think that even though I didn't live in Italy in those years, it did cover that same type of generational upbringing that someone like me might've had in America.”

“As the first woman to win Album of the Year at the Grammys twice, I want to say to all the young women out there, there are going to be people along the way who will try to undercut your success or take credit for your accomplishments or your fame.But if you just focus on the work and you don't let those people sidetrack you, someday, when you get where you are going, you will look around and you will know that it was you and the people who love you who put you there. And that will be the greatest feeling in the world. Thank you for this moment.”

“The main one is that these apparel jobs are a very important means for young women in these countries to gain autonomy. The other big lesson is that it can't be just about activism. This is most clear to me in the case of China, where we do not have freedom of the press. If the press is free and can report on what's happening, then change happens.”

“But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older.”

“I think the idea that feminism is dead is dangerous because it leads women and men to believe that (1) they don't have to do anything; the work has been done, and that everything is okay now; and (2) it leaves them kind of alone, I think, in a struggle, and that's something I've seen a lot when I go to colleges and I speak to young women.”

“There's no benefit to saying that you're a feminist. But you do kind of get a nice patriarchal pat on the head if you say, oh, I'm not like that, like I'm not one of those crazy feminists, which is something that happens a lot, where young women or young men will express some sort of feminist ideal, will say, you know, I think it's crap that Wal-Mart won't give out emergency contraception, but I'm not one of those crazy feminists.”

“I think that the ideal of young womanhood as it's seen in pop culture specifically is a really kind of vapid, conceited, concerned with money and looks kind of thing that you'll see in a lot of reality shows. And I think that's really damaging, not just because it's a terrible role model to put forth, but that it also puts across this idea to the American public that this is what young women are like, that this is what all young women in America are like.”

“Celia [Brady] is a young woman who, you know, she's still got that fresh young vibe about her but at the same time she's quite wise beyond her years and very mature and she has that womanly, sexy quality, but at the same time she's very youthful in her clothes. She has that interesting mix between the two. I really love that balance about fashion.”

“When I looked at [Fannie Lou] Hamer and that speech it seemed to me that she had to be the bravest woman ever, to come before that body and to assert her rights, when she knew that she was going lose that battle. But she did it anyway, because she knew she was speaking not just for herself and for that day, but for me, and for all the other young women who were coming behind her. She didn't know our names, but she was working for us. I find that incredibly empowering.”

“The Hillary Clinton story basically is this. And see how similar this sounds to the old days before the modern era of feminism raised its head. You're a girl, you're a young woman, what do you do? You go off to college. That's what she did. Why do you go? To meet your husband. That's what she did. She wouldn't be where she is if it weren't for her husband.”

“I have been really heartened by how much coverage there has been about inequality of pay across the board, between the entertainment industry and almost every industry worldwide. And just the problem of young women not getting an education, not being able to have an equal position in the cultures all around the world.”