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A. O. Scott

A. O. Scott Quotes

Journalist

A. O. Scott, born on July 10, 1966, is an accomplished journalist. His career spans various fields, including film criticism, cultural analysis, and news reporting. Scott is known for his in-depth analysis and unique perspectives, providing readers with a distinctive viewpoint.

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Famous A. O. Scott Quotes

“STORIES WE TELL is one of the boldest and most exciting films I’ve seen in the last six months, and the kind of experience that has the power to alter your perception of the world.”

World Kind Stories Lasts Film Months Six Perception Exciting Six Months Perception Of The World

Author:A. O. Scott

“The musical performances do more than enrich the movie; they complete it.”

Performances Musical Musical Performance

Author:A. O. Scott

“Not just a timely movie, a great one...Timbuktu feels at once timely and permanent, immediate and essential.”

Feels Essentials Permanent Great Ones Timely Timbuktu

Author:A. O. Scott

“AN ABSOLUTELY VITAL FILM. Exacting, enraging and revelatory. A clear, temperate and devastating account of high level arrogance and incompetence.”

Film Levels Clear Accounts Arrogance Incompetence High Level

Author:A. O. Scott

“Campaign may invite a certain skepticism about democracy, but it will surely restore your faith in cinema verite.”

May Certain Democracy Campaigns Cinema Invites Skepticism

Author:A. O. Scott

“A piercing satire, a poignant family drama and an investigation of the competing claims of honesty, loyalty, ambition and love.”

Honesty Drama Ambition And Love Claims Loyalty Satire Investigation Competing Family Drama Poignant Piercings

Author:A. O. Scott

“STARTLING & INVENTIVE...This is not a movie that lets go of you easily.”

Author:A. O. Scott

“Subtle, funny and touching, with a striking downbeat authenticity. Director Craig Zobel is the real thing.”

Real Directors Authenticity Subtle Touching Real Things

Author:A. O. Scott

“The silliness-much of which is clearly intentional-is blended with some genuine grandeur. The Pixar touch is evident in the precision of the visual detail and in the wit and energy of Michael Giacchino's score, but the quality control that has been exercised over this project also has a curiously undermining effect. The movie eagerly sells itself as semitrashy, almost-campy fun, but it is so lavish and fussy that you can't help thinking that it wants to be taken seriously, and therefore you laugh at, rather than with, its mock sublimity.”

“ADMIRABLY BOLD. There's something grand about the film's sincerity and the intensity of its emotions and something fresh and bold about the way director Gray uses the conventions of romantic melodrama.”

Way Use Film Emotion Directors Gray Intensity Sincerity Conventions Melodrama

Author:A. O. Scott

“Every art form changes, often at rates and in ways that cause discomfort to its devotees. But the arts also have a remarkable ability to withstand and absorb those changes, and to prove wrong the prophecies of their demise.”

Way Art Form Causes Ability Prove Rate Architecture Remarkable Prophecy Discomfort Demise Devotee

Author:A. O. Scott

“The camera has an uncanny ability to capture the world as it is, to seize events as they happen, and also to conjure visions of the future. But by the time the image reaches the eyes of the viewer, it belongs to the past, taking on the status of something retrieved.”

World Happens Eye Past Ability Vision Events Cameras Capture Viewers Uncanny Visions Of The Future

Author:A. O. Scott

“Tiny as a sparrow, fierce as an eagle, Lisbeth Salander is one of the great Scandinavian avengers of our time, an angry bird catapulting into the fortresses of power and wiping smiles off the faces of smug, predatory pigs.”

Faces Bird Angry Tiny Our Time Fierce Pigs Eagles Sparrows Fortresses Avengers Predatory Scandinavians Angry Birds Lisbeth Salander

Author:A. O. Scott

“Those reliable axioms about the taste and expectations of the mass movie audience are not so much laws of nature as artifacts of corporate strategy. And the lessons derived from them conveniently serve to strengthen a status quo that increasingly marginalizes risk, originality and intelligence.”

Law Audience Risk Lessons Taste Mass Expectations Strategy Corporate Originality Status Quo Laws Of Nature Axioms Artifacts

Author:A. O. Scott

“War of the Worlds is rated PG-13. Much of the earth's population is wiped out, leaving very little time for sex or bad language.”

World Littles War Earth Language Sex Leaving Population War Of The Worlds Little Time Bad Language

Author:A. O. Scott

“My fellow critics and I may occasionally fault a movie for departing, in detail or in spirit, from its literary source, but the grousing of a few adult pedants is nothing compared to the wrath of several million bookish 10-year-olds. Their presumed demands, and the hovering spirit of Harry's creator, J. K. Rowling, inhibit this movie as it did the first Potter film.”

Years Firsts May Film Spirit Millions Source Demand Adults Fellows Faults Critics Details Creator Wrath Potters Hovering Pedants Departing

Author:A. O. Scott

“Recently, I took my son to see The Haunted Mansion, which was one of the worst things (I hesitate even to call it a movie) that I have ever seen. He thought it was better than Finding Nemo and we had a fruitless argument which I'm sure made him acutely aware of the disadvantages of having a film critic for a dad.”

Made Film Worst Son Dad Findings Argument Critics My Son Worst Things Disadvantages Mansions Nemo Film Critics

Author:A. O. Scott

“We have reached a strange new place in marketing when tweets become full-page print ads.”

Strange Pages Marketing Print Ads Tweet New Places

Author:A. O. Scott

“I can't decide if this movie is so spectacularly, breathtakingly dumb as to induce stupidity in anyone who watches, or so brutally brilliant that it disarms all reason. What's the difference?”

Ifs I Can Reason Differences Watches Stupidity Brilliant Dumb

Author:A. O. Scott

“Pearl Harbor is strenuously respectful of contemporary sensitivities, sometimes at the cost of accuracy.”

Sometimes History Cost Contemporary Sensitivity Pearls Harbors Respectful Accuracy

Author:A. O. Scott

“The movie, like the book before it, is an expertly built machine for the mass production of tears. Directed by Josh Boone 'Stuck in Love', with scrupulous respect for John Green's best-selling young-adult novel, the film sets out to make you weep - not just sniffle or choke up a little, but sob until your nose runs and your face turns blotchy. It succeeds.”

Littles Book Running Film Faces Young Turns Novel Tears Succeed Mass Adults Built Machines Green Young Adult Productions Stuck Selling Noses Your Face Choke Josh Film Set Mass Production

Author:A. O. Scott

About the Author

Born: July 10, 1966
Known for: Journalist
Quotes: 21

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