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Arthur Miller

Arthur Miller Quotes

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Famous Arthur Miller Quotes

“One day the thought hit me—could the whole story of the Jews in Egypt have simply been a poem? More or less like Homer describing magical cattle, and ravenous women and so on? Ancient peoples saw no difference between a vivid description of marvels and what we call reality—for them the description itself was the reality. In short, the Jews may never have been literally enslaved in Egypt; or perhaps some had been, but the story as we know it may have been largely fictional, an overwhelmingly powerful act of imagination.”

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Book:Resurrection Blues: A Prologue and Two Acts
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“Success, instead of giving freedom of choice, becomes a way of life. There's no country I've been to where people, when you come into a room and sit down with them, so often ask you, "What do you do?" And, being American, many's the time I've almost asked that question, then realized it's good for my soul not to know. For a while! Just to let the evening wear on and see what I think of this person without knowing what he does and how successful he is, or what a failure. We're ranking everybody every minute of the day.”

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Book:The Collected Essays of Arthur Miller
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“The shadow of a cornstalk on the ground is lovely, but it is no denial of its loveliness to see as one looks on it that it is telling the time of day, the position of the earth and the sun, the size of our planet and its shape, and perhaps even the length of its life and ours among the stars.”

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Book:The Collected Essays of Arthur Miller
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“If you complain of people being shot down in the streets, of the absence of communication or social responsibility, of the rise of everyday violence which people have become accustomed to, and the dehumanization of feelings, then the ultimate development on an organized social level is the concentration camp... The concentration camp is the final expression of human separateness and its ultimate consequence. It is organized abandonment.”

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Author:Arthur Miller
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“When irrational terror takes to itself the fiat of moral goodness somebody has to die. ... No man lives who has not got a panic button, and when it is pressed by the clean white hand of moral duty, a certain murderous train is set in motion.”

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Book:Collected Essays: (Penguin Classics Deluxe Edition)
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“A genuine invention in the realm of ideas must first emerge as an abstruse and even partial concept? At first blusha new idea appearstobe verycloseto insanity because to be new it must reverse important basic beliefs and assumptions which, in turn, have been institutionalized and are administered by one or another kind of priesthood with a vested interest in an old idea.”

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Author:Arthur Miller
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“The Crucible became by far my most frequently produced play, both abroad and at home. Its meaning is somewhat different in different places and moments. I can almost tell what the political situation in a country is when the play is suddenly a hit there it is either a warning of tyranny on the way or a reminder of tyranny just past.”

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Book:The Crucible
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“The culture of the United States has flooded the world. It's the inevitable result of a powerful culture, art. We've got an instinctive touch when it comes to the popular mind because we've had no aristocracy. It is a democratic country. And we know without knowing it, without bothering to understand it, how to reach ordinary people, sometimes with the most vulgar, worthless junk on the face of the earth, but we know how to do it [laughter].”

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Author:Arthur Miller
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“As a writer, I've always believed that while my work and I myself are embedded in whatever period I am writing about, clearly I am sensitive to the winds that are blowing in the culture. At the same time, I have always felt that the issue was not to deal with the problem in the abstract, but to deal with the people who are in that problem. The emphasis is on the people. The general problem begins to resolve itself even before the play is finished.”

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Author:Arthur Miller
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“The Greeks used to use the same stories, the same mythology, time after time, different authors. There was no premium placed upon an original story, and indeed, Shakespeare likewise. A lot of people wrote plays about great kings. They didn't expect a brand-new story. It was what that new author made of the old story. It is probably the same now. We disguise it by inventing what seem to be new stories, but they're basically the same story anyway.”

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Author:Arthur Miller
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“There is a problem on the so-called commercial stage in New York. The price of a ticket is exorbitant, and there are no longer original productions possible, apparently, on the commercial stage. They are all plays that were taken from either England or smaller theaters, off-Broadway theaters, and so on. The one justification there used to be for the commercial theater was that it originated everything we had, and now it originates nothing. But the powers that be seem perfectly content to have it that way. They don't risk anything anymore, and they simply pick off the cream.”

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Author:Arthur Miller
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