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“Nay, in the very matter of our world, the traces of the celestial commonwealth are not quite lost. Memory passes through the womb and hovers in the air. The Muse is a real thing. A faint breath, as Virgil says, reaches even the late generations. Our mythology is based on a solider reality than we dream: but it is also at an almost infinite distance from that base. And when they told him this, Ransom at last understood why mythology was what it was - gleams of celestial strength and beauty falling on a jungle of filth and imbecility.”

“By the way, don't 'weep inwardly' and get a sore throat. If you must weep, weep: a good honest howl! I suspect we - and especially, my sex - don't cry enough now-a-days. Aeneas and Hector and Beowulf, Roland and Lancelot blubbered like schoolgirls, so why shouldn't we?”

“Creatures, I give you yourselves," said the strong, happy voice of Aslan. "I give to you forever this land of Narnia. I give you the woods, the fruits, the rivers. I give you the stars and I give you myself. The Dumb Beasts whom I have not chosen are yours also. Treat them gently and cherish them but do not go back to their ways lest you cease to be Talking Beasts. For out of them you were taken and into them you can return. Do not so.”

“As long as he retains externally the habits of a Christian he can still be made to think of himself as one who has adopted a few new friends and amusements but whose spiritual state is much the same as it was six weeks ago. And while he thinks that, [he will not repent] of a definite, fully recognized, sin, ... only [vaguely and uneasily] feeling that he hasn't been doing very well lately... If such a feeling is allowed to live... it increases reluctance to think about [God]. All humans at nearly all times have some such reluctance; but when thinking of Him involves facing and intensifying a whole vague cloud of half-conscious guilt, this reluctance is increased tenfold. They hate every idea that suggests Him, just as men in financial embarrassment hate the very sight of a bankbook. In this state... {man] will increasingly dislike his religious duties. He will think about them as little as he feels he decently can beforehand, and forget them as soon as possible when they are over. He will want his prayers to be unreal, for he will dread nothing so much as effective contact with [his Heavenly Father]... Uneasiness and his reluctance to face it cut him off more and more from all real happiness...”

“I might be asked, ‘Do you equally reject the approach which begins with the question “What do modern children need?” — in other words, with the moral or didactic approach?’ I think the answer is Yes. Not because I don’t like stories to have a moral: certainly not because I think children dislike a moral. Rather because I feel sure that the question ‘What do modern children need?’ will not lead you to a good moral. If we ask that question we are assuming too superior an attitude. It would be better to ask ‘What moral do I need?’ for I think we can be sure that what does not concern us deeply will not deeply interest our readers, whatever their age. But it is better not to ask the question at all. Let the pictures tell you their own moral. For the moral inherent in them will rise from whatever spiritual roots you have succeeded in striking during the whole course of your life. But if they don’t show you any moral, don’t put one in.”

“You are indeed teaching me about kinds of love I did not know. It is like looking into a deep pit. I'm not sure whether I like your kind better than hatred. Oh, Orual- to take my love for you, because you know it goes down to my very roots and cannot be diminished by any other newer love, and then to make of it a tool, a weapon, a thing of policy and mastery, an instrument of torture- I begin to think I never knew you. Whatever comes after, something that was between us dies here.”

“I believe a man is happier, and happy in a richer way, if he has ‘the freeborn mind’. But I doubt whether he can have this without economic independence, which the new society is abolishing. For economic independence allows an education not controlled by Government; and in adult life it is the man who needs, and asks, nothing of Government who can criticize its acts and snap his fingers at its ideology.”

“For my own part, I tend to find the doctrinal books often more helpful in devotion than the devotional books, and I rather suspect that the same experience may await others. I believe that many who find that ‘nothing happens’ when they sit down, or kneel down, to a book of devotion, would find that the heart sings unbidden while they are working their way through a tough bit of theology with a pipe in their teeth and a pencil in their hand.”

“Polly was finding the song more and more interesting because she thought she was beginning to see the connection between the music and the things that were happening. When a line of dark firs sprang up on a ridge about a hundred yards away she felt that they were connected with a series of deep, prolonged notes which the Lion had sung a second before. And when he burst into a rapid series of lighter notes she was not surprised to see primroses suddenly appearing in every direction. Thus, with an unspeakable thrill, she felt quite certain that all the things were coming (as she said) “out of the Lion’s head.” When you listened to his song you heard the things he was making up: when you looked round you, you saw them. This was so exciting that she had no time to be afraid.”

“Getting over it so soon? But the words are ambiguous. To say the patient is getting over it after an operation for appendicitis is one thing; after he’s had his leg off is quite another. After that operation either the wounded stump heals or the man dies. If it heals, the fierce, continuous pain will stop. Presently he’ll get back his strength and be able to stump about on his wooden leg. He has ‘got over it.’ But he will probably have recurrent pains in the stump all his life, and perhaps pretty bad ones; and he will always be a one-legged man. There will be hardly any moment when he forgets it. Bathing, dressing, sitting down and getting up again, even lying in bed, will all be different. His whole way of life will be changed. All sorts of pleasures and activities that he once took for granted will have to be simply written off. Duties too. At present I am learning to get about on crutches. Perhaps I shall presently be given a wooden leg. But I shall never be a biped again.”

“I think I am beginning to understand why grief feels like suspense. It comes from the frustration of so many impulses that had become habitual. Thought after thought feeling after feeling, action after action, had H. for their object. Now their target is gone. I keep on through habit fitting an harrow to the string, then I remember and have to lay the bow down. So many roads lead thought to H. I set out on one of them. But now there's an impassable frontierpost across it. So many roads once; now so many culs de sac.”

“Keeping promises to the dead, or to anyone else, is very well. But I begin to see that 'respect for the wishes of the dead' is a trap. Yesterday I stopped myself only in time from saying about some trifle 'H. wouldn't have liked that.' This is unfair to the others. I should soon be using 'what H. would have liked' as an instrument of domestic tyranny; with her supposed likings becoming a thinner and thinner disguise for my own.”

“Slowly, quietly, like snow-flakes—like the small flakes that come when it is going to snow all night— little flakes of me, my impressions, my selections, are settling down on the image of her. The real shape will be quite hidden in the end. Ten minutes—ten seconds—of the real H. would correct all this. And yet, even if those ten seconds were allowed me, one second later the little flakes would begin to fall again. The rough, sharp, cleansing tang of her otherness is gone. What pitiable cant to say, ‘She will live forever in my memory!’ ‘Live?’ That is exactly what she won’t do. You might as well think like the old Egyptians that you can keep the dead by embalming them. Will nothing persuade us that they are gone? What’s left? A corpse, a memory, and (in some versions) a ghost. All mockeries or horrors. Three more ways of spelling the word ‘dead.”