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Cornel West

Cornel West Quotes

Philosopher

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Famous Cornel West Quotes

“I want to learn something from my atheistic brothers and sisters, even though I'm a Christian. I want to learn something from my right-wing brothers and sisters, even though I'm a progressive. I want to learn something from the elderly, even though I'm middle-aged or tilting toward the elderly. I want to learn especially something from the youth. That's why I spend a lot of time in hip-hop studios.”

“The right wing can use anything, and we have to make it very clear and I make it very clear that my love for the president in terms of protecting him and respecting him but also correcting, now all three of those are crucial, and if I can do all three, then the right wing can use it whatever they want, and I'm just clear where I stand, over against them but also critical when the president leans toward the strong, rather than the weak.”

“As a Christian, I got something the world didn't give me, the world can't take away, so I find joy that can never be reduced to anything. So I come into classroom on fire. I'm on fire for learning. I'm on fire for education, a paideia in the deepest sense of paideia, trying to get young people to shift from the superficial to the substantial, the shift from the bling-bling to letting freedom reign in their minds and hearts and souls.”

“In that chocolate side of town, in my blessed city of Sacramento, California - that was beginning of my death shudders, that's why Kierkegaard and Kafka began to make sense to me when I was very, very young - that radical sense fragility of life and inevitability of death; those trucks coming, if the truck came at a same time I was on the bridge, I was in the creek -my body would be the culinary delight of terrestrial worms.”

“Most importantly for me growing up, it was a spirituals, it was a gospels, it was James Cleveland, Aretha Franklin, Marion Williams; and then it was Curtis Mayfield - The Main Ingredient, The Whispers, Black Blue Magic, James Brown, Aretha Franklin, Luther Vandross - that music helped me preserves my sanity, help me preserve whatever dignity I was able to preserve, helping to keep going. It was a source of tremendous strength in my life.”

“And so the question becomes, what you do in the meantime? And you go - if you're forever on the move, especially in the life of the mind; forever reading veraciously, writing, speaking, lecturing, trying to unsettle minds, trying to touch souls, trying to encourage and inspire, on the one hand, but also trying to unhouse and unnerve people, so that they have to reexamine themselves, society and the world on the others. There's tremendous joy in it.”

“I had blackouts, fallen out, of course, the death threats, people showing up, putting guns to my wife's head with mask, and people having shot guns in the driveway, looking for me or announcing that I've already died before lectures and sending it through newspaper - sending it to newspaper columns they send my mother and so on. There's a real night side to my particular calling, which is try to bear witness to love and truth.”

“Collaborating with the musical genius of our time in some ways with Prince himself - late, great Gerald Levert,all these are forms of singing education, what the Greeks call paideia,that deep education to get us to shift from superficial things to serious things, to shift from bling-bling to life and death to justice and pain and joy, those fundamental, elemental things that we must come to terms with as we make our moves from our mother's womb to the tomb.”

“I think that in a certain sense, we're concerned about the same issues. How do you accent the progressive, the prophetic, those things that are critical of all forms of injustice, all forms of bigotry, all forms of dehumanizing other people, and yet still allow for a certain kind of flow, linguistic flow, certain kinds of melodies and harmonies in the samplings that take place?”

“I was deeply influenced by the sartorial practices of both preachers and jazz musicians and actually Masha in Act One of Anton Chekhov, my favorite writer's master piece,Three Sisters,when she arrives reflecting on whether they're ever going to get to Moscow, memories of the death of their father, and she's in black, and she says I'm in mourning for the world, saying in part that I have a sad soul and a cheerful disposition.”

“I think it's important not to view Martin Luther King Jr. in a narrow political manner. His fundamental commitment is to a radical love of humanity, and especially of poor and working people. And that radical love leads him to a radical analysis of power, domination and oppression. What's difficult is to situate him ideologically under a particular category.”

“It's clear that he was incredibly courageous in his critique of white supremacy, wealth inequality, and imperial power as it relates to war in particular. But it's easy to deodorize Martin King, to sanitize or sterilize him. And I simply want to reveal his radical love and his radical analysis as what they really were.”