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Elia Suleiman

Elia Suleiman Books

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“I think that whatever we express in terms of the potential truth is above all else about mobilizing ourselves for ourselves. We learn about ourselves as individuals. Identification with Palestine is universal and not restricted to geographic boundaries. It's a question of moral and ethical positions vis-à-vis all the injustices that surround us.”

ThinkingIndividualTermMoralPositionTruth IsUniversalInjusticeBoundariesEthicalSurroundPalestineIdentification
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“Palestine is an extremely familiar place to me. Someone like me who lives everywhere in the world cannot be contained. If my hope and ambitions are in the right place, you can judge that in my films. I want to make films that diffuse any local notion. Cinema criss-crosses borders and check points. If the film is good, then it's universal.”

IfsWorldWantFilmJudgingAmbitionCrossesUniversalNotionChecksLocalsFamiliarLike MeBordersCinemaPalestineRight PlaceFamiliar Places
Author:Elia Suleiman
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“The Time that Remains is a way of interpreting a certain ambience or emotion. These are the stories that my father told me over the course of fifteen or twenty years. I used to listen to him. From the cowardly part of my character, I'm always in fear of not telling the right story. I'm not interested in making epics.”

WayYearsCharacterStoriesUsedCertainCoursesFatherEmotionTwentiesRemainsNot InterestedFifteenEpicCowardlyInterpretingAmbience
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“Israel, the Israelis, and the rest of the world have been brainwashed. They don't think of pre-1948, they have no idea Palestinians were in Israel, who we were before '48. As if we were born in 1948 according to them. They have no notion that we had a country, houses, rebelled against the Ottomans and the British. They think history in that region started in that moment.”

IfsThinkingWorldHas BeensIdeasCountryMomentsHouseBornNotionIsraelBritishNo IdeaRegionsThat MomentPalestinianBrainwashedOttomansCountry Houses
Author:Elia Suleiman
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“The desire to express in an art form and to compose a tableau and vignette whether it's humorous, burlesque, or poetic comes simply from a desire to compose an image for cinema. It is not my fault that when I go to Ramallah there is a checkpoint and therefore it enters my film. Tell me a way to avoid that politicized image. The fact is that the police are everywhere, the army everywhere and occupation is total. Whether it's a love story or a thriller, you place the camera and these realities will cross the frame.”

WayArtFactsStoriesRealityFilmFormDesireHumorousCrossesArmyPoliceCamerasFaultsLove StoryCinemaPoeticOccupationThrillersBurlesqueVignettesCheckpointsTableau
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“To think that we are disconnected in some way serves the occupation whether it's through indifference or a distancing. It is a colonial approach of making you a subject and them the spectators. That is disturbing and counterproductive. And then suddenly they are surprised or find it alienating that the microcosmic effects of Palestine are happening in the U.S., France, and England, whether it's from the Islamic movements or immigration factors. Keeping a false purity of their countries will harm them eventually.”

ThinkingWayCountrySubjectsEffectsMovementApproachHappeningsEnglandHarmImmigrationFactorsFranceIndifferencePurityIslamicOccupationPalestineSpectatorsDisturbingDisconnectedCounterproductiveFrance And England
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“Palestine is about how we drink the water, whether we are being ecological or not. Palestine is our way of exercising our daily living. That's what's going to solve the problem of Palestine. It's also how we think of ourselves spiritually. This kind of disconnectedness is harmful to the person who is acting that way and is sometimes annoying.”

ThinkingWayKindPersonsSometimesProblemWaterActingExerciseDrinkSolveAnnoyingPalestineEcologicalDaily LivingDisconnectedness
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