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Erich Maria Remarque

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“What’s going on outside, Ravic?” “Nothing new, Kate. The world goes on eagerly preparing for suicide and at the same time deluding itself about what it’s doing.” “Will there be war?” “Everyone knows that there will be war. What one does not yet know is when. Everyone expects a miracle.” Ravic smiled. “Never before have I seen so many politicians who believe in miracles as at present in France and England. And never so few as in Germany.” She remained lying silent for a while. “To think that it should be possible—” she said then. “Yes— it seems so impossible that it will happen some day. Just because one considers it so impossible and doesn’t protect oneself against it.”

“A man cannot realize that above such shattered bodies there are still human faces in which life goes its daily round. And this is only one hospital, a single station; there are hundreds of thousands in Germany, hundreds of thousands in France, hundreds of thousands in Russia. How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture chambers in their hundreds of thousands. A hospital alone shows what war is.”

“Now we would wander around like strangers in those landscapes of our youth. We have been consumed in the fires of reality, we perceive differences only in the way tradesmen do, and we see necessities like butchers. We are free of care no longer – we are terrifying indifferent. We might be present in that world, but would we be alive in it? We are like children who have been abandoned and we are as experienced as old men, we are coarse, unhappy and superficial – I think that we are lost”

“But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure there would," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now who's in the right?" "Perhaps both," say I without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other--" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh, "Ach, man! he means the people as a whole, the State--" exclaims Mller. "State, State"--Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no, thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he would not become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more of a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same.”

“I lie down on many a station platform; I stand before many a soup kitchen; I squat on many a bench;--then at last the landscape becomes disturbing, mysterious, and familiar. It glides past the western windows with its villages, their thatched roofs like caps, pulled over the white-washed, half-timbered houses, its corn-fields, gleaming like mother-of-pearl in the slanting light, its orchards, its barns and old lime trees. The names of the stations begin to take on meaning and my heart trembles. The train stamps and stamps onward. I stand at the window and hold on to the frame. These names mark the boundaries of my youth.”

“He is right. We are not youth any longer. We don't want to take the world by storm. We are fleeing. We fly from ourselves. From our life. We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in war.”

“From the earth, from the air, sustaining forces pour into us--mostly from the earth. To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from the fear of death by shell-fire, then she is his only friend, his brother, his mother; he stifles his terror and his cries in her silence and her security; she shelters him and releases him fro ten seconds to live, to run, ten seconds of life; receives him again and often for ever.”

“We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognised that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe.”

“We do not see the guns that bombard us; the attacking lines of the enemy infantry are men like ourselves; but these tanks are machines, their caterpillars run on as endless as the war, they are annihilation, they roll without feeling into the craters, and climb up again without stopping, a fleet of roaring, smoke-belching armour-clads, invulnerable steel beasts squashing the dead and wounded—we shrivel up in our thin skin before them, against their colossal weight our arms are sticks of straw, and our hand-grenades matches.”

“When I see them here, in their rooms, in their offices, about their occupations, I feel an irresistible attraction in it, I would like to be here too and forget the war; but also it repels me, it is so narrow, how can that fill a man’s life, he ought to smash it to bits; how can they do it, while out at the front the splinters are whining over the shell-holes and the star-shells go up, the wounded are carried back on waterproof sheets and comrades crouch in the trenches. — They are different men here, men I cannot properly understand, whom I envy and despise.”

“Kamerad, ich wollte dich nicht töten. Sprängst du noch einmal hier hinein, ich täte es nicht, wenn auch du vernünftig wärest. Aber du warst mir vorher nur ein Gedanke, eine Kombination, die in meinem Gehirn lebte und einen Entschluß hervorrief - diese Kombination habe ich erstochen. Ich habe gedacht an deine Handgranaten, an dein Bajonett und deine Waffen - jetzt sehe ich deine Frau und dein Gesicht und das Gemeinsame. Vergib mir, Kamerad! Wir sehen es immer zu spät. Warum sagt man uns nicht immer wieder, daß ihr ebenso arme Hunde seid wie wir, daß eure Mütter sich ebenso ängstigen wie unsere und daß wir die gleiche Furch vor dem Tode haben und das gleiche Sterben und den gleichen Schmerz -. Vergib mir, Kamerad, wie konntest du mein Feind sein.”

“The tension has worn us out. It is a deadly tension that feels as if a jagged knife blade is being scraped along the spine. Our legs won't function, our hands are trembling and our bodies are like thin membranes stretched over barely repressed madness, holding in what would otherwise be an unrestrained outburst of endless scream.s. We have no flesh, no muscle now”

“And in the night you realize, when you wake out of a dream, overcome and captivated by the enchantment of visions that crowd in on each other, just how fragile a handhold, how tenuous a boundary separates us from darkness - we are little flames, inadequately sheltered by thin walls from the tempest of dissolution and insensibility in which we flicker and are often all but extinguished. Then the muted sounds of battle surrounds us, and we creep into ourselves and stare wide-eyed into the night.”

“How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture-chambers in their hundreds of thousands. A hospital alone shows what war is.”

“We were eighteen and had begun to love life and the world; and we had to shoot it to pieces. The first bomb, the first explosion, burst in our hearts. We are cut off from activity, from striving, from progress. We believe in such things no longer, we believe in the war." - All Quiet On The Western Front, Ch. 5”

“This book is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped shells, were destroyed by the war.”

“Kat and Kropp get in an argument over the war as they rest from an hour’s worth of drill (occasioned by Tjaden’s not saluting a major properly). Kat believes the war would be over if leaders gave all the participants “the same grub and the same pay,” as he says in a rhyme. Kropp believes the leaders of each country should fight each other in an arena to settle the war; the “wrong” people currently do the fighting.”

“We're no longer young men. We've lost any desire to conquer the world. We are refugees. We are fleeing from ourselves. From our lives. We were eighteen years old, and we had just begun to love the world and to love being in it; but we had to shoot at it. The first shell to land went straight for our hearts. We've been cut off from real action, from getting on, from progress. We don't believe in those things any more; we believe in the war.”

“Kropp on the other hand is a thinker. He proposes that a declaration of war should be a kind of popular festival with entrance-tickets and bands, like a bull fight. Then in the arena the ministers and generals of the two countries, dressed in bathing-drawers and armed with clubs, can have it out on themselves. Whoever survives the country wins. That would be much simpler and more than just this arrangement, where the wrong people do the fighting”