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Friedrich Nietzsche

Friedrich Nietzsche Books

Philologist

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“Those who can breath the air of my writings know that it is an air of the heights, a strong air. One must be made for it. Otherwise there is no small danger that one may catch cold in it. The ice is near, the solitude tremendous—but how calmly all things lie in the light! How freely one breathes! How much one feels beneath oneself! Philosophy, as I have so far understood and lived it, means living voluntarily among ice and high mountains—seeking out everything strange and questionable in existence, everything so far placed under a ban by morality. Long experience, acquired in the course of such wanderings in what is forbidden, taught me to regard the causes that so far have prompted moralizing and idealizing in a very different light from what may seem desirable: the hidden history of the philosophers, the psychology of the great names, came to light for me. How much truth does a spirit endure, how much truth does it dare? More and more that became for me the real measure of value. Error (faith in the ideal) is not blindness, error is cowardice.”

PhilosophyTruthCourageMountaineering
Author:Friedrich Nietzsche
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“Gratitude pours forth continually, as if the unexpected had just happened—the gratitude of a convalescent—for convalescence was unexpected…. The rejoicing of strength that is returning, of a reawakened faith in a tomorrow and the day after tomorrow, of a sudden sense and anticipation of a future, of impending adventures, of seas that are open again.”

StrengthGratitudeIllness And Hope
Book:The Gay Science: With a Prelude in Rhymes and an Appendix of Songs
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“To be incapable of taking one's enemies, one's accidents, even one's misdeeds seriously for very long - that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget [...]. Such a man shakes off with a single shrug many vermin that eat deep into others; here alone genuine "love of one's enemies" is possible”

StrengthLove Of SelfNoble Morality
Book:On the Genealogy of Morals
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“Doubt as sin. — Christianity has done its utmost to close the circle and declared even doubt to be sin. One is supposed to be cast into belief without reason, by a miracle, and from then on to swim in it as in the brightest and least ambiguous of elements: even a glance towards land, even the thought that one perhaps exists for something else as well as swimming, even the slightest impulse of our amphibious nature — is sin! And notice that all this means that the foundation of belief and all reflection on its origin is likewise excluded as sinful. What is wanted are blindness and intoxication and an eternal song over the waves in which reason has drowned.”

ThinkingReasonPhilosophyPurposeBeliefNatureSinExistenceDoubtAtheismHuman NatureThoughtsReflectionEternityMiracleBlindMetaphorMythMeaningMeaning Of LifePurpose Of LifeResurrectionBlindnessReligious FaithCritical ThinkingChristian FaithBlind FaithIntoxicationOriginWasted LifeSinfulResurrection Of JesusCritical ThoughtChristian MiracleDeath Of ReasonDoubt Is SinFoundation Of Belief
Book:Daybreak: Thoughts on the Prejudices of Morality
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“I love him whose soul is deep, even in being wounded, and who may perish through a minor matter: thus he goes willingly over the bridge. I love him whose soul is so overfull that he forgets himself, and all things are in him: thus all things become his going under. I love him who has a free spirit and a free heart: thus his head is only the guts of his heart; his heart, however, causes his going under. I love all who are like heavy drops falling one by one out of the cloud that lowers over man: they herald the coming of the lightning, and as heralds they perish.”

Philosophy
Book:Thus Spoke Zarathustra
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“Let us imagine a rising generation with this fearless gaze, with this heroic attraction to what is monstrous, let us imagine the bold stride of these dragon-killers, the proud recklessness with which they turn their backs on all the enfeebled doctrines of scientific optimism so that they may 'live resolutely', wholly and fully; would not the tragic man of this culture, given that he has trained himself for what is grave and terrifying, be bound to desire a new form of art, the art of metaphysical solace, in fact to desire tragedy as his very own Helen, and to call out along with Faust: And shall I not, with all my longing's vigour, Draw into life that peerless, lovely figure?”

ScienceDeathDesireHeroTragedyTragicHeroismFaust
Author:Friedrich Nietzsche
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“The levelling of the European man is the great process which cannot be obstructed; it should even be accelerated. The necessity of cleaving gulfs, distance, order of rank, is therefore imperative —not the necessity of retarding this process. This homogenizing species requires justification as soon as it is attained: its justification is that it lies in serving a higher and sovereign race which stands upon the former and can raise itself this task only by doing this. Not merely a race of masters whose sole task is to rule, but a race with its own sphere of life, with an overflow of energy for beauty, bravery, culture, and manners, even for the most abstract thought; a yea-saying race that may grant itself every great luxury —strong enough to have no need of the tyranny of the virtue-imperative, rich enough to have no need of economy or pedantry; beyond good and evil; a hothouse for rare and exceptional plants.”

PhilosophyHistoryAcceleration
Book:The Will to Power
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“The satyr, as the Dionysiac chorist, dwells in a reality sanctioned by myth and ritual. That tragedy should begin with him, that the Dionysiac wisdom of tragedy should speak through him, is as puzzling a phenomenon as, more generally, the origin of tragedy from the chorus. Perhaps we can gain a starting point for this inquiry by claiming that the satyr, that fictive nature sprite, stands to cultured man in the same relation as Dionysian music does to civilization. Richard Wagner has said of the latter that it is absorbed by music as lamplight by daylight. In the same manner, I believe, the cultured Greek felt himself absorbed into the satyr chorus, and in the next development of Greek tragedy state and society, in fact everything that separates man from man, gave way before an overwhelming sense of unity that led back into the heart of nature. This metaphysical solace (which, I wish to say at once, all true tragedy sends us away) that, despite every phenomenal change, life is at bottom indestructibly joyful and powerful, was expressed most concretely in the chorus of satyrs, nature beings who dwell behind all civilization and preserve their identity through every change of generations and historical movement. With this chorus the profound Greek, so uniquely susceptible to the subtlest and deepest suffering, who had penetrated the destructive agencies of both nature and history, solaced himself. Though he had been in danger of craving a Buddhistic denial of the will, he was saved through art, and through art life reclaimed him.”

ArtPhilosophyTragedy
Book:The Birth of Tragedy
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“It is always as it was between Achilles and Homer: one person has the experience, the sensation, the other describes it. A real writer only gives words to the affects and experiences of others; he is an artist in divining a great deal from the little that he has felt. Artist are by no means people of great passion, but they frequently present themselves as such, unconsciously sensing that others give greater credence to the passions they portray if the artist's own life testifies to his experience in this area. We need only let ourselves go, not control ourselves, give free play to our wrath or our desire, and the whole world immediately cries: how passionate he is! But there really is something significant in a deeply gnawing passion that consumes and often swallows up an individual: whoever experiences this surely does not describe it in dramas, music, or novels. Artists are frequently unbridled individuals, insofar, that is, as they are not artists: but that is something different.”

ArtArtistPassionImaginationExperienceWritersConfusingArtistsAchillesHomerArt Theory
Book:Human, All Too Human: A Book for Free Spirits
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“A man's imperative command is not only to say "no" in cases where "yes" would be a sign of "disinterestedness," but also to say "no" as seldom as possible. One must part with all that which compels one to repeat "no," with ever greater frequency. The rationale of this principle is that all discharges of defensive forces, however slight they may be, involve enormous and absolutely superfluous losses when they become regular and habitual. Our greatest expenditure of strength is made up of those small and most frequent discharges of it. The act of keeping things off, of holding them at a distance, amounts to a discharge of strength,—do not deceive yourselves on this point!—and an expenditure of energy directed at purely negative ends. Simply by being compelled to keep constantly on his guard, a man may grow so weak as to be unable any longer to defend himself.”

PhilosophySpontaneity
Book:Ecce Homo
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“It happens more frequently, as has been hinted, that a scientific head is placed on an ape’s body, a fine exceptional understanding in a base soul, an occurrence by no means rare, especially among doctors and moral physiologists. And whenever anyone speaks without bitterness, or rather quite innocently, of man as a belly with two requirements, and a head with one; whenever any one sees, seeks, and WANTS to see only hunger, sexual instinct, and vanity as the real and only motives of human actions; in short, when any one speaks ‘badly’—and not even ‘ill’—of man, then ought the lover of knowledge to hearken attentively and diligently; he ought, in general, to have an open ear wherever there is talk without indignation. For the indignant man, and he who perpetually tears and lacerates himself with his own teeth (or, in place of himself, the world, God, or society), may indeed, morally speaking, stand higher than the laughing and self- satisfied satyr, but in every other sense he is the more ordinary, more indifferent, and less instructive case. And no one is such a LIAR as the indignant man.”

Philosophy
Author:Friedrich Nietzsche
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“In some remote corner of the universe, poured out and glittering in innumerable solar systems, there once was a star on which clever animals invented knowledge. That was the haughtiest and most mendacious minute of "world history"- yet only a minute. After nature had drawn a few breaths the star grew cold, and the clever animals had to die.”

PhilosophyExistentialism
Book:On Truth and Untruth: Selected Writings
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“The solitary speaks."One receives as a reward for much ennui , ill-humour and boredom, such as a solitude without friends, books, duties or passions must entail, one harvests those quarters of an hour of the deepest immersion in oneself and nature. He who completely entrenches himself against boredom also entrenches himself against himself: he will never get to drink the most potent refreshing draught from the deepest well of his own being.”

SolitudeIndividualitySelf Realization
Book:Human, All Too Human: A Book for Free Spirits
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“Vanity and ambition as education. - So long as a man has not yet become an instrument of general human utility let him be plagued by ambition; if that goal has been attained, however, if he is working with the necessity of a machine for the good of all, then let him be visited by vanity; it will humanize him and make him more sociable, endurable and indulgent in small things, now that ambition (to render him useful) has finished roughhewing him.”

AmbitionIndividualityVanityUtilityCommon GoodCareer PathCycle Of Life
Book:Human, All Too Human: A Book for Free Spirits
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“How can we “find ourselves” again? How can man “know himself”? He is a thing obscure and veiled. If the hare has seven skins, man can cast from him seventy times seven skins, and not be able to say: “Here you truly are; there is skin no more.” Also this digging into oneself, this straight, violent descent into the pit of one’s being, is a troublesome and dangerous business to start. You may easily take such hurt, that no doctor can heal you. And what is the point: since everything bears witness to our essence — our friendships and enmities, our looks and greetings, our memories and forgetfulnesses, our books and our writing!”

PersonalityEssenceIndividualityTrue Self
Book:Schopenhauer as Educator
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“Business people - Your business - is your greatest prejudice: it ties you to your locality, to the company you keep, to the inclinations you feel. Diligent in business - but indolent in spirit, content with your inadequacy, and with the cloak of duty hung over this contentment: that is how you live, that is how you want your children to live!”

InspirationalPhilosophyCultural Criticism
Book:Daybreak: Thoughts on the Prejudices of Morality
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“As we know, priests make the most evil enemies – but why? Because they are the most powerless. Out of this powerlessness, their hate swells into something huge and uncanny to a most intellectual and poisonous level. The greatest haters in world history, and the most intelligent, have always been priests: – nobody else’s intelligence stands a chance against the intelligence of priestly revenge. The history of mankind would be far too stupid a thing if it had not had the intellect of the powerless injected into it...”

PhilosophyMorals
Book:On the Genealogy of Morals
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“You ask me about the idiosyncrasies of Philosophers? . . . There is their lack of historical sense, their hatred of even the idea of becoming, their Egyptianism. They think they are doing a thing honour when they dehistoricize it, sub specie aeterni – when they make a mummy of it. All that philosophers have handled for millennia has been conceptual mummies; nothing actual has escaped from their hands alive. They kill, they stuff, when they worship, these conceptual idolaters – they become a mortal danger to everything when they worship.”

PhilosophyEgyptianism
Book:Twilight of the Idols / The Anti-Christ
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