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John Ratzenberger

John Ratzenberger Biography

Actor

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“It was the last generation of writers [ the Cheers] that had grown up reading books instead of watching TV. So you weren't getting anything that was derivative of I Love Lucy or Happy Days. You were getting real characters [like those] they read in P.G. Wodehouse or Dickens or somewhere along the line, because they had all grown up with a love of literature.”

“I was a carpenter in Northern Vermont and got this tax refund check that just about covered a one-way airfare to London. So this I saw as a sign from God. So I went over to see Ray [Hussett] for a couple of weeks and ended up staying 10 years. I got work as a stage carpenter at the Oval House in Kennington, South London.”

“I don't know how many days I worked there [on Star Wars]. The thing I do remember was I somehow got a parking space next to Kermit the Frog. It was Jim Henson's space, with this Kermit the Frog sign. I took a photo of it and sent it to my mom with a caption that read, "Look, Mom. I made it. I got a parking space next to Kermit the Frog." I was always fascinated by the film-set infrastructures.”

“One of the high points in my career came from a time I had with Tim Conway on a film when I had him fall down with laughter. I had this scene with him where I was this mechanic down fixing his car. I can't remember what my line was as written, but they were okay with me doing a made-up line. So Tim asks me what's wrong with his car, and I look up and say, "Well, looks like you got a squirrel caught up in there."”

“It was when Boston invited us to do a parade one November, and I was the only [Star Wars] cast member skeptical of the willingness of people to come out to see us five actors drive by in antique cars in the Boston rain. Well, it was the first time I really understood the show's popularity.”

“That was actually Lloyd Phillips who was a Kiwi film producer in L.A. And it was about Gorgeous George, not Haystacks Calhoun. I was in a couple of Lloyd's films and got approached to write the story. People don't realize it, but Gorgeous George had this flamboyant, camp stage persona that had a tremendous influence on other celebrities, like Elton John, Liberace, Elvis Presley, and Mohammed Ali, who all wanted to establish their own outlandish stage personas. The project died because Gorgeous George's wife refused to give up the rights.”

“All over the US, there is a need to teach young people to, really, get them out in the backyard, building treehouses, fixing bicycles, because you become a better, more well-rounded, Renaissance personality if you actually know how to do things with your hands. If you can fix the screen door or replace your old garbage disposal, even change the tire on a car, a lot of people don't even know how to do that. We're literally running out of people who know how to do those things, the essential things like plumbing, carpentry, stone masonry, we're literally running out of them.”

“I don't want to go back to sitcoms - I'm a middle-aged, white guy - the high school principal who's a buffoon. It's hard enough raising kids now a days, and I don't want to be a part of a show that I'll be embarrassed watching shows like that with my kids and my mother. A lot of shows feel they need to get that for humor. You've have to have had a life experience; otherwise, it's toilet humor. If you've had a job before or experienced something, you get it. Some of these people haven't and they look for the cheap laugh.”

“This isn't the Democratic party of our fathers and grandfathers. This is the party of Woodstock hippies. I was at Woodstock--I built the stage. And when everything fell apart, and people were fighting for peanut butter sandwiches, it was the National Guard who came in and saved the same people who were protesting them. So when Hillary Clinton a few years ago wanted to build a Woodstock memorial, I said it should be a statue of a National Guardsman feeding a crying hippie.”