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“The room they had reached served as an impromptu drug-lounge in which a hundred naked addicts engaged in communal sex. One of them drew nearer and spontaneously relieved himself all over Aurora’s shoes. ‘You’re welcome,’ the addict said proudly, buttoning up his soiled jeans and walking away like a champ. A nearby woman saw the whole thing and smirked. ‘You’re one lucky lady, you know that?’ she smiled toothlessly. The remnants of today’s orgy were still visible in her mouth. ‘I wouldn’t piss on you if you were on fire.”

“And right now, some affiliates of the promiscuous persuasion were beckoning, urging the women to join their huge orgy. ‘Come have a go, ladyships!’ said one of the strumpets. Stella mustered a look so disapproving it made steel feel guilty for being hard. Unabated, the prostitute lit herself a cigarette and winked suggestively. ‘Will make it worth your while and no trouble.’ ‘Er.’ The strumpet sucked on her cigarette with gusto and hastily turned to Aurora. Under the heavy theatrical greasepaint, she saw a hint of black stubble. ‘What about you, hon? Ever swallowed a sword with its sheath?’ ‘Once,’ said Aurora through a wooden expression. ‘It didn’t end too well for the sword.’ ‘Oh leave ‘em be, Kevin,’ another strumpet butted in, as she adjusted the apples in her corset. She had a tall voice, coarse, rugged and edged; the sort of edge you cut protons on. ‘Doncha see they ‘av a lil’un with ‘em?’ ‘And I’ve a wife. What’s your point, Steve?’ the drag queen retorted. ‘Yer wife’s a corpse, mate.’ ‘Guess that makes me a necromancer.”

“Aurora looked upon a city divided by human perception. A civil war was ongoing: between those for whom the real world had primacy and those who had chosen Truesight as their truth. To escape the existential horror of their impending finality, people had donned their orange-tinted Veravisum Virtual Visors and locked their fears behind a separate reality. A hyperreality found at odds with everyday life. The result was a war of visions: between truth and falsehood, between regular people and the VVV’ed. Each party claimed to see reality for what it truly was and more often than not, both parties were right.”

“The VVV Visors had the weird knack of twisting your worldview: the more you looked at the world through their tangerine lenses, the more reality distorted and shifted to fit your new point of view. This made Veravisum Virtual Visors incredibly unreliable, given their proclivity to redact your reality, confirm your private opinions and magnify your cognitive bias.”

“Sorano returned a half-hearted nod and mumbled on, dreamily. She seemed completely fascinated by a man in a rabbit costume who kept falling flat on his face whilst endlessly repeating the phrase “How dare they speak the word “motherboard” when the Neon God has no mother?” in a very affronted tone. He was accompanied by swarthy-faced dame, who aimlessly dragged a red piece of string after her. ‘Why are you dragging that string, hey?’ the rabbit-man asked the woman right before taking a spectacular nosedive, face-first into asphalt. ‘But I must drag it, I must!’ the woman replied panicky, ‘for if I try to push it, it bends.”

“They traversed the lounge, side-stepping the occasional onanist and paying no heed to the slack-jawed, giggling addicts. A few feet away, a young woman had put her tattooed posterior on display. Aurora noticed her tattoos were dynamic, changing like a slideshow each time her bottom was slapped.”

“We created Him, yes. The Neon God is our mess. Our digital hive-mind. Our A.I.,’ said Aurora, watching the man absent-mindedly gape at the ceiling. ‘We built Him to manage our finances, our logistics, our armies, our wealth distribution…. and… and He went crazy. 'Because we filled Him with crappy commercials and stopped maintaining His morals. He’s only like this because of us, all of us. It’s His Algorithm – the one you wrote, the one you keep feeding to Him – we need to watch out for. That’s the Neon God’s soul. That’s His Justice.”

“Only Chromeheads believe the Neon God is a true god.’ ‘And yet we treat Him like one, all of us. We worship His Broadcast and we pray for His Justice and sacrifice on His altar each day. When our own eyes deceive us, we make His Jurors into Apostles of Truesight, or rely on worldview-enhancers like that drug Rhapsody or the VVV Visors. Day after day, we find our every thought and action judged by kynikois we can’t see, by arbitrary rules we don’t know, in a reality we rejected. We lead empty lives and so we empty the world of all meaning.”

“Aurora took a deep breath. There it was, she thought, the reason behind all the madness. Why society was acrumble; why she and everyone else were on the brink of starvation. Humanity’s inevitable ending. The Darkspread. The Close. There, in the Golden Dragon’s dark underbelly was where all the maps stopped. ‘Two days from now, the Dark will cover the world,’ she said pensively, trying not to think what horrific sight awaited her behind the spring-loaded door, ‘and the Neon God shall rule over darkness.”

“Aurora shuddered, her face white with anger. The only thing worse than having to compete for Gold Stars was not being allowed to compete anymore. Muting was the Neon God’s favourite punishment, for He loved to hijack human language, almost as much as He loved hijacking perfectly human societal norms. Judging people on their supposed worth was His favourite pastime, and God forbid you didn’t follow His arbitrarily-chosen set of beliefs, which appeared to change every hour. Under the Neon God’s law, innocent words such as “powerline” or “screwdriver” had become obscene, trigger words that would most definitely get you muted, thrown in a Mind Prison or killed.”

“Hiki Komori stirred Aurora away from the orgy and handed her a clean napkin. ‘Sorry about them. It’s the Rhapsody. To them, the real world is something akin to a cardboard reality.’ ‘Why do it at all?’ she pouted, trying to wipe her shoe with the napkin. ‘Why take the damn drug?’ ‘To escape their mortality, naturally. The great curtain call frightens them, so they avoid the applause. More so, they perform badly, spitting their lines out in spite. They are embittered and hungry and will no doubt eat your child. 'Yes, the soul of humanity will end in two days. But we’ve buried its body fifty decades before, wouldn’t you think? Come, Miss Aurora,’ he beckoned, ‘the lair of the Dragon runs deeper still.”

“THE ANTHEM OF HOPE Tiny footprints in mud, metal scraps among thistles Child who ambles barefooted through humanity’s war An Elderflower in mud, landmines hidden in bristles Blood clings to your feet, your wee hands stiff and sore You who walk among trenches, midst our filth and our gore Box of crayons in hand, your tears tumble like crystals Gentle, scared little boy, at the heel of Hope Valley, The grassy heel of Hope Valley. And the bombs fall-fall-fall Down the slopes of Hope Valley Bayonets cut-cut-cut Through the ranks of Hope Valley Napalm clouds burn-burn-burn All who fight in Hope Valley, All who fall in Hope Valley. Bullets fly past your shoulder, fireflies light the sky Child who digs through the trenches for his long sleeping father You plant a kiss on his forehead, and you whisper goodbye Vain corpses, brave soldiers, offered as cannon fodder Nothing is left but a wall; near its pallor you gather Crayon ready, you draw: the memory of a lie Kind, sad little boy, sketching your dream of Hope Valley Your little dream of Hope Valley. Missiles fly-fly-fly Over the fields of Hope Valley Carabines shoot-shoot-shoot The brave souls of Hope Valley And the tanks shell-shell-shell Those who toiled for Hope Valley, Those who died for Hope Valley. In the light of gunfire, the little child draws the valley Every trench is a creek; every bloodstain a flower No battlefield, but a garden with large fields ripe with barley Ideations of peace in his dark, final hour And so the child drew his future, on the wall of that tower Memories of times past; your tiny village lush alley Great, brave little boy, the future hope of Hope Valley The only hope of Hope Valley. And the grass grows-grows-grows On the knolls of Hope Valley Daffodils bloom-bloom-bloom Across the hills of Hope Valley The midday sun shines-shines-shines On the folk of Hope Valley On the dead of Hope Valley From his Aerodyne fleet The soldier faces the carnage Uttering words to the fallen He commends their great courage Across a wrecked, tower wall A child’s hand limns the valley And this drawing speaks volumes Words of hope, not of bally He wipes his tears and marvels The miracle of Hope Valley The only miracle of Hope Valley And the grass grows-grows-grows Midst all the dead of Hope Valley Daffodils bloom-bloom-bloom For all the dead of Hope Valley The evening sun sets-sets-sets On the miracle of Hope Valley The only miracle of Hope Valley (lyrics to "the Anthem of Hope", a fictional song featured in Louise Blackwick's Neon Science-Fiction novel "5 Stars".”