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Tim Winton

Tim Winton Biography

Novelist

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“I suspect that God is what you do, not what or who you believe in. But people do shit things all the time, I said. There’s something wrong with us. Perhaps. And maybe not. But when you do right, Jaxie, when you make good — well, then you are an instrument of God. Then you are joined to the divine, to the life-force, to life itself. That’s what I believe. That’s what I hope for. And it’s what I have missed. That’s all jumblyfuck to me, I said as decent as I could. Well, think of it this way, he said, pushing his specs back up his nose. When somebody does me a kindness, it enlarges me, adds to my life, you see? And not only mine — it adds to all life. Which is why I wanted to thank you. For coming here. Me? Fintan gave a sad little laugh. And I caught him looking at me goony as an emu. What? I said. Don’t you understand me, boy? Can’t you see it? Jaxie Clackton, you are an instrument of God.”

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Book:The Shepherd's Hut
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“In Europe, the dimensions of physical space seemed compressed. The looming vertical presence of mountains cut me off from the horizon. I'd not lived with that kind of spatial curtailment before. Even a city of skyscrapers is more porous than a snowcapped range. Alps form a solid barrier, an obstacle every bit as conceptual as visual and physical. Alpine bluffs and crags just don't rear up, they lean outwards, projecting their mass, and their solidity does not relent. For a West Australian like me, whose default setting is in diametric opposition, and for whom space is the impinging force, the effect is claustrophobic. I think I was constantly and instinctively searching for distances that were unavailable, measuring space and coming up short.”

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Book:Island Home
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“In a seedy cinema on ru du Temple, watching Disney's Peter Pan with my son, I found that although we were all gazing at the same screen in the flickering dark, I was seeing a different film to the rest of the audience. What seemed fantastical and exotic to the Parisian kids looked like home to me. I knew secret coves and hidey-holes like those of the Lost Boys. I'd grown up in a world of rocky islands, boats and obscuring bush. To my mind the only setting that was alien - even whimsical - was the cold, lonely nursery in the Darling family attic. The wild opportunity of Neverland with its freedom from adult surveillance was deeply, warmly familiar. Watching the movie for the umpteenth time and seeing it anew, forsaking story and focusing greedily on the backdrop, I understood what a complete stranger I was in that hemisphere. But acknowledging my strangeness made those years abroad easier to digest and enjoy.”

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Book:Island Home
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“When I hit the bitumen and get that smooth grey rumble going under me everything’s hell different. Like I’m in a fresh new world all slick and flat and easy. Even with the engine working up a howl and the wind flogging in the window the sounds are real soft and pillowy. Civilized I mean. Like you’re still on the earth but you don’t hardly notice it anymore. And that’s hectic. You’d think I never got in a car before. But when you’ve hoofed it like a dirty goat all these weeks and months, when you’ve had the stony slow prickle-up hard country right in your face that long it’s bloody sudden. Some crazy shit, I tell you. Brings on this angel feeling. Like you’re just one arrow of light.”

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Book:The Shepherd's Hut
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“I grew up in a whaling town. We didn't stop whaling in Australia until 1978. And I've always lived in fishing communities. You could say I'm from the Redneck Wing of marine conservation. Everything I know about the sea I learnt at the end of a spear or a hook. Seems weird to admit it, but I hunted and killed my way to enlightenment. Eventually you see where you've been. All the traces you leave are gaps and absences. And it's a sick feeling, knowing you might bequeath a full dose of Nothing to those who come after you.”

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Author:Tim Winton
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“Australia was once a leader in taking global warming seriously. The former PM [Kevin Rudd] called it 'greatest moral challenge of our time'. But in the past couple of years the national consensus has been eroded and Australians are being encouraged by the polluters and their mates in Parliament to forget it was ever mentioned. It's heartbreaking.”

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Author:Tim Winton
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“Surfers travelled and opened up and changed. It became more mainstream, less of a cult. And it diversified. On any given day in the water now I'll meet three generations of surfers, male and female, everyone sporting a different craft. I started surfing in the 60s and I can tell you it's infinitely more diverse. It might be more crowded but it's also more interesting.”

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Author:Tim Winton
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“Surfing is sensual. It's a real-time engagement with the forces of nature, which happen to be echoes of the past (which after all, is all a wave really is). Briefly we defy gravity and ride the energy of storms from elsewhere. We are intensely alone as we do it and yet completely swallowed by something larger that enforces a sense of perspective and connectedness to the natural world. It's an experience we yearn to repeat so we go searching for it again and again and we spend years sitting in the water waiting for these radiating lines to come in across the event horizon.”

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Author:Tim Winton
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“I guess it must be a time-of-life thing, looking back and trying to make some sense of who I am and where I've been. It's a weird thing, having to give an account of yourself, to try to make sense of yourself for yourself. I'm not that old, but I have been writing fiction professionally for a long time now. I started so young and went so hard for so long. And I guess it was about feeling I had the space to look over my shoulder.”

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Author:Tim Winton
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