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Vladimir Nabokov

Vladimir Nabokov Quotes

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Famous Vladimir Nabokov Quotes

“One peculiar feature of Tolstoy's style is what I shall term the "groping purist." In describing a meditation, emotion, or tangible object, Tolstoy follows the contours of the thought, the emotion, or the object until he is perfectly satisfied with his re-creation, his rendering. This involves what we might call creative repetitions, a compact series of repetitive statements, coming one immediately after the other, each more expressive, each closer to Tolstoy's meaning. He gropes, he unwraps the verbal parcel for its inner sense, he peels the apple of the phrase, he tries to say it one way, then a better way, he gropes, he stalls, he toys, he Tolstoys with words.”

“Government and revolution, the Tsar and the Radicals, were both philistines in art. The radical critics fought despotism, but they evolved a despotism of their own. The claims, the promptings, the theories that they tried to enforce were in themselves just as irrelevant to art as was the conventionalism of the administration. What they demanded of an author was a social message and no nonsense, and from their point of view a book was good only insofar as it was of practical use to the welfare of the people. There was a disastrous flaw in their fervor. Sincerely and boldly they advocated freedom and equality but they contradicted their own creed by wishing to subjugate the arts to current politics. If in the opinion of the Tsars authors were to be the servants of the state, in the opinion of the radical critics writers were to be the servants of the masses. The two lines of thought were bound to meet and join forces when at last, in our times, a new kind of regime, the synthesis of a Hegelian triad, combined the idea of the masses with the idea of the state.”

“The social or economic structure of the ideal state is of little concern to me. My desires are modest. Portraits of the head of the government should not exceed a postage stamp in size. No torture and no executions. No music, except coming through earphones, or played in theaters. Freedom of speech, freedom of thought, freedom of art.”

“In this crazy mirror of terror and art a pseudo-quotation made up of obscure Shakespeareanisms (Chapter Three) somehow produces, despite its lack of literal meaning, the blurred diminutive image of the acrobatic performance that so gloriously supplies the bravura ending for the next chapter.”

“The commentator may be excused for repeating what he has stressed in his own books and lectures, namely that "offensive" is frequently but a synonym for "unusual;" and a great work of art is of course always original, and thus by its very nature should come more or less as a shocking surprise.”

“There are gentle souls who would pronounce Lolita meaningless because it does not teach them anything. I am neither a reader nor a writer of didactic fiction...For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm.”

“I hope you will love your baby. I hope it will be a boy. That husband of yours, I hope, will always treat you well, because otherwise my specter shall come out of him, like black smoke, like a demented giant, and pull him apart nerve by nerve. ... I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.”