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Quote by Jerry Saltz

“A saboteur in the house of art and a comedienne in the house of art theory, Lawler has spent three decades documenting the secret life of art. Functioning as a kind of one-woman CSI unit, she has photographed pictures and objects in collectors' homes, in galleries, on the walls of auction houses, and off the walls, in museum storage.”

Quote by Jerry Saltz

Author

Jerry Saltz is a renowned art critic, born in March 1951. His career began in the 1980s, and he is known for his unique artistic perspective and critical style. Saltz's work covers a wide range of fields from modern art to contemporary art, and his reviews are frequently published in magazines such as The New Yorker. more

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“A sad fact of life lately at the Museum of Modern Art is that when it comes to group shows of contemporary painting from the collection, the bar has been set pretty low.”

Has Beens Art Facts Shows Groups Modern Painting Lows Art Is Bars Contemporary Collections Museums Facts Of Life Modern Art

Author:Jerry Saltz

“Abstract Expressionism - the first American movement to have a worldwide influence - was remarkably short-lived: It heated up after World War II and was all but done for by 1960 (although visit any art school today and you'll find a would-be Willem de Kooning).”

World Firsts Art War Done Would Be Today School Influence Movement War Of The Worlds Abstract World War Ii 1960s Art School Short Lived Expressionism Abstract Expressionism

Author:Jerry Saltz

“Abstraction brings the world into more complex, variable relations; it can extract beauty, alternative topographies, ugliness, and intense actualities from seeming nothingness.”

World Relation Complexes Intense Alternatives Nothingness Abstraction Ugliness Seeming Variables Actuality Topography

Author:Jerry Saltz

“After 1909, Monet drastically enlarged his brushstrokes, disintegrated his images, and broke through the taming constraints and delicacy of Impressionism for good. Nineteen gnarly paintings, starting in 1909 and carrying through his final seventeen years, finish off the notion that Monet went happily ever after into lily-land.”

Years Land Painting Notion Finals Starting Broke Constraints Lilies Happily Ever After Ever After Seventeen Delicacy Nineteen Taming Impressionism Gnarly Monet

Author:Jerry Saltz

“After its hothouse incubation in the seventies, appropriation breathed important new life into art. This life flowered spectacularly over the decades - even if it's now close to aesthetic kudzu.”

Ifs Art Important Decades This Life Aesthetic New Life Seventies Appropriation Incubation

Author:Jerry Saltz

“All of Koons's best art - the encased vacuum cleaners, the stainless-steel Rabbit (the late-twentieth century's signature work of Simulationist sculpture), the amazing gleaming Balloon Dog, and the cast-iron re-creation of a Civil War mortar exhibited last month at the Armory - has simultaneously flaunted extreme realism, idealism, and fantasy.”

“Although I adore the Italian High Renaissance, I'd rather look at Mannerism. The former is ordered, integrated, otherworldly, and grandiose; it leaves you feeling hungry for something flawed and of-the-flesh.”

Looks Feelings Flesh Hungry Former Italian Adore Flawed Renaissance Integrated Grandiose Mannerisms

Author:Jerry Saltz

“Anyone who relishes art should love the extraordinary diversity and psychic magic of our art galleries. There's likely more combined square footage for the showing of art on one New York block - West 24th Street between Tenth and Eleventh Avenues - than in all of Amsterdam's or Hamburg's galleries.”

Should Art Magic Streets New York Diversity West Extraordinary Block Squares Psychics Avenues Gallery Relish Amsterdam Art Galleries

Author:Jerry Saltz

“Art is for anyone. It just isn't for everyone. Still, over the past decade, its audience has hugely grown, and that's irked those outside the art world, who get irritated at things like incomprehensibility or money.”

World Art Stills Past Audience Art Is Decades Over The Past Irritated Art World

Author:Jerry Saltz

“Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.”

Long Artist Term Knowing Creating Connections Storm Dialogue Artistic Long Term Temporary Shelter Shelter From The Storm

Author:Jerry Saltz