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All A Quotes

“Afterward, Marvina and I fried the chicken, and, I tell you, all hell broke loose when Kerresha tasted the meat. "Oh my God! Holy Jesus and Guadalupe Mary!" Before Marvina could ask her to stop using the Lord's name in vain, Kerresha leaned back in her chair and feigned a heart attack. "Oh my God! Mmm, mmm mmmmm! Where? What kind of voodoo did you put in this chicken?" "Ain't no voodoo here in this house," Marvina bucked. "Yes! There is!" Kerresha licked her fingers. "I promise you. On God." She put a hand on her heart. "This chicken just took me back to the spiritual power of the ancestors." Marvina was so flattered she couldn't be mad. We both looked at each other and laughed, because, truth be told, this was exactly the reaction people gave the first time they tasted Momma's seasoning on expertly fried chicken. "Y'all." Kerresha raised both hands in the air like she was getting happy in a holiness church. "Is it the grease? The seasoning? Chickens raised by unicorns?" "It's the seasoning," my sister and I said simultaneously. Kerresha swallowed another bite. "Whatever y'all put in that seasoning is a miracle. A double miracle, since it also has the power to make y'all finally both agree on something.”

“Afterward she remembered the times when she had felt the happiest. The first time was when she and Dick danced together and she felt her beauty sparkling bright against his tall, strong form as they floated, hovering like people in an amusing dream—he turned her here and there with such a delicacy of suggestion that she was like a bright bouquet, a piece of precious cloth being displayed before fifty eyes.”

“Afterward, she would finally come to understand what it meant to be human, what it felt like when the wrong man loves a woman, how the touch of a hand on her back--placed at the exact spot where the shoulder blades end and before the spine begins--can feel like the way that wings beat in the darkest part of the night.”

“Afterward the Captain was to tell himself that in this one instant he knew everything. Actually, in a moment when a great but unknown shock is expected, the mind instinctively prepares itself by abandoning momentarily the faculty of surprise. In that vulnerable instant a kaleidoscope of half-guessed possibilities project themselves, and when the disaster has defined itself there is the feeling of having understood beforehand in some supernatural way.”

“Afterward, I curl around her. We lie in silence until darkness falls, and then, haltingly, she begins to talk...She speaks without need or even room for response, so I simply hold her and stroke her hair. She talks of the pain, grief, and horror of the past four years; of learning to cope with being the wife of a man so violent and unpredictable his touch made her skin crawl and of thinking, until quite recently, that she'd finally managed to do that. And then, finally, of how my appearance had forced her to realize she hadn't learned to cope at all.”

“Afterward, Isabel drove me home and I shut myself in the study with Rilke, and I read and I wanted. And leaving you (there arent words to untangle it) Your life, fearful and immense and blossoming, So that, sometimes frustrated, and sometimes understanding Your life is sometimes a stone in you, and then, a star I was beginning to undertand poetry.”

“Afterwards, Ada turned slow cartwheels on the terrace, watching the world change kaleidoscopically from purple to orange as the queen's crepe myrtles took turns with the hibiscus. The gardener was sweeping the lawn and his helper was cleaning down the curved cane chairs on the wide verandah. Ordinarily, cartwheeling was one of Ada's favorite things to do, but this afternoon her heart wasn't in it. Rather than enjoying the way the world spun around her, she felt dizzy, even queasy. After a time, she sat instead on the edge of the verandah near the spider lilies.”

“Afterwards Smiley always thought of that interview as a fan dance; a calculated progression of disclosures, each revealing different parts of a mysterious entity. Finally Steed-Asprey, who seemed to be Chairman, removed the last veil, and the truth stood before him in all its dazzling nakedness. He was being offered a post in what, for want of a better name, Steed-Asprey blushingly described as the Secret Service.”

“Afterwards, in bed with a book, the spell of television feels remote compared to the journey into the page. To be in a book. To slip into the crease where two pages meet, to live in the place where your eyes alight upon the words to ignite a world of smoke and peril, colour and serene delight. That is a journey no one can end with the change of a channel. Enduring magic.”

“Again, a beautiful object, whether it be a living organism or any whole composed of parts, must not only have an orderly arrangement of parts, but must also be of a certain magnitude; for beauty depends on magnitude and order. Hence a very small animal organism cannot be beautiful; for the view of it is confused, the object being seen in an almost imperceptible moment of time. Nor, again, can one of vast size be beautiful; for as the eye cannot take it all in at once, the unity and sense of the whole is lost for the spectator; as for instance if there were one a thousand miles long. As, therefore, in the case of animate bodies and organisms a certain magnitude is necessary, and a magnitude which may be easily embraced in one view; so in the plot, a certain length is necessary, and a length which can be easily embraced by the memory. The limit of length in relation to dramatic competition and sensuous presentment, is no part of artistic theory. For had it been the rule for a hundred tragedies to compete together, the performance would have been regulated by the water-clock,--as indeed we are told was formerly done. But the limit as fixed by the nature of the drama itself is this: the greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous. And to define the matter roughly, we may say that the proper magnitude is comprised within such limits, that the sequence of events, according to the law of probability or necessity, will admit of a change from bad fortune to good, or from good fortune to bad.”

“Again and again a man would tell me about early childhood feelings of emotional exuberance, of unrepressed joy, of feeling connected to life and to other people, and then a rupture happened, a disconnect, and that feeling of being loved, of being embraced, was gone. Somehow the test of manhood, men told me, was the willingness to accept this loss, to not speak it even in private grief. Sadly, tragically, these men in great numbers were remembering a primal moment of heartbreak and heartache: the moment that they were compelled to give up their right to feel, to love, in order to take their place as patriarchal men.”

“Again and again it astonishes us that God makes himself a child so that we may love him, so that we may dare to love him, and as a child trustingly lets himself be taken into our arms. It is as if God were saying: I know that my glory frightens you, and that you are trying to assert yourself in the face of my grandeur. So now I am coming to you as a child, so that you can accept me and love me.”

“Again and again, the book shows how so-called Homo sapiens fail at even the simplest logic problems. But they're fast and fantastic at figuring out who's in and who's out, who's up and who's down, who should be heaped with praise and who must be punished without mercy. Ability to execute simple acts of reason? Feeble. Skill at herding each other? Utterly, endlessly brilliant.”

“Again and again the Sermon on the Mount calls and challenges us to a life of radical discipleship. Note: when Jesus says 'Blessed are the . . . . merciful, peacmakers', and so on, he doesn't just mean that they themselves are blessed. He means that the blessing of God's kingdom works precisely through those people into the wider world. That is how God's kingdom comes. That's one thing to hear afresh.”

“Again and again we are asked to choose between freedom and security when in truth there is no security without freedom. In both dictatorships and democracies, the agencies of "national security", acting secretively and unaccountably, have regularly violated both our freedom and our security, practicing every known form of repression, corruption, and deceit.”

“Again and again we need to appreciate the subtle workings of the teachings and the practice, and even when there is no extraordinary, dramatic change, to persevere with calm and patience. How important it is to be skillful and gentle with ourselves, without becoming disheartened or giving up, but trusting the spiritual path and knowing that it has its own laws and its own dynamics.”