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F Quotes

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All F Quotes

“For Beloved's sake, try to keep track of your bonnet,' Clent broke out at last. He pulled Mosca's bonnet from a chair and dropped it on to her head. 'Running around bare-headed like a ragamuffin...' His voice trailed off. 'You'll need to find somebody else to tell you when your plans are bleedin' stupid,' Mosca said gruffly. 'Not that you ever listen to me when I do.' 'How I shall survive without the perpetual barbs of your conversation I cannot imagine,' mused Clent with a little frown, as he set Mosca's bonnet straight.”

“For better or worse, defensive designs limit the range of activities people can engage in. They can also create real problems for the elderly or disabled. Some of the goals of unpleasant designs can seem noble, but they follow a potentially dangerous logic with respect to public spaces. When supposed solutions address symptoms of a problem rather than the root causes, that problem is not solved but only pushed down the street to the next block or neighborhood. Spikes beget spikes, and targeted individuals are just moved around without addressing the underlying issues.”

“For better or worse we live in a very exposing [time] where, if you choose to, everyone can see everyone's business. You see what they're having for breakfast, where they are, what they're doing. Whereas I think that classic idea of mystery is very seductive. Not knowing every single thing about a person, what they're thinking, that's very powerful. And it would be a shame if we lost that totally.”

“For better or worse, editing is what editors are for; and editing is selection and choice of material. That editors newspaper or broadcast can and do abuse this power is beyond doubt, but that is no reason to deny the discretion Congress provided.”

“For better or worse, I seem to gravitate toward writing about something or someone else, then have my own self shove its way into that story. It seems insanely narcissistic. But I also think there's a particular effect that comes from using my autobiography in service to another story, as opposed to being the subject. I'm much more comfortable working in that mode. And I do think I have a persona or mood that I keep coming back to: self-conscious, self-critical, unsure. I write a lot about bodies, particularly male ones, usually as a point of emphasis for my insecurities about my own.”

“For better or worse, I tend to do a lot of thinking in my poems. But lately I've been trying to pay more attention to when and where I do that thinking, to be attentive to the settings in which meditation takes place. Sometimes the disconnect between the mind and the world is itself revealing, but in 'The Whole World Is Gone,' I think the setting deeply complements, indeed elicits and allows, a certain set of realizations to occur.”