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I Quotes

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All I Quotes

“I usually arrive at the first rehearsal with a vague memory of most of it. But the real work happens in rehearsal, oddly enough, because what happens is that you match the words to the movement, and once you know where you're moving, then the words that accompany that movement become not locked into your mind and your brain and your whole body.”

“I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about.”

“I usually can’t stop babbling, just to fill space, but with Julienne, I can see the appeal of just being. Julienne is quiet, obviously, but that’s because she can say what she means to in so few words. She has a commanding presence that’s hard to ignore. Julienne doesn’t seem to feel the same urgency other people do. Everyone else, myself included, is constantly vying for a space to occupy, just for the sake of it. But when Julienne does share, it’s incredible. She has an actual opinion on everything, not just something to say, and I want to hear about all of them.”

“I usually cast myself in things because acting is how I best relate to artistic impulses. It's what I've wanted to do since I was a child, so a scene usually plays itself out in my head with me performing it. And if I cast myself that's one less person I have to pay, one less person I have to explain my vision to, one less person I have to worry about.”

“I usually don't know these women. I literally don't know their names sometimes. More often than not, I meet them when I step into the car my manager sends to pick me up. And then the minute we walk into whatever venue we're going to, they go talk to Leonardo DiCaprio or Andy Cohen, or one of the Desperate Housewives-" "Do you mean the Real Housewives?" she asked as an impish smile overtook her face. "I mean, maybe they're snubbing you to go talk to Teri Hatcher...”

“I usually don't share the music with the musicians until right before they have to record their parts, because I hate discussing it and just intellectualizing it on any level. I just want to speak from the subconscious, which knows way more about me than my intellectual side will ever know. Once I start doing the arrangements - what I call the architecture of the song - that has a lot of thought put into it.”