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I Quotes

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All I Quotes

“I walk around the school hallways and look at the people. I look at the teachers and wonder why they're here. If they like their jobs. Or us. And I wonder how smart they were when they were fifteen. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day, and how they are able to cope with having three quizzes and a book report due on top of that. Or wondering who did the heart breaking. And wondering why.”

“I walk at night under a moonless sky. Only the terrain guides my steps, yet my footfall is as sure as if a dozen suns lit the way. I go to meet you under a leafless tree that never seems to grow or alter its shape. I am uncertain if it still lives or has learned to disguise its death. The same thought crosses my mind when I feel your cold fingers take my hand. It is not the tree I reflect upon. ‘Do you still love me?’ The words tumble clumsily out of the dark. Hesitation is its own answer, but I reply ‘I’m here’ anyway as if my words were whispered comfort and not a weathered blade. They are taken wrong. ‘I love you too.’ Your arms wrap me up and clamp tightly around my waist. An old, familiar kiss hardens my lips. I wonder why it is I return to this place every year where only memories remain fond. Perhaps it is because I keep hoping this leafless tree will either change or die.”

“I walk boldly and confidently relying on God.”

“I walk down the street. There is a deep hole in the sidewalk. I fall in. I am lost... I am helpless. It isn't my fault. It takes forever to find a way out. I walk down the same street. There is a deep hole in the sidewalk. I pretend I don't see it. I fall in again. I can't believe I am in the same place. But, it isn't my fault. It still takes me a long time to get out. I walk down the same street. There is a deep hole in the sidewalk. I see it is there. I still fall in. It's a habit. My eyes are open. I know where I am. It is my fault. I get out immediately. walk down the same street. There is a deep hole in the sidewalk. I walk around it. I walk down another street.”

“I WALK IN / I SEE YOU / I WATCH YOU / I SCAN YOU / I WAIT FOR YOU / I TICKLE YOU / I TEASE YOU / I SEARCH YOU / I BREATHE YOU / I TALK / I SMILE / I TOUCH YOUR HAIR / YOU ARE THE ONE / YOU ARE THE ONE WHO DID THIS TO ME / YOU ARE MY OWN / I SHOW YOU / I FEEL YOU / I ASK YOU / I DON’T ASK / I DON’T WAIT / I WON’T ASK YOU / I CAN’T TELL YOU / I LIE / I AM CRYING HARD / THERE WAS BLOOD / NO ONE TOLD ME / NO ONE KNEW / MY MOTHER KNOWS / I FORGET YOUR NAME / I DON’T THINK / I BURY MY HEAD / I BURY YOUR HEAD / I BURY YOU / MY FEVER / MY SKIN / I CANNOT BREATHE / I CANNOT EAT / I CANNOT WALK / I AM LOSING TIME / I AM LOSING TIME / I AM LOSING GROUND / I CANNOT STAND IT / I CRY / I CRY OUT / I BITE / I BITE YOUR LIP / I BREATHE YOUR BREATH / I PULSE / I PRAY / I PRAY ALOUD / I SMELL YOU ON MY SKIN / I SAY THE WORD / I SAY YOUR NAME / I COVER YOU / I SHELTER YOU / I RUN FROM YOU / I SLEEP BESIDE YOU / I SMELL YOU ON MY CLOTHES / I KEEP YOUR CLOTHES”

“I walk in the direction she tells me. I feel my pores opening, sweat and heat radiating out of my body. A firefly dances in the distance, leaving tracers, and if I turn my head from side to side, I see long yellow-green streaks that cut through my vision and burn in front of my retinas even after the light that sparked them has gone. I emerge from the mango grove into a field. In the distance unseen trucks pass with a sound like the ocean licking the sand. A tracery of darkness curls into a starry sky, a solitary pipal tree making itself known by an absence of light, like a flame caught in a photographer's negative, frozen, calling me.”

“I walk in the garden, I look at the flowers and shrubs and trees and discover in them an exquisiteness of contour, a vitality of edge, or a vigour of spring, as well as an infinite variety of colour that no artefact I have seen in the last sixty years can rival...each day, as I look, I wonder where my eyes were yesterday.”

“I walk into office, which is the casting office for CBS in New York. Mainly what they cast out of this office was the CBS daytime shows. I go in and walk into this room which every seat is filled with young African-American boys and girls and they were in their teens. I went, "I'm in the wrong place. Why am I here? What's going on?"So I go in and meet Norman [Lear].”

“I walk into the water and it’s ten degrees cooler than the air, absolutely freezing freezing cold, it makes my breath come all fast and I can only take in little gulps of air. I feel the sting of the cut on my leg as the salt gets in it. And I push further into it, so that the water comes up to my chest, then my shoulders and now I really can’t breathe properly, like I’m wearing a corset. I feel tiny fireworks explode in my head and on the surface of my skin and all the bad thoughts loosen, so I can look at them more easily. I put my head under, shaking it to encourage the bad thoughts to float away. A wave comes, and the water fills my mouth. It’s so salty it makes me gag and when I gag I swallow more water and don’t manage to breathe and more water goes in, and it’s in my nose too and each time I open my mouth for air more water comes in instead, great big salty gulps of it. I can feel the movement of the water under my feet and it feels like it’s tugging me somewhere, trying to take me with it. It’s like my body knows something I don’t because it’s fighting for me, my arms and legs thrashing out. I wonder if this is a bit what drowning is like. Then I wonder if I am drowning.”

“I walk out into the open, never dreaming of what I'd see. I sat on a tree and saw Mother Nature crying to me. When I looked around, I knew the pain She felt. All the trees lifeless on the ground. She cries and asks me, 'How?' She continued, 'It's gone. I had to say goodbye to my grass, trees, and little animals, too. This was once beautiful and I was happy, but now I feel like you.' (Larissa Ross, student)”