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I Quotes

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All I Quotes

“In telling a story one of the most successful devices for easily creating uncanny effects is to leave the reader in uncertainty whether a particular figure in the story is a human being or an automaton and to do it in such a way that his attention is not focused directly upon his uncertainty, so that he may not be led to go into the matter and clear it up immediately.”

“In temptations against chastity, the spiritual masters advise us, not so much to contend with the bad thought, as to turn the mind to some spiritual, or, at least, indifferent object. It is useful to combat other bad thoughts face to face, but not thoughts of impurity.”

“In ten minutes, fifty thousand lights glittered all the way from the Palazzo di Venezia to the Piazza del Popolo, and back up from the Piazza del Popolo to the Palazzo di Venezia. It was like a vast congregation of will-o’-the-wisps, impossible to envisage if you have never seen it: imagine that all the stars in the sky were to come down and dance wildly about the earth, to the accompaniment of cries such as no human ear has ever heard elsewhere on its surface.”

“In ten minutes I am at the massive Whole Foods on Kingsbury. I go to the salad bar. I fill containers with carrots, celery, sliced onions, shredded cabbage, chopped tomatoes. Garbanzo beans and corn. Shredded chicken, peas, chopped cauliflower, and broccoli. Baby spinach leaves. Cooked barley. I check out, with my three salad bar containers, and head back toward home. I stop at La Boulangerie and pick up a baguette. I get home and don't even take my coat off. I get out one of my big stock pots, and dump all three containers into the pot. From the pantry, a jar of Rao's marinara. From the freezer, a container of homemade chicken stock. I don't even bother to thaw it, I just plop it like an iceberg into the pot. Salt, pepper, and pepper flakes for heat. I crank the heat to medium, give it a stir and leave it.”

“In ten minutes Peg had returned with a bundle of stuff. She washed her mistress's rat-tails at the stand, and then tucked her back into freshly laundered sheets. Enticing pattern books and journals lay across the coverlet. To Peg's satisfaction, her mistress began to leaf through The Lady's Magazine. "Your hair has a natural wave." Peg snipped at the ends with the scissors from her chatelaine, curling them into charming spirals. "Would you care for this style?" She held up an illustration of the "Grecian Manner", and deftly wound a bandeau of blue ribbon around her mistress's crown and temple. When Mrs. Croxon lifted the mirror, her face softened. She turned her head from left to right, admiring her reflection. "Now see that ribbon. That is the color you must have for your new gowns. Forget-me-not, and that pistachio color, they are all fashion. Forget those paces and daffodils.”

“In ten minutes they will have arrived on campus. George will have to be George; the George they have named and will recognise. So now he consciously applies himself to thinking their thoughts, getting into their mood. With the skill of a veteran, he rapidly puts on the psychological makeup for this role he must play.”

“In Tenebris I Wintertime nighs; But my bereavement-pain It cannot bring again: Twice no one dies. Flower-petals flee; But, since it once hath been, No more that severing scene Can harrow me. Birds faint in dread: I shall not lose old strength In the lone frost's black length: Strength long since fled! Leaves freeze to dun; But friends can not turn cold This season as of old For him with none. Tempests may scath; But love can not make smart Again this year his heart Who no heart hath. Black is night's cope; But death will not appal One who, past doubtings all, Waits in unhope.”

“In Tereza’s eyes, books were the emblems of a secret brotherhood. For she had but a single weapon against the world of crudity surrounding her: the novels. She had read any number of them, from Fielding to Thomas Mann. They not only offered the possibility of an imaginary escape from a life she found unsatisfying; they also had a meaning for her as physical objects: she loved to walk down the street with a book under her arm. It had the same significance for her as an elegant cane from the dandy a century ago. It differentiated her from others.”

“In terms intellectually, [what] shaped my life was the whole Munich thing [the Munich Agreement] that I knew about all my life, in terms of how large powers make decisions that affect small countries, and the unintended consequences of that. The other part is I knew about the Holocaust. l just didn't know that it applied to my family. But that did affect the way I thought about what I was seeing as ethnic cleansing in the Balkans; there's no question about that.”

“In terms of - my relationship with so many, many young people. I would - I would guess that there are many young people who would come forward. Many more young people who would come forward and say that my methods and - and what I had done for them made a very positive impact on their life. And I didn't go around seeking out every young person for sexual needs that I've helped. There are many that I didn't have - I hardly had any contact with who I have helped in many, many ways.”

“In terms of a narrative nonfiction book, when you're describing scenes that you have multiple sources for, and that you have differing sources for, and you decide to choose a path that puts all that information together, well yeah, there's definitely going to be a little bit of the author in that. But there's nothing wrong with that.”

“In terms of achieving what I call “being in the right place at the right time,” one has to know balance. Not from the outside as an observer, but from the inside out. For every individual, that requires creating a successful balanced interface between what one is compelled by and the essential principles of nature, which we comprehend through our intuitive conscience. Those are our clues to the mystery. When one gets it right, there it is.”

“In terms of action, Dzogchen is not limited by any rules; therefore, no action is forbidden as such. Rather, Dzogchen practice aims at bringing immediate Awareness into every action, and the manifestation of that Intrinsic Awareness is one's true will. Awareness and intention are not at war with each other but are integrated. In the state of contemplation, the Bodhicitta compassion is natural and spontaneous; it is not contrived or created by mind. But this is true only when we are in the state of contemplation. The state of Rigpa is beyond karma and its consequences, beyond good and evil, but our ordinary dualistic consciousness is most definitely not. Being primordially pure, Rigpa is beyond selfish motivations, and all its actions are spontaneously self-perfected. All this is true of contemplation, but if we merely claim to be a Siddha, announcing proudly, 'I am in a state of Rigpa!' and do as we like, following every impulse and indulging all transient desires, we merely delude ourselves and will suffer the karmic consequences. To think we are in the state is not the same as actually being in the state. The only rule in Dzogchen is to be aware. Dzogchen teaches us to take responsibility for our actions, and this is what awareness means. We are always aware of what we do and also of the consequences that each action entails. Integration with movement is not at all the same as attachment, for the latter represents a lack of awareness.”