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I Quotes

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All I Quotes

“I'd worked my whole life to acquire the technical, the emotional skills to make those paintings. I'd chopped tomatoes and peeled half-eaten onion rings off plastic trays for thousands of hours. I'd painted in grief, weeping and painting, painting and weeping. There were probably weeks, whole months when I did not smile even once. I lived in a studio so small I could smell my neighbor's farts. I spent every penny I had on canvas, brushes, paints. I killed myself. I killed my love. I forced myself to forget my husband, my brother. My country. My son. It's easy for people who have sacrificed nothing to rationalize their own ordinariness by calling me lucky. But I sacrificed my entire life; I sold it to the abyss. And the abyss gave me art.”

Author:Kaveh Akbar

“I'd wrestled against the inner voice of my mother, the voice of caution, of duty, of fear of the unknown, the voice that said the world was dangerous and safety was always the first measure and that often confused pleasure with danger, the mother who had, when I'd moved to the city, sent me clippings about young women who were raped and murdered there, who elaborated on obscure perils and injuries that had never happened to her all her life, and who feared mistakes even when the consequences were minor. Why go to Paradise when the dishes aren't done? What if the dirty dishes clamor more loudly than Paradise?”

“I’d write and read and let myself, a little at a time, step down into myself- like a stairway down into a dark, intimate kiva- where the work of vigil is taking place, the necessary attending. I imagine there’s a little fire burning in there, a few steadily glowing embers, and a quiet chant going on, from me, from some singer in me, honoring and accompanying W’s soul, which is with him as he is making his passage. ..there’s a leavetaking in process, a movement towards increasing simplicity, away from complexity, activity, expectation. The bout of paranoia, with a childlike quality of being threatened, seems part of that-like a day or two when he couldn’t just let go and float on the energies of other people, who are bearing him up-but had to doubt them, struggle. So much better when he can trust and float. There’s enough love around him to carry him now…”

“I'd written to Rhys, How do I tell Cassian and Azriel I don't need them here to protect me? Company is fine, but I don't need sentries. He'd written back, You don't tell them. You set boundaries if they cross a line, but you are their friend- and my mate. They will protect you on instinct. If you kick their asses out of the house, they'll just sit on the roof. I scribbled, You Illyrian males are insufferable. Rhys had just said, Good thing we make up for it with impressive wingspans.”

“I danas među nama ima ljudi izvišenog morala, koji se od jada i čemera ne vide. Ovi nouveaux rich (novi bogataši) su zapanjujuća vulgarna, ruralna karikatura svega što je aristorkatsko, otmeno, gospodstveno, što nosi u sebi sjaj duhovnog i težnju za božanskim, ali oni o tome ništa ne znaju. U tuđem perju, ponašaju se kao ćurke među rajskim pticama.”

“I dance for freedom. I dance for people's reaction more than anything. I feel great and I feel like I can do anything, say anything while I'm dancing and nobody can care. I do have times when I'm angry and I literally do slam my bedroom door and dance all around my bedroom. It's a good way of getting energy out and it's a good way of doing things, but I do it purely just to entertain other people.”

“I Dance in The Dark (The Moths’ Song) I dance in The Dark. I fly through moonlit wings. My heart beats loud for every living thing. Deep in the waters all reflects clearly, clearly, clearly, clearly. I fly to the heart and weave a web. Through this fabric of sky all once hidden is said. My whisper enters your ear, “Come dance, and you will know. the gift of Love as not separate from Fear. The thing you fought against is waiting to be seen. and set Free. Free. Free. Free. Come Dance with Me. Come Dance with Me.”

“I dance through life, living my bliss, steeped in joy.”

“I dance with people I despise; amuse myself with men whose only talent lies in their feet, gain the disapprobation of people I honor and respect; return home at day break with my brain in a state which was never intended for it; and arise in the middle of the next day feeling infinitely more, in spirit and flesh like a Liliputian, than a woman with body and soul. Entry (when she was eighteen) in her Commonplace Book, 1868-1869.”