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I Quotes

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All I Quotes

“I did theatre when I was nine, I think. Nine and ten, and that was just the beginning of my whole involvement in acting, my whole interest. I don't really remember it that well. But it was really fun. I mean, it was exciting just to be on stage in front of an audience. It gives you a different kind of rush.”

“I did things for and within that relationship that no sane or emotionally stable person would ever do. And I woke up at the end of that encounter exactly the way another kind of addict might wake up in a motel room somewhere off the highway outside Vegas, wrecked and bewildered, with no memory of how she had gotten there—and not sure where that fresh new tattoo had come from, either. Blinking in the blazing sun, wondering where her money went, and asking in devastated confusion, “How did that just happen?” Or maybe it would be more accurate to ask: “How did that just happen again?”

“I did think about a Ph.D. in computer science, but this is a time in industry where theory and practice are coming together in amazing ways. Yes, there's money, but what really interests me is that private-sector innovation happens faster. You can get more done and on a larger scale and have more impact. With all the start-ups out there, I think this is a time like the Renaissance. Not just one person doing great work, but so many feeding off one another. If you lived then, wouldn't you go out and paint?”

“I did think Justice [Antony] Kennedy's opinion on Lawrence was critical to that because it really, what Lawrence in one sense was, of course, about consensual sex being something that the government can't regulate. But really in a more fundamental sense, what it was saying, "Look. Gay people are normal people, and they get to live normal lives. They're not criminals by virtue of the fact of being gay."”

“I did this campaign that was called "Back to the Basics" where I went back to the street, went back to my block, and really felt the people. We've got to go back to that sometimes. We distance ourselves from that and we see it from afar. Some people can't relate back to that; once you're out of it, they don't want to relate back to that. It's always good to get back to the basics, though. You've got to touch the roots, you've got to touch those people. Regardless of what's going on, people always respect that.”

“I did this for you, you know, she always tells him. Did you? he wants to say. Because he doesn't remember ever asking for kumquats or hybrid cardio machines, but who knows? Maybe all this time, all the little ways he looked at her and didn't look at her, all the things he said or didn't say or didn't say enough added up to this awful request without his knowledge or consent, like those ransom notes made from letters cut from different magazines.”

“I did this movie right after it about the life of Chet Baker. It's called Born to Be Blue. In that situation, there's a real clear character you're drawing on. It's a real person. It's really exciting and interesting to do the research to figure out how to make that a nuanced, three-dimensional human being.”

“I did toy with the idea of doing a cook-book . . . The recipes were to be the routine ones: how to make dry toast, instant coffee, hearts of lettuce and brownies. But as an added attraction, at no extra charge, my idea was to put a fried egg on the cover. I think a lot of people who hate literature but love fried eggs would buy it if the price was right.”

“I did translations of Grimms' Fairy Tales and became very charmed about that way of looking at things. Fairy tales tell a lot of truths. Just as a side point, for instance, we always think the bad guys in fairy tales are the stepmothers, who are witches. But where are the fathers when the witches are killing and mishandling their children? Away. They are on a business trip. They are hunting, they are away. Wow, you know! No one says the fathers are the bad guys! It's one of the things you don't say. But my goodness, where are they?”