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“Narration is as much a part of human nature as breath and the circulation of the blood.... storytelling is intrinsic to biological time, which we cannot escape. Life, Pascal said, is like living in a prison from which every day fellow prisoners are taken away to be executed. We are all, like Scheherazade, under sentence of death, and we all think of our lives as narratives, with beginnings, middles and ends.”

“Narrativas como Apocalipse V e The Passage evidenciam o papel da humanidade na perturbação e desintegração de ecossistemas, fatores que acabam por favorecer a criação de cenários pandêmicos, no que somos expostos a novos patógenos que se encontravam placidamente contidos, e que podem ser responsáveis pela emergência (ou reemergência) de doenças infecciosas potencialmente perigosas.”

“Narrative and metaphysics alike become flimsy and frivolous if they venture too far from the home base of all humanism - the single, simple human life that we all more or less lead, with its crude elementals of nurture and appetite, love and competition, the sunshine of well-being and the inevitable night of death. We each live this tale. Fiction has no reason to be embarrassed about telling the same story again and again, since we all, with infinite variations, experience the same story.”

“Narrative nonfiction is an act of conception and construction; it is formation of a personal legend from the mist of memory using mental hydraulics plied with the tools of logic, structure, design, and imagination. An engaged mind possesses a documentary sensibility that fabricates a memoirist identity, which alliance mollifies their bleak interior critic. A conscientious mind hews a residue of meaning from the verisimilitude of a person’s metafictional baggage. A basic impulse of all free people is to speak to an appreciative audience. Writing the story of our life constitutes asserting the universal human right to declare and define who we are. When we write our story, we become a stakeholder of our place in the world, we affirm the right to shape our future, and avow the verity to heal our torn souls.”

“Narrative should flow as flows the brook down through the hills and the leafy woodlands...a brook that never goes straight for a minute, but goes and goes briskly, sometimes ungrammatically, and sometimes fetching a horseshoe of ¾ of a mile around and at the end of the circuit flowing within a yard of the path that it traversed an hour before; but always going and always following at least one law, always loyal to that law, the law of narrative, which has no law. Nothing to do but make the trip; the how of it is not important, so that the trip is made.”

“Narrative storytelling enables us to derive ideas from the disparate facts, incongruent motives, conflicting emotions, and other absurdities inherent in living dynamically. The narrative that we select to tell our life story acts as a lens that assigns value to our shape shifting experiences: it pulls humor from catastrophes; it places a patina of irony over our checkered history; it allows us to explore our pessimism; and it provides a platform from which vantage point we can optimistically view the future.”

“Narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verité is film in its purest form. You're taking random images and creating meaning out of random images, telling a story, getting meaning, capturing something that's real, that's really happening, and render this celluloid sculpture of this real thing. That's what really separates the power of doc filmmaking from fiction.”

“Narratives are universally used for mediating emotional experiences. The purpose of aesthetic objects has been defined, in part, as 'the awakening, intensifying, or maintaining of definite emotional states' (Lee, 1913: 99–100). When we read or hear stories, we put aside our own goals and plans, and we temporarily replace our own goals and plans with those of the story characters.”

“Narratives of progress, regress, and cycles all assume a mechanism by which historical change happens. It might be the natural laws of the cosmos, the will of God, the dialectical development of the human mind or of economic forces. Once we understand the mechanism, we are assured of understanding what really happened and what is to come. But what if there is no such mechanism? What if history is subject to sudden eruptions that cannot be explained by any science of temporal tectonics? These are the questions that arise in the face of cataclysms for which no rationalization seems adequate and no consolation seems possible. In response an apocalyptic view of history develops that sees a rip in time that widens with each passing year, distancing us from an age that was golden or heroic or simply normal. In this vision there really is only one event in history, the kairos separating the world we were meant for from the world we must live in. That is all we can know, and must know, about the past.”

“Narratives of racial exceptionality obscure the reality of ongoing institutional white control while reinforcing ideologies of individualism and meritocracy. They also do whites a disservice by obscuring the white allies behind the scenes who worked hard and long to open the field. These allies could serve as much-needed role models for other whites.”

“Narratives that were taken for granted when I was a kid are still there, but they don't have the same depth and fervor anymore. Even the makers of the propaganda don't fully believe the propaganda. The surface structures are more frozen than they ever were, but the core is hollowing out, and it's becoming very fragile. People don't believe in the system anymore. But they're still going along with it because, one, they don't know what else is possible, they don't even know anything else is possible. Secondly, everybody else is doing it. So they go through the motions.”

“Narrow is the mansion of my soul; enlarge Thou it, that Thou mayest enter in. It is ruinous; repair Thou it. It has that within which must offend Thine eyes; I confess and know it. But who shall cleanse it? or to whom should I cry, save Thee? Lord, cleanse me from my secret faults, and spare Thy servant from the power of the enemy. I believe, and therefore do I speak.”

“Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course it's important to know what's right and what's wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form and continue to thrive. They're a lost cause.”