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S Quotes

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All S Quotes

“Susannah looked over at Eddie and felt a passing ripple of irritation. He seemed to have lost interest in the whole thing--had "zoned out," in his weird 1980s slang. She thought to throw an elbow into his side, wake him up a little, then remembered Roland shaking his head at her and didn't. You wouldn't know he was thinking, not from that slack expression on his face, but maybe he was. If so, you better hurry it up a little, precious, she thought.”

“Susannah smiled at them nervously, then looked up at the route-map. "Hello, Blaine." "HOWDY, SUSANNAH OF NEW YORK." Her heart was pounding, her armpits were damp, and here was something she had first discovered way back in the first grade: it was hard to begin. It was hard to stand up in front of the class and be first with your song, your joke, your report on how you spent your summer vacation ... or your riddle, for that matter. The one she had decided upon was one from Jake Chambers's crazed English essay, which he had recited to them almost verbatim during their long palaver after leaving the old people of River Crossing. The essay, titled "My Understanding of Truth," had contained two riddles, one of which Eddie had already used on Blaine. "SUSANNAH? ARE YOU THERE, L'IL COWGIRL?" Teasing again, but this time the teasing sounded light, good-natured. Good-humored. Blaine could be charming when he got what he wanted. Like certain spoiled children she had known. "Yes, Blaine, I am, and here is my riddle. What has four wheels and flies?" There was a peculiar click, as if Blaine were mimicking the sound of a man popping his tongue against the roof of his mouth. It was followed by a brief pause. When Blaine replied, most of the jocularity had gone out of his voice. "THE TOWN GARBAGE WAGON, OF COURSE. A CHILD'S RIDDLE. IF THE REST OF YOUR RIDDLES ARE NO BETTER, I WILL BE EXTREMELY SORRY I SAVED YOUR LIVES FOR EVEN A SHORT WHILE.”

“Susannah: (sotto voce) Everybody's a goddam critic. Jake: Blaine, I have one more. Blaine: EXCELLENT. Jake: Out of the eater came forth meat, and out of the strong came sweetness. Blaine: (amused) THIS RIDDLE COMES FROM THE HOLY BOOK KNOWN AS 'OLD TESTAMENT BIBLE OF KING JAMES.' IT WAS MADE BY SAMSON THE STRONG. THE EATER IS A LION; THE SWEETNESS IS HONEY, MADE BY BEES WHICH HIVED IN THE LION'S SKULL. NEXT? YOU STILL HAVE TIME, JAKE. Jake: (shaking his head negatively) I've told them all. I'm done. Blaine: (as John Wayne) SHUCKS, L'IL TRAILHAND, THAT'S A PURE-D SHAME. LOOKS LIKE I WIN THAT THAR GOOSE, UNLESS SOMEBODY ELSE CARES TO SPEAK UP. WHAT ABOUT YOU, OY OF MID-WORLD? GOT ANY RIDDLES, MY LITTLE BUMBLER BUDDY?”

“Susannah: This place...it may or may not be Topeka, but what it really looks like to me is one of those creepy little towns on The Twilight Zone. You boys probably don't remember that one, but-- Eddie and Jake: (in perfect unison) Yes, I do. (laughter) Jake: They still show the reruns. Eddie: Yeah, all the time. Usually sponsored by bankruptcy lawyers who look like shorthair terriers.”

“Susie: Hi Calvin! Aren't you excited about going to school? Look at all these great school supplies I got! I love having new notebooks and stuff! Calvin:All I've got to say is they're not making me learn any foreign languages. If English is good enough for me, then by golly, it's good enough for the rest of the world! Everyone should just speak English or shut up, that's what I say! Susie: You should maybe check the chemical content of your breakfast cereal.”

“Susie took mental inventory of her sensations. She could hear and smell. The air she breathed was cool and dry. She could feel her chest rise and fall. Feel the air in her lungs. She sensed that she was lying on her back, but her eyes wouldn’t open. Her hands, her feet... nothing responded. She couldn’t move. She tried again to speak, but nothing happened. She was trapped in the darkness.”

“Suskunluk, duyuların yoğunlasmasına yol açar - insanlar arasındaki sessizlik, iletisimin çoğalmasını sağlar. Çünkü sessizliğin içinde, ikimizden ya da üçümüzden daha büyük olan bir seyi paylasırız. Sessizlik, duyularla algılananların tümünün doruk noktasıdır. Söylenen sözcük, sessizliğe yapılmıs bir müdahale, bütünlüğe yapılmıs bir tecavüzdür. Sözcükler toplam deneyimimizin küçücük bir bölümünü bulandırır, farklılastırır, sınıflandırır ve en sonunda onu yeni bastan düzenler. Bu, durgun suya bir tas atıp olusan halkalar yüzünden suyu eskisi kadar açık seçik görememeye benzer. Bu bağlamda sözcük, tasın kendisidir.”

“Suspending moral judgement is not the immorality of the novel; it is its morality. The morality that stands against the ineradicable human habit of judging instantly, ceaselessly, and everyone; of judging before, and in the absence of, understanding. From the viewpoint of the novel's wisdom, that fervid readiness to judge is the most detestable stupidity. Not that the novelist utterly denies that moral judgement is legitimate, but that she refuses it a place in the novel.”

“Suspending moral judgment is not the immorality of the novel; it is its morality. The morality that stands against the ineradicable human habit of judging instantly, ceaselessly, and everyone; of judging before, and in the absence of, understanding. From the view­point of the novel's wisdom, that fervid readiness to judge is the most detestable stupidity, the most pernicious evil.”

“Suspense is like a woman. The more left to the imagination, the more the excitement. ... The conventional big-bosomed blonde is not mysterious. And what could be more obvious than the old black velvet and pearls type? The perfect ‘woman of mystery’ is one who is blonde, subtle and Nordic. ... Although I do not profess to be an authority on women, I fear that the perfect title [for a movie], like the perfect woman is difficult to find.”