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T Quotes

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All T Quotes

“The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpended the walls of the house, and rested like the tip of a fan upon a white blind and made a fingerprint of a shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.”

“The light that illumines it, and reveals to a man the cathedral of his soul, can be of many strengths – from a candle to a sun – but it burns on one fuel only: his integrity. The vision contains an element of eternity that has nothing to do with time, but everything to do with the width and breadth of his life. It is measurable, but indivisible. Betrayed, it will avenge itself. The action would contradict both it and a man’s ineradicable knowledge of it, leaving him, should he survive the cataclysm, a mechanical, insensate manqué, drained of all future capacity for the sublime and earthly joy. Betrayed, it will become his worst nemesis, and he the impotent enemy of the implacable justice of its memory. Animate, it can make him maddeningly intolerant and insufferably imperial, together contemptuous of lesser souls and indifferent to them. It could cause him to say to others, should he be provoked to speak to them in his thoughts: You think in terms of nooks and crannies, of niches and pigeonholes, of ruffles and fringes; I think in terms of vistas and frescoes, of oceans and continents, peopled by gods, heroes, and myself.”

“The Light that lights every person who comes into the world is not a joking matter. That Light which God has set within the human breast, which can isolate a soul and hang it between heaven and hell, as lonely as if God had created but that one person—that is not a joking matter. Joke about politics if you must joke. Politics is usually funny any-way. But do not joke about God, and do not joke about conscience.”

“The Light That Remains No more void, nor silence, nor desire to kindle. All burns without flame— a gentle sun within, that neither seeks nor proves, only breathes. Words have melted into light, and light has grown simple— a sort of peace that claims no name. There, even shadow is tender, even silence wears a face. Nothing left to utter, yet all is heard.”

“The light was bright, too bright for others to see. Yet, in the bright light, I found myself seeing angels and demons; each trying to manipulate the other to do as they wished of them. In the bright light, I saw war being waged, two opposing sides tearing one-another apart with their bare hands. A yin-and-yang affect, the push and pull too great to ignore. As others turned away, blinded by the intolerable ignorance only those who perceived themselves as mortals could possess, I lunged forward; thrusting myself between each being's claws, attempting to protect not only angels but demons alike.”

“The light was crude. It made Artaud's eyes shrink into darkness, as they are deep-set. This brought into relief the intensity of his gestures. He looked tormented. His hair, rather long, fell at times over his forehead. He has the actor's nimbleness and quickness of gestures. His face is lean, as if ravaged by fevers. His eyes do not seem to see the people. They are the eyes of a visionary. His hands are long, long-fingered. Beside him Allendy looks earthy, heavy, gray. He sits at the desk, massive, brooding. Artaud steps out on the platform, and begins to talk about " The Theatre and the Plague." He asked me to sit in the front row. It seems to me that all he is asking for is intensity, a more heightened form of feeling and living. Is he trying to remind us that it was during the Plague that so many marvelous works of art and theater came to be, because, whipped by the fear of death, man seeks immortality, or to escape, or to surpass himself? But then, imperceptibly almost, he let go of the thread we were following and began to act out dying by plague. No one quite knew when it began. To illustrate his conference, he was acting out an agony. "La Peste" in French is so much more terrible than "The Plague" in English. But no word could describe what Artaud acted out on the platform of the Sorbonne. He forgot about his conference, the theatre, his ideas, Dr. Allendy sitting there, the public, the young students, his wife, professors, and directors. His face was contorted with anguish, one could see the perspiration dampening his hair. His eyes dilated, his muscles became cramped, his fingers struggled to retain their flexibility. He made one feel the parched and burning throat, the pains, the fever, the fire in the guts. He was in agony. He was screaming. He was delirious. He was enacting his own death, his own crucifixion. At first people gasped. And then they began to laugh. Everyone was laughing! They hissed. Then, one by one, they began to leave, noisily, talking, protesting. They banged the door as they left. The only ones who did not move were Allendy, his wife, the Lalous, Marguerite. More protestations. More jeering. But Artaud went on, until the last gasp. And stayed on the floor. Then when the hall had emptied of all but his small group of friends, he walked straight up to me and kissed my hand. He asked me to go to the cafe with him.”

“The light was leaving in the west it was blue The children's laughter sang and skipping just like the stones they threw the voices echoed across the way its getting late It was just another night with the sun set and the moon rise not so far behind to give us just enough light to lay down underneath the stars listen to papas translations of the stories across the sky we drew our own constellations”

“The Light willing, we will see one another again," Rand said. He held out his hand to Perrin. "Watch out for Mat. I'm honestly not sure what he's going to do, but I have a feeling it will be highly dangerous for all involved." "Not like us," Perrin said, clasping Rand's forearm. "You and I, we're much better at keeping to the safe paths.”

“The lightbulb in my bathroom has blown [...] at night it's dark there in a really weird way, I can stand for ages looking at everything in there, the towels hanging from the hooks, the toothbrush in the glass, the toothpaste, the razor, the shower curtain, and it's like I'm not in the room, like I shouldn't be there, like I'm seeing things how they are when I'm not there, do you understand what I mean? And that I shouldn't be, that somehow I'm a hindrance, but that's almost why I stay there.”