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T Quotes

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All T Quotes

“That's all we had when I was a kid: Robitussin. No matter what you got, Robitussin better handle it. "Daddy, I got asthma." "Robitussin." "I got cancer." "Robitussin." "I broke my leg." Daddy poured Robitussin on it. "Yeah, boy, let that 'tussin get in there. Yeah, boy, let that 'tussin get on down to the bone. The 'tussin ought to straighten out the bone."”

“That's all you get," said Alpharius, and split him in half. Alpharius sheathed his gladius, and dragged the sabre out of his torso. He tossed it away, and walked through the liter of bodies to where Namatjira was kneeling on the deck. "Please! My lord primarch! Please, I beg you!" Namtjira pleaded, his hands making a desperate namaste. Alpharius drew his boltgun. "Why?" shrieked Namatjira. "Why are you doing this? "For the Emperor," said Alpharius, and pulled the trigger.”

“That's also part of having great editors -- they can sort of be honest with you and say, "I see where you're headed with this, but I don't think it's there yet. Dig deeper, babe, and come back with something more." And that's what you do, you dig waaaaaaaay down and you walk around the block eight million times and then you have it -- shazam! And it all comes together in something soooo much better than you thought you were capable of.”

“That's always attractive to me, to work with music whose form is a big question mark. Even many of my favorite bands growing up, when I was just a kid learning to play drums and guitar and everything, were bands like Pink Floyd, where the arrangement, the number of bars in each section is unconventional and often lopsided, and there will be small little instrumental interludes and that sort of thing. So those odd forms, as well as dark content, are the things that I think are continuous through all the type of projects that I've been attracted to.”

“That's always been in my mind my metaphor for a team working really hard on something they're passionate about. It's that through the team, through that group of incredibly talented people bumping up against each other, having arguments, having fights sometimes, making some noise, and working together they polish each other and they polish the ideas, and what comes out are these really beautiful stones.”

“That's always been like a fascination to me - watching my family, three sisters and a brother and all growing up basically in the same situation and each one being so totally different and going on to completely different areas and directions. But for me to go into psychoanalysis really steadily, would be putting too much energy into trying to figure out why I am the way I am... Basically this is how I am and it's alright and I don't want to know why I'm this way.”

“That's always been my main anxiety - the people in the room. That's my massive stress - thinking that these people in the room are judging me. And, this time around, I've been able to think a little bit more clearly about that. I've been able to think "Well, no. They're here to enjoy a show," and I want to give them that. I want to give them their money's worth – for starters.”

“That's always been the process of our music, in a sense, keeping it simple, not being so heavy that you are beating people over the head, it's just weighted down and it's like, "oohhh I can't relate." People are able to relate because we talked about things that everyone has experienced, it doesn't matter your race or genre. Music was your mainstay. There was something in our element of music that connected.”

“That's always disappointed me, to see a guy in the crowd who doesn't look like he's having fun but in general if you just listen to the crowd it sounds like they're having fun. So I don't want to focus on the one guy who's not having fun. And by closing my eyes and just listening, I can't hear that he's not laughing but I can see that he's not laughing.”