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T Quotes

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All T Quotes

“The activity at this very moment must be the only thing that matters, to which one is fully given. If one is concentrated, it matters little what one is doing. The important, as well as the unimportant things, assume a new dimension of reality, because they have one's full attention.”

“The activity of both sets of muscles, the diaphragm and the abdominal muscles, varies reciprocally. Thus, during inspiration the tonus of the diaphragm increases while that of the abdominal muscles decreases, and vice-versa during expiration. Hence there exists between these two muscle groups a floating equilibrium constantly shifting in both directions.”

“The activity of the immature human being is simply played upon to secure habits which are useful. He is trained like an animal rather than educated like a human being. His instincts remain attached to their original objects of pain or pleasure. But to get happiness or to avoid the pain of failure he has to act in a way agreeable to others.”

“The actor blinked, hurt. He felt that chilly world of duplicity— having been given her benevolence and now her indifference. Few things burned men as much as the cold side of a woman that was once warm. They’d had her once, right in their hands, but now that woman had insensibly disappeared. Will I ever know her again? What have I done? God, how she flipped her warmth altogether like a switch! I hate not knowing her anymore, he thought. The actor tried to meet her eyes, but accepted from her composure she would not be kindled.”

“The actor cannot, at last, refrain, even in moments of the deepest pain, from thinking of the effect produced by his deportment and by his surroundings—for example, even at the funeral of his own child: he will weep at his own sorrow and its manifestations as though he were his own audience. The hypocrite who always plays one and the same part, finally ceases to be a hypocrite; as in the case of priests who, when young men, are always, either consciously or unconsciously, hypocrites, and finally become naturally and then really, without affectation, mere priests: or if the father does not carry it to this extent, the son, who inherits his father's calling and gets the advantage of the paternal progress, does. When anyone, during a long period, and persistently, wishes to appear something, it will at last prove difficult for him to be anything else. The calling of almost every man, even of the artist, begins with hypocrisy, with an imitation of deportment, with a copying of the effective in manner. He who always wears the mask of a friendly man must at last gain a power over friendliness of disposition, without which the expression itself of friendliness is not to be gained—and finally friendliness of disposition gains the ascendancy over him—he is benevolent.”

“The actor has to have some degree of craft, along with the talent. No one tries to laugh except bad actors. No one tries to cry except bad actors. How a character hides his feelings tells us who he is. Most people don't know that, and most actors don't do that. Therefore, there are a lot of actors who put me to sleep, that are considered good actors, but they're predictable and boring. I know how the scene is going to end before it ends.”

“The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn't look like a violin is no reason to assume his techniques should be thought of as less difficult.”

“The actor, writer, and director Woody Allen once said, “80% of success is just showing up!” You Can Show Up By . . . • Participating. • Sharing ideas. • Being dependable. • Keeping your word. • Taking the initiative. • Volunteering to be of assistance. • Being there when a friend needs you. • Raising your hand and asking questions. • Attending your children’s sporting events. • Taking your place and claiming your space. • Demonstrating that you have something to offer.”