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“To speak in nature's language, we must prioritize bio-based structural materials; biopolymers. Biopolymers are natural polymers produced by the cells of living organisms. We're already utilizing them in products, pharma, and even in fashion. But to deploy them on the architectural scale, we need to invest in design and construction technologies that emulate their heirarchical properties by engineering real time chemical formation.”

“To speak of a communication failure implies a breakdown of some sort. Yet this does not accurately portray what occurs. In truth, communication difficulties arise not from breakdown but from the characteristics of the system itself. Despite promising beginnings in our intimate relationships, we tend over time to evolve a system of communication that suppresses rather than reveals information. Life is complicated, and confirming or disconfirming the well-being of a relationship takes effort. Once we are comfortably coupled, the intense, energy-consuming monitoring of courtship days is replaced by a simpler, more efficient method. Unable to witness our partners’ every activity or verify every nuance of meaning, we evolve a communication system based on trust. We gradually cease our attentive probing, relying instead on familiar cues and signals to stand as testament to the strength of the bond: the words “I love you,” holidays with the family, good sex, special times with shared friends, the routine exchange, “How was your day?” We take these signals as representative of the relationship and turn our monitoring energies elsewhere. ... Not only do the initiator’s negative signals tend to become incorporated into the existing routine, but, paradoxically, the initiator actively contributes to the impression that life goes on as usual. Even as they express their unhappiness, initiators work at emphasizing and maintaining the routine aspects of life with the other person, simultaneously giving signals that all is well. Unwilling to leave the relationship yet, they need to privately explore and evaluate the situation. The initiator thus contrives an appearance of participation,7 creating a protective cover that allows them to “return” if their alternative resources do not work out. Our ability to do this—to perform a role we are no longer enthusiastically committed to—is one of our acquired talents. In all our encounters, we present ourselves to others in much the same way as actors do, tailoring our performance to the role we are assigned in a particular setting.8 Thus, communication is always distorted. We only give up fragments of what really occurs within us during that specific moment of communication.9 Such fragments are always selected and arranged so that there is seldom a faithful presentation of our inner reality. It is transformed, reduced, redirected, recomposed.10 Once we get the role perfected, we are able to play it whether we are in the mood to go on stage or not, simply by reproducing the signals. What is true of all our encounters is, of course, true of intimate relationships. The nature of the intimate bond is especially hard to confirm or disconfirm.11 The signals produced by each partner, while acting out the partner role, tend to be interpreted by the other as the relationship.12 Because the costs of constantly checking out what the other person is feeling and doing are high, each partner is in a position to be duped and misled by the other.13 Thus, the initiator is able to keep up appearances that all is well by falsifying, tailoring, and manipulating signals to that effect. The normal routine can be used to attest to the presence of something that is not there. For example, initiators can continue the habit of saying, “I love you,” though the passion is gone. They can say, “I love you” and cover the fact that they feel disappointment or anger, or that they feel nothing at all. Or, they can say, “I love you” and mean, “I like you,” or, “We have been through a lot together,” or even “Today was a good day.”

“To speak of beauty is to enter another and more exalted realm-a realm sufficiently apart from our everyday concerns as to be mentioned only with a certain hesitation. People who are always in praise and pursuit of the beautiful are an embarrassment, like people who make a constant display of their religious faith. Somehow, we feel such things should be kept for our exalted moments, and not paraded in company, or allowed to spill out over dinner.”

“To speak of certain government and establishment institutions as 'the system' is to speak correctly . . . They are sustained by structural relationships even when they have lost all other meaning and purpose. People arrive at a factory and perform a totally meaningless task from eight to five without question because the structure demands it be that way. There's no villian, no 'mean guy' who wants them to live meaningless lives, it's just that the structure, the system demands it and no one is willing to take on the formidable task of changing the structure just because it is meaningless.”

“To speak of creation, There is always a guilt that throbs every artist’s heart on taking the credit of a piece of art that the creative force in the universe has thrusted inside of a human heart and stretched one’s hand towards building sand castles and lines on the ocean. It’s surreal, neither to be seen or to be saved. But if it is both “seen and saved” it could mean the force was strong enough to indulge in the play of the world, to rip apart the womb of the heart of a man and come out, to stretch its wings and break the cage, to scream till your voice reaches the moon. In all such cases it’s always a mystical force that creates art and never the artist.”

“To speak of God, to think of God, is in every respect to show what one is made of. I have always wagered against God and I regard the little that I have won in this world as simply the outcome of this bet. However paltry may have been the stake (my life) I am conscious of having won to the full. Everything that is doddering, squint-eyed, vile, polluted and grotesque is summoned up for me in that one word: God!”

“To speak of this subject you must... explain the nature of the resistance of the air, in the second the anatomy of the bird and its wings, in the third the method of working the wings in their various movements, in the fourth the power of the wings and the tail when the wings are not being moved and when the wind is favourable to serve as guide in various movements.”

“To speak of ‘trying again’ while her ghost was still in the room was an insult to both the child gone before and the child that might come after. The child before might be merely a precursor, a practice run, a whole person deemed sufficiently remembered and loved; while the child after might be a bandaid child, a second child, a replacement child. Without time taken to wait – not until the first child was forgotten but until the hideous burning fire of grief had dulled – neither child could be fully a person, but just a function of the other.”

“To speak of ‘limits to growth’ under a capitalistic market economy is as meaningless as to speak of limits of warfare under a warrior society. The moral pieties, that are voiced today by many well-meaning environmentalists, are as naive as the moral pieties of multinationals are manipulative. Capitalism can no more be ‘persuaded’ to limit growth than a human being can be ‘persuaded’ to stop breathing. Attempts to ‘green’ capitalism, to make it ‘ecological’, are doomed by the very nature of the system as a system of endless growth.”

“To speak only of food inspections: the United States currently imports 80% of its seafood, 32% of its fruits and nuts, 13% of its vegetables, and 10% of its meats. In 2007, these foods arrived in 25,000 shipments a day from about 100 countries. The FDA was able to inspect about 1% of these shipments, down from 8% in 1992. In contrast, the USDA is able to inspect 16% of the foods under its purview. By one assessment, the FDA has become so short-staffed that it would take the agency 1,900 years to inspect every foreign plant that exports food to the United States.”

“To speak only well of Jacques Ranciere is not an easy task, given the positions that the two of us occupy. Perhaps my constant praise might, in fact, be the worst fate that I could have in store for him. Would doing so be precisely the most underhanded way to attack him? If, for example, I were to announce that we are in agreement on a number of important points, how would he take that? Would he rather just as soon change his mind on all those points and leave me behind?”

“To speak plainly and truthfully about the state of our world - to say, for instance, that the Bible and the Koran both contain mountains of life-destroying gibberish - is antithetical to tolerance as moderates currently conceive it. But we can no longer afford the luxury of such political correctness. We must finally recognize the price we are paying to maintain the iconography of our ignorance.”

“To speak seriously: the standards of "goodness" which are generally recognized by public opinion are not those which are calculated to make the world a happier place. This is due to a variety of causes, of which the chief is tradition, and the next most powerful is the unjust power of dominant classes.”

“To speak technically photography is the art of writing with light. But if I want to think about it more philosophically, I can say that photography is the art of writing with time. When you capture an image you capture not only a piece of space, you also capture a piece of time. So you have this piece of specific time in your square or rectangle. In that sense I find that photography has more to do with time than with light.”

“To speak truly, few adult persons can see nature. Most persons do not see the sun. At least they have a very superficial seeing. The sun illuminates only the eye of the man, but shines into the eye and the heart of the child. The lover of nature is he whose inward and outward senses are still truly adjusted to each other; who has retained the spirit of infancy even into the era of manhood. His intercourse with heaven and earth, becomes part of his daily food. In the presence of nature, a wild delight runs through the man, in spite of real sorrows.”

“To ‘speak’ within that universe it requires a circuit that is tuned to the laws of physics of that universe. In Steve’s world a wet piece of electrified meat that he calls a brain is needed to play the song he sings with his soul. The soul requires a substrate such as a human body to develop, but just as the works of Shakespeare can move from the mind of Shakespeare to the substrate of a play, a soul is not bound to a person`s brain.”

“To Spell A Sentence by Stewart Stafford Spell conjured and created, A magnum opus bittersweet, The sinister minister at work, His face reddened from heat. A leading light's shady grasp, Blood pacts with monstrosities, Freefalling drunk into darkness, On trade winds of pomposity. Battering ram breaches discovery, A beaming grin breaks the sweat, Dark entities screech their claim, Swept down to Hell as a new pet. © Stewart Stafford, 2022. All rights reserved.”