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“I know that part of why I was excited to do this was the sense of play and childlike wonder and the spirit that's in the Daniels' work. I think we're tracking some issues that are actually quite sad or lonely but I think in a joyful, creative way. So I like that balance. I think singing in the woods, the music and spirit of that - there's something very pure about the film [Swiss Army Man].”

“I think it was pretty obvious early on that we had both come with kind of the same attitude of "Let's just [jump] in," and neither of us was going to be precious about it. I feel like the thing that we learned is, weirdly, the most intimate thing or a very intimate thing you can do to somebody is hold their tongue with your fingers. When Paul [Dano] is making me talk [in Swiss Army Man].”

“It's really good to talk about it [ hydraulic penises and prosthetic butts], and it's very gratifying when people ask us about the other aspects of the film [Swiss Army Man], but [those things] are part of the movie and they're important and hilarious, a very fun part of the movie, so there's no sense from us of not wanting to talk about that. I think it's exciting that those things exist in a film that is also very heartfelt and emotional and profound.”

“The moment that you have a child - that you know that when he'll turn 18, he'll join the Army and go there for three years of compulsory service - then you can't help yourself of thinking about the future - speculating about it, dreading it or even being - trying to be more active to change it and improve it.”

“I do the meatball recipe a lot. I think the army stew probably too. It's the most useful dish because it was born out of necessity and poverty and any idiot can make it in 20 minutes on a hot plate. It's cheap and uses readily available commercial ingredients. And it's delicious. It should be the great American dish - perfect late-night stoner dorm food for college kids on a budget.”

“[Camillo] Berneri proposed that the anarchists should link up with the effort of Northern Africa to overthrow the Spanish government, carry out land reform, attract the base of the Moorish army, and see if they could undermine [Francisco] Franco's army through political warfare in Northern Africa combined with guerrilla warfare in Spain. Historians laughed at that, but I don't think they should have. This was the kind of war that might have succeeded in stopping Spanish fascism.”

“Lincoln has accepted America as a biracial society. He's talking about giving at least some black men the right to vote. In the Emancipation Proclamation he advises some blacks to labor faithfully for reasonable wages, here in the United States. He doesn't say anything about them leaving the country. He puts black men in the army. That is a whole different vision than simply saying "let's have them go out of the country." I think what's interesting is the change in Lincoln's view, but one must realize that he did adhere to this idea of colonization for many years.”

“In Burma, under the present Constitution, the Army can always take over all parts of government if they think this is necessary. so until the Army comes out clearly and consistently in support of the democratic process we cannot say that it's irreversible. But I don't think we need fear a reversal too much either.”

“In the army we are drilled into execution and then supervision, to make sure everything goes the way you planned it. But there is another thing that we do in the military, that I think perhaps isn't done enough in corporate life: As soon as you have made that decision, you start on the contingency planning. Because there is, as we like to say, a thinking, breathing enemy out there, who is not going to let you do just what you want.”

“I don't think America needs 28,000 men on Okinawa. I don't think we need an army in Germany. What's it for, to protect Germans against the Russians, to protect the French against the Germans? It's just there by inertia, that's my reading of it. I don't think we need an army in South Korea because North Korea is absolutely no threat to South Korea.”

“I just read an article about how young American males feel uncomfortable appearing naked in front of each other in locker rooms. That was never the case when I was young. We were naked in the Army all the time. And neither actor in Call Me by Your Name appears fully naked. I think there might have been clauses in their contracts that ensured there would be no nudity. When I wrote the script, there was plenty of nudity. But the English just had none of the same squeamishness about it.”

“I think as we look at this problem of ISIS, it's more than just an army. It's also a fight about ideas. And we have got to dry up their recruiting. We have got to dry up their fundraising. The way we intend to do it is to humiliate them, to divorce them from any nation giving them protection, and humiliating their message of hatred, of violence. Anyone who kills women and children is not devout. They have - they cannot dress themselves up in false religious garb and say that somehow this message has dignity.”

“If we want to strengthen the EU, then we urgently need a two-pronged approach. First, we can save a lot of money if we finally move to harness synergy effects in military spending. The parallel structures in the individual armies still remain far too costly, and we could save a lot by making joint purchases. Second, we cannot only think in terms of conventional military logic, but instead have to be far better prepared to thwart cyberattacks. Most importantly, we can no longer allow the EU to become bogged down in petty details.”

“I think none of the humor in the first Evil Dead was intentional. We weren't that sophisticated. We got more sophisticated with Evil Dead 2 and Army of Darkness where you can start to manipulate the audience a little more, having more control over the medium instead of just trying to figure out how to do it. I suppose that's pretty normal with any craft. Every carpenter is better 20 years later.”

“I don't think anything surprised me. It was very hard for me, this story, The Snack, as a father. I have family in the army in Israel, I know families that lose their children, and I think this is the most hard thing, is faith. Because what happens after death is always belief, it's always something that you don't have any answers about, and I think the movie helps you to understand that death is part of the life. It makes it more natural.”

“Some rules are good. For example, off the top of my head, let's say a stand-up comedian or a talk show host wearing a nice suit - as a ponderer, I grew up like, "Why don't they just go up there in their army jacket? They're fine!" Then little by little, you think, "You know, it's kind of nice to look nice, like you made the effort." Then you're back at rule one; that was the original rule.”

“I don't know what I am on set. I can be many different things on set depending on how stressful a situation is. But at the end of the day we're making movies, we're not saving the world... we're not an army, no one's lives are at risk and we're just trying to make art, so I think as long as you keep reminding yourself that's what it's about you can have fun.”

“What happened on September 11 wasn't the first act of war, it was the most unspeakable act of murder and terrorism. But it was construed by a very small group of people - there is no army out there in the dark waiting to take over America. It's like being stung by a bee and going out and smashing up a beehive, and thinking you've solved the problem. There are more beehives out there; more bees will come. But they're bees. They're not grizzly bears.”

“Now, I went into the Army as a Republican, I came out as a Democrat, and it completely changed my outlook on a lot of things. And when you live side by side with your fellow soldiers and you realize that they're not a number, that they're actually human beings and they have families, it's a lot harder, I think, to talk about sending them to die for things that aren't really that important.”

“I don't think leave the Harry Potter franchise. Not wanting to act, yes. I think it was that stage of rebellion, really. Everyone goes through it. I thought, "I've been an actor. My parents are proud of me being an actor. I want to do something else." I wanted to join the Army, actually, or be in the Air Force, or something like that. I still wouldn't mind doing that. Obviously, it's a bit late for me now.”

“What, did you think," she asked, laughing as he struggled up the bank, "that I, a Gaulish maiden, could not swim?" "I did not think anything about it," Malchus said; "I saw you pushed in and followed without thinking at all." Although they imperfectly understood each other's words the meaning was clear; the girl put her hand on his shoulder and looked frankly up in his face. "I thank you," she said, "just the same as if you had saved my life. You meant to do so, and it was very good of you, a great chief of this army, to hazard your life for a Gaulish maiden. Clotilde will never forget.”

“Old stories would tell how Weavers would kill each other over aesthetic disagreements, such as whether it was prettier to destroy an army of a thousand men or to leave it be, or whether a particular dandelion should or should not be plucked. For a Weaver, to think was to think aesthetically. To act - to Weave - was to bring about more pleasing patterns. They did not eat physical food: they seemed to subsist on the appreciation of beauty.”

“I know, you've been here a year, you think these people are normal. Well, they're not. WE'RE not. I look in the library, I call up books on my desk. Old ones, because they won't let us have anything new, but I've got a pretty good idea what children are, and we're not children. Children can lose sometimes, and nobody cares. Children aren't in armies, they aren't COMMANDERS, they don't rule over forty other kids, it's more than anybody can take and not get crazy.”

“Sometimes, in the trenches, you get the sense of something, ancient. One trench we held, it had skulls in the side, embedded, like mushrooms. It was actually easier to believe they were men from Marlborough's army, than to think they'd been alive a year ago. It was as if all the other wars had distilled themselves into this war, and that made it something you almost can't challenge. It's like a very deep voice, saying; 'Run along, little man, be glad you've survived”

“Because I’ve lost my children, too, and I know the ache that lives inside the heart that no amount of solace or alcohol will squelch. I know what it’s like to have the powers of a god and to not be able to hold the one thing that means the most to me. And if you think for one minute that I would ever serve that to another being, even Artemis, who I’d like to torture for eternity, then go ahead and call down your army on me. I would deserve whatever death they give. (Sin)”

“How can the strength of one man stand against Jake and an army of demons?" "He can," I countered, "if he has the power of Heaven on his side. After all, Christ was a man." "He was also the Son of God, there's a difference." "Do you think they could have crucified him if he wasn't human?" I asked. "He was flesh and blood, just like Xavier. You've been here so long you underestimate the power of humans. They're a force of nature.”