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Boys Quotes

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Boys Quotes

“The hotel was once where things coalesced, where you could meet both townspeople and travelers. Not so in a motel. No matter how you build it, the motel remains the haunt of the quick and dirty, where the only locals are Chamber of Commerce boys every fourth Thursday. Who ever heard the returning traveler exclaim over one of the great motels of the world he stayed in? Motels can be big, but never grand.”

“And there I saw in the night the vision of a man....coming as it were from Ireland, with countless letters. And he gave me one of them, and I read the opening words of the letter, which were, The voice of the Irish...and as I read the beginning of the letter I thought that at the same moment I heard their voice - they were those beside the Wood of Voclut, which is near the Western Sea - and thus did they cry out as with one mouth: We ask thee, boy, come and walk among us once more.”

“Be ever gentle with the children God has given you; watch over them constantly; reprove them earnestly, but not in anger. In the forcible language of Scripture, "Be not bitter against them." "Yes, they are good boys," I once heard a kind father say. "I talk to them very much, but do not like to beat my, children--the world will beat them." It was a beautiful thought not elegantly expressed.”

“You write a spec, and you pour your heart and soul and life into a spec, and you think that spec is the movie that's going to sell and get made... I've never heard of anybody that happened to. What happens is, you write a spec, people get it, they see your writing, they see you're good, they bring you into their office and they say, "Boy, that spec was really good - we'll never make that in a million years. We have rights to the board game of Monopoly. What do you think about a Monopoly movie?".”

“I learned an invaluable lesson from a kid in Argentina when we were playing Buenos Aires in 2002. I came out of the hotel and this 16-year-old-boy asked me to sign his copy of my Six Wives of Henry VIII album. As I was signing it I asked him 'what does a 16 year-old like about this old music?' and he looked at me, quite hurt, and said, 'it might be old to you, Mr Wakeman, but I only heard it for the first time last week. When you hear something for the first time, it's new.' I've never forgotten that.”

“Having grown up in the theater family, having done a huge amount of acting from a very little boy to precocious teenager in Shakespeare festivals that my father produced, I went off to college and fell in with the theater gang. I was already an experienced actor. I became a kind of campus star. I heard all this applause and laughter.”

“I got into DJ'ing because I started to listen to New York radio a lot. Obviously, I knew the stuff everybody knew, like Beastie Boys and Public Enemy, but I heard "Who Got the Props" by Black Moon, and I went up to this kid in my school with the Walkman on and was like, "What is this? You must tell me how I can get this now." Because there was no Shazam or googling lyrics.”

“I spent nine days in the Downtown Los Angeles City Jail. The judge gave me a suspended sentence and I went to work that night - wailed just like nothing happened. What strucked me funny though - I laughed real loud when several movie stars came up to the bandstand while we played a dance set and told me, when they heard about me getting caught with marijuana, they thought marijuana was a chick. Woo boy - that really fractured me!”

“I was quite naïve, a boy from Southport. When I went to art college in Leeds, I lived in a basement flat, and I heard clunking on the stairs all night, and I thought it was just nurses going to work on the night shift at the local hospital! Then I found out it was all working girls upstairs. I suppose I came from a protected background and had my eyes opened wide by that side of city life.”

“My father modestly referred to himself as the Great Santini when we were growing up. And he took it - I later learned he had seen a high-wire aerialist when he was a boy, and he was up doing acrobatics in his airplane, and when he came down one time - when was a young lieutenant - he said, I was better than the Great Santini today. And some of the other pilots heard it, and the nickname stuck.”

“I found a movie called “Light in the Piazza.” I finally made the movie with Olivia de Havilland and myself, but initially there was no way I could make that movie, so I went to work on becoming that character. They told me they had an Italian [actor], and I said, “That’s a Cuban boy!” His name was Tomas Milan. I thought that’s the craziest thing I’d ever heard: They have a Cuban who’s going to play an Italian, and I can’t play it because I’m an American.”