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Cameras Quotes

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Cameras Quotes

“The Freebie cost virtually nothing. We funded the movie ourselves, people got paid, but were mostly paid in the back end, we used one of the cheaper cameras we could get. The movies have a look to them, you can sorta point out the really low-budget movie. So even if the heart of the movie and the story are really, really great, they always sorta feel a little cheap.”

“I seem to walk in the world as two people. The normal everyday-me is as preoccupied, unobservant and oblivious to visual clues as I ever was. Then there is the photographer-me, the one who has a camera in hand and a specific project in mind, and then the world suddenly jumps to life with potential pictures, as if a switch had been thrown in my brain and a different person is looking out of the same eyes.”

“I think a bigger difference with social media is going to be things like the impact Instagram will have for historians. For the longest time, we had no images of the past. And then when we had the advent of the camera, we had a record of the things people chose to photograph, which, for a while, were portraits of your family, a new building we built, or a really big horse. Well now we have images of everything. That will be the biggest difference I think - that we will have a visual record of this reality in a way that will be completely covered.”

“I have received the digital camera as a blessing. It has really changed my life as a filmmaker, because I don't use my camera anymore as a camera. I don't feel it as a camera. I feel it as a friend, as something that doesn't make an impression on people, that doesn't make them feel uncomfortable, and that is completely forgotten in my way of approaching life and people and film.”

“When you're the guy behind the camera, you're aware of the reasons for the compromises or the changes that get made. As an actor, you go and do your thing, and someone else down the line then does all the math and goes, "We can't include that thing where he's pretending to be dumb and needling those people, because it takes a minute and a half, and it ruins the next scene. It doesn't make sense." If you're directing, you're the one doing that.”

“I think people are wrong to do it, to compare him to your way of wanting to do it. If you're passionate about it, do it and do it your way. It's not always going to be in front of the cameras after a football game - that was the way I did it. Somebody else has a different way, and that's [James] LeBron, and I know who he is. And I can't get into specifics, but it did upset me that people were calling him out for that because they were just wrong.”

“Sometimes when these kinds of things happen, it can seem a little bit too much to bear. But what I want the people of Louisiana know is that you're not alone on this. Even after the TV cameras leave, the whole country is going to continue to support you and help you until we get folks back in their homes and lives are rebuilt.”

“There are photos of Kim Jong-un right up atop the volcano. I actually wrote a letter to him asking if I could speak on camera. I never got an answer. But what was interesting was the people who were responsible for us, our "guards," it took them two days to figure out how I should address him. "President? No, you can't because there's a president for eternity." And it was a time when his status was still in flux. Only a few months later there was this party congress which assigned an official title to him, but that was after we did our film.”

“About 10 minutes [into the dinner] my sister texted me and said, "Maria, I just wanted to let you know that you're on TV live. You're front and center." I thought, 'Oh God, I'm right behind Donald Trump and in the camera shot. After that I stopped moving. I just sat there. It was funny. I was delighted that people noticed my white gloves. It was a white tie dinner, for the dais you had to be in white tie. If I can't channel my best Sophia Loren glamour for a white tie affair, when can I? I thought it was an excellent opportunity to wear the white gloves.”

“Kathie Lee [Gifford] invited me to come to New York for lunch with her - and surprised with an unexpected shout out again for One Thousand Gifts on the show and graciously asked a few questions on camera. Indebted to her and the people who read and looked for Jesus in the pages and shared the hope and joy of Him - right where they are.”

“Like, she had a caterer, she had wardrobe people, she had two makeup artists... I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable. I don't know what her budget was or is, but she had sponsors for her show, and we don't have a sponsor yet, so basically, the difference is, our moms make our costumes.”

“In the age of the camera phone it's a bit weird when you're sitting having dinner in a restaurant and people think they're being very subtle taking a photo while in fact they're being very obvious. When you're in a middle of a mouthful with friends or family and people come up asking for a photograph, that's when you want to say, 'Actually, I'm going to say no; I'd like to finish my meal. This is my time.'”

“It's true that I don't think I'd be a good director. If I were a director, I'd try to hire the best people I could and then leave them alone. I don't know much about cameras or lighting, so I'd make sure that I had a really good cameraman who understood lenses and lighting, and I say to him, "This is the scene we have to shoot and this is what I think it should be, you go do it." Same with actors. But really, very good directors who know everything do basically the same thing. They hire you and then they leave you alone.”

“Of course, the whole photographic process has been made much faster, cleaner and far more accessible to people by digital innovations, which is really great. Everybody now has a camera, often as part of our phone, and most of these cameras require little to no technical training. An enormous variety of apps also enable us to take short cuts to finished images. We hardly need to even think anymore.”

“When I'm on stage, I feel like a performer for sure. I know people are looking at me and taking pictures. That part's wonderful. But, I live the most boring life away from what you see me on camera doing. The other 300 days out of the year I'm just the most normal person in the universe. I'm a wife. I'm a mother to my doggies. I'm a maid - I clean the house.”

“I've been working in Hollywood for a long time now in many different aspects in front of the camera, behind the camera, and I've worked with top executives, presidents of networks. I've worked all around. I see energy and what's around these studios and a lot of these offices. You don't get the high positions in these companies if you don't take advantage of other people in some way. I've seen that around. I've seen that around the studios, whether it's producers or whoever. Egos are there. Greed.”