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Color Quotes

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Color Quotes

“When I look at a wildlife or nature subject, I dont see the feathers in the wings, I just count the wings. I see exciting shapes, color combinations, patterns, textures, fascinating behavior and endless possibilities for making interesting pictures. I regard the picture as an ecosystem in which all the elements are interrelated, interdependent, perfectly balanced, without trimming or unutilized parts; and herein lies the lure of the painting; in a world of chaos, the picture is one small rectangle in which the artist can create an ordered universe.”

WorldLooksLyingArtistUniverseInterestingSubjectsPossibilityColorPaintingShapesBehaviorElementsExcitingRegardWingsChaosPatternsEndlessCombinationFascinatingBalancedFeathersTextureWildlifeEcosystemsLureTrimmingEndless PossibilitiesRectangles
Author:Charley Harper
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“Well, painting is the one thing I do, that is just me. It's me and easels, and the pencils. And as long as I don't drool too much over the canvas, the colors come out pretty good. And it's a chance to express all that I've got inside, that I sometimes keep hidden. And I think that's why I paint big broad, wide open landscapes.”

ThinkingWellsLongSometimesBigsChanceToo MuchOne ThingColorPaintingPaintWideLandscapeBroadsCanvasPencils
Author:Joni Eareckson Tada
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“Painting myself for others, I have painted my inward self with colors clearer than my original ones. I have no more made my book than my book has made me--a book consubstantial with its author, concerned with my own self, an integral part of my life; not concerned with some third-hand, extraneous purpose, like all other books.”

MadeBookSelfHandsPurposeMy OwnColorPaintingConcernedThirdsOriginalsInward
Book:The Complete Works: Essays, Travel Journal, Letters
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“Painting dissolves the forms at its command, or tends to; it melts them into color. Drawing, on the other hand, goes about resolving forms, giving edge and essence to things. To see shapes clearly, one outlines them--whether on paper or in the mind. Therefore, Michelangelo, a profoundly cultivated man, called drawing the basis of all knowledge whatsoever.”

MenGivingMindHandsFormColorPaintingShapesPaperEssenceBasesEdgesDrawingCommandOutlines
Author:Alexander Eliot
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“Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness,to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms.”

ArtSelfSeemsEyeFormArtistStepsTeachGraceColorPaintingExpressionMastersGeniusHigherDancingDanceForgottenPossessionEducatedPencilsLimbsBoundlessSplendorOpulence
Book:The Essays of Ralph Waldo Emerson
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“I do very, very, very simple, skimpy doodles, nothing too committed. Because people tend to fall in love if they like it - if you color it in and they like it, then they want exactly those colors, even if they were just indications. You really have to do it as simple as possible so they can concentrate on the idea and composition. And then all of the energy goes into making the final piece. And the final piece can be anything - it can be a drawing, a painting, a collage - and usually, it's obvious what that should be. Usually, the idea dictates what medium you use.”

PeopleIfsWantShouldIdeasUseFallEnergySimplePiecesColorPaintingFalling In LoveFinalsCommittedObviousDrawingMediumsCompositionIndicationCollages
Author:Dave McKean
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“For one thing, I want gesture-any kind of gesture, all kinds of gesture-gentle or brutal, joyous or tragic; the gesture of space soaring, sinking, streaming, whirling; the gestures of light flowing or spurting through color. I see everything as possessing or possessed by gesture. I've often thought of my paintings as having an axis around which everything revolves.”

WantKindLightSpaceOne ThingColorPaintingAll KindsGentleTragicGesturesPossessedBrutalSoarJoyousPossessingSinkingAxesStreaming
Author:Elaine de Kooning
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“The whole switch from film to digital has changed some of the ways I use color and the juxtaposition of light and dark. It's getting better with digital, the separation's gotten better, but I still feel like it's really flatter than film, so I do a lot of screening and subtle textural printing and painting on clothes for film to get it not to look flat.”

WayFeelsLooksStillsWholeUseLightFilmDarkChangedColorPaintingClothesSeparationGet BetterSubtleDigitalFlatsPrintingScreeningLight And DarkJuxtaposition
Author:Colleen Atwood
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“Each character represents a different color on the big palette of what this ultimate painting is going to look like, who your guy is, and just try to be as honest and simple and real as you can possibly be. The outer trappings are incidental - costumes, period, makeup - all of that is rather insignificant at the end of the day.”

TryingLooksDifferentRealEndsCharacterBigsGuySimpleHonestColorPaintingPeriodsUltimateThe End Of The DayMakeupCostumesInsignificantPaletteDifferent Colors
Author:Ron Perlman
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“'The Night Cafe' and 'The Starry Night' still emit such pathos, density, and intensity that they send shivers down the spine. Whether Van Gogh thought in color or felt with his intellect, the radical color, dynamic distortion, heart, soul, and part-by-part structure in these paintings make him a bridge to a new vision and the vision itself.”

HeartStillsSoulNightFeltVisionColorPaintingStructureIntellectRadicalBridgesIntensityVansSpineDistortionShiverCafesPathosDensityNew VisionStarry Night
Author:Jerry Saltz
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