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Concerts Quotes

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Concerts Quotes

“Back then I was still listening to rhythm and blues, and my aunt took me to see a Pete Seeger concert. And it gelled. He made all the sense in the world to me. I got addicted to his albums, and then Belafonte and Odetta - they were the people who seemed to fuse things that were important to me into music. I think Pete the most because he did what he did to the point where he took those enormous risks and then paid for them.”

“I'm less interested in uniqueness than in goodness. I see so many concerts where the program notes are more interesting than the music. I remember talking to one composer who went through the most complicated mathematical algorithm to generate some material from scratch. It took weeks and weeks, and he came up with a C major chord. For me, honesty is more interesting than originality.”

“The Pope going to Jerusalem, the Pope recognising the State of Islam, the Pope going to the wall organising a concert for the Holocaust in the Vatican, going to the synagogue in Vatican, and that happens in Protestant service as well. That doesn't mean that anti-Semitism disappear, but it is on certain level that Jews all the time, or with Christians, Catholics, Protestants, Jews, meeting all the time, studying together, signing petitions for all kinds of causes.”

“I love Jane [Krakowski]. Jane's been a dear friend for maybe a dozen years. We've worked together on many shows and concerts and readings. We did 'Damn Yankees' together and then we did 'Xanadu.' Jane did all the workshops of 'Xanadu' before it moved to Broadway. She's hysterical and our voices blended. We had a similar sensibility.”

“I think it's important that we do it [defeat ISIS] in concert with other nations in Europe, the Middle East, elsewhere if necessary. And that means you've got to work with people. You don't insult them. You don't insult their religion. And it means we have to see our entire country, all of the people in it, as part of our first line of defense.”

“Every good story needs a complication. We learn this fiction-writing fundamental in courses and workshops, by reading a lot or, most painfully, through our own abandoned story drafts. After writing twenty pages about a harmonious family picnic, say, or a well-received rock concert, we discover that a story without a complication flounders, no matter how lovely the prose. A story needs a point of departure, a place from which the character can discover something, transform himself, realize a truth, reject a truth, right a wrong, make a mistake, come to terms.”