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Creating Quotes

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Creating Quotes

“I love taking on challenges. I think one of the funnest things in acting is creating a character - wrapping yourself around a character and bringing him to life. I love a lot of different genres. I'm not a big horror guy by any means but I love the challenge. But the fifties and sixties is where I feel the most comfortable.”

“If the universe is a non-spatial computer, a 'time machine' is a program that allows a user to have the same (ontologically non-spatial) feelings or experiences that occurred or s/he merely feels to have occurred in the past, with an in-built function to have different feelings or experiences than those of the past, and thus creating a possibility to change the past or to rewrite history in a pseudo sense.”

“I probably sensed the serious formality of the ceremonies and felt what others were feeling then. Looking back, I'd guess that it had opened up a gaping hole in my psyche. In the process of creating art, I might be trying to fill that hole, or to reduce its depth, or to make it feel less hollow. I think that making art could have helped from that moment on.”

“I feel it's my social responsibility to shine a light on areas that don't get seen. My personal feeling is that it's an artist's responsibility to be engaged with the culture. And when the culture is going through turmoil, I think an artist can't ignore that. I don't feel that every artist has to be politically engaged, but I can't imagine that you can be an active participant of this culture and not in some way reflect that in the work you are creating.”

“Willing emancipateth: that is the true doctrine of will and emancipation - so teacheth you Zarathustra. No longer willing, and no longer valuing, and no longer creating! Ah, that that great debility may ever be far from me! And also in discerning do I feel only my will's procreating and evolving delight.”

“I turn on the machines and start to think about ideas and take it from there, it usually begins if it's a beat, a track creating a beat/beats and then the bass-line/lines, then comes the sounds--drones, atmospherics etc, then the edits of various sounds I created and keep going till I feel I have enough sounds ideas to start working and building a track. I have many banks of sounds that we hear that can be manipulated in the machines.”

“I became very aware of what I was used to relying on, almost tricks. It's funny because I could feel myself creating a formula and sticking with it and I just told myself, 'That's not me, that's not really how I am, god forbid I have developed a formula - it's music; songwriting.' It's heretic, honestly, in the church of music, so I had to unwind a few tricks in order to get past it.”

“When you make a film, you're creating the illusion of a natural experience. But everything is created on purpose. If I want you to be scared, I'm trying to scare you. If I want you to cry, I'm trying to make you sad. If I want you to laugh, I'm trying make you laugh. So, how I get you there is what makes it interesting, because I also want it to feel seamless, and not forced. That kind of constant experimentation is just fun to explore, and I love it.”

“I'm a morning "spinner." That's usually when my brain is thinking too much and I don't necessarily see things positively. So I sit myself down and remember that I'm making it up. I believe we are creating in every moment - making up our reality, so to speak - so when anything gets chaotic or I feel spun out, I remind myself that everything is an interpretation. I can look at it differently and make it work for me in a more positive light.”

“I would model well-being by presenting myself as a high-energy person who loves what I am doing and who is thrilled to be able to offer books, tapes, and products designed to make people feel good. I would explain that they are in a store filled with this kind of energy and that creating such a space is exactly why I got into the business in the first place. If you want to feel good, then my store is the place you should visit on a regular basis. I would stay very informed about what's out there and make sure I carry many things with very high energy.”

“I love touring, I love making records, but eventually all I want...I want to score. I want people to ask me to score their film or use my songs in cinematic ways. I think the ultimate media is a story that you can watch and feel and have a musical moment to. I think it's my favorite. I love watching something when music is creating motion within the motion.”

“There was a period that black film had no chance of making it in Hollywood. So, people just made the made the statements that they wanted to make. Whether it was a science fiction film or whatever, b/c they were just making movie for themselves. Then there was a period where people were creating projects as their Hollywood audition 'pieces'. I feel that today we are moving back to the era where we all have our own voices.”

“I think that the thing is, all those years of creating music or trying to express something of a dark shadow, an existential angst that I have felt most of my life and still feel today, to not be overwhelmed by it. Music, in a way, is a great vehicle, a means by which one can express all these somewhat contradictory feelings.”

“When reviewing my novel Dreams of the Compass Rose for the Magazine of F&SF, master fantasist Charles de Lint called it "engaging and resonant, creating a new mythology that feels so right one might be forgiven for thinking that it's the cultural heritage of some forgotten country or people that have been lost to history." This of course I take as the highest compliment, since it was indeed my sincere intent.”

“I guess part of my ambivalence about pursuing music as well as acting is that acting is already one of the most difficult careers to create for yourself, I must be insane to embark on creating two careers in two of the most difficult fields. But I have really different ambitions with music; I just want to stay in love with music. I want it to continue to be a means of expression for me that feels like it's mine, and something that feels community-based.”

“I've learned that if I only put my mind to one thing that I can get tunnel vision. Then I may not be as open to other opportunities because I'm so focused on one thing. I think what's worked better for me personally is I have three goals every day: be nice, work hard and make friends. Those are my daily goals, and I feel like those are the things that create opportunity and creating connections that will then lead to other things that I may not have planned for otherwise.”

“I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.”

“Do I feel any pressure as the most decorated Winter Olympian in American history? None at all. The only pressures that I know I face are those of how to pay it forward: How can I continually make a positive impact in people's lives, help others achieve their dreams, create their own Olympic mindset, creating champions within themselves?”