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Creating Quotes

“Big Idea - Your days are your life in miniature. As you live your hours, so you create your years. As you live your days, so you craft your life. What you do today is actually creating your future. The words you speak, the thoughts you think, the food you eat and the actions you take are defining your destiny - shaping who you are becoming and what your life will stand for. Small choices lead to giant consequences over time. There's no such thing as an unimportant day.”

“I made a very bad mistake; I miscounted these scraps of information on the record as 92, and in continual homage to this man who had been so influential to me, I began creating or constructing my own films on this so-called "magic" number of 92 ... but when I eventually made a film about John Cage and met him, I explained this to him, and he found it very amusing because there are only 90 stories on the two sides of the record, and I'd based three years of my filmic career on this mathematical error!”

“I haven't felt the excitement of listening to as well as creating music along with reading and writing for too many years now. I feel guilty beyond words about these things. For example, when we're backstage and the lights go out and the manic roar of the crowds begins, it doesn't affect me the way in which it did for Freddy [sic] Mercury who seemed to love, relish in the love and adoration from the crowd, which is something I totally admire and envy.”

“I think this fear of insanity is comparable to the fear people once had of falling off the edge of the world. Or the fear of heretics...What's happening is that each year our old flat earth of conventional reason becomes less and less adequate to handle the experiences we have and this is creating wide-spread feelings of topsy-turviness. As a result we're getting more and more people in irrational areas of thought...occultism, mysticism, drug changes and the like...because they feel an inadequacy in classical reason to handle what they know are real experiences.”

“We are shocked and saddened by Bob Casale's passing. He not only was integral in DEVO's sound, he worked over twenty years at Mutato, collaborating with me on sixty or seventy films and television shows, not to mention countless commercials and many video games. Bob was instrumental in creating the sound of projects as varied as Rugrats and Wes Anderson's films. He was a great friend. I will miss him greatly.”

“Parents vary in their sense of what would be suitable repayment for creating, sustaining, and tolerating you all those years, andwhat circumstances would be drastic enough for presenting the voucher. Obviously there is no repayment that would be sufficient . . . but the effort to call in the debt of life is too outrageous to be treated as anything other than a joke.”

“The first task of the Federal Reserve system would be to finance the World War. The European nations were already bankrupt, because they had maintained large standing armies for almost fifty years, a situation created by their own central banks, and therefore they could not finance a war. A central bank always imposes a tremendous burden on the nation for "rearmament" and "defense", in order to create inextinguishable debt, simultaneously creating a military dictatorship and enslaving the people to pay the "interest" on the debt which the bankers have artificially created.”

“The scientists who are working 80 hours a week trying to do their science are up against PR guys who know how to spin things and how to create doubt. Creating doubt around tobacco for fifty years when they absolutely knew it caused cancer, that was a real talent. But meanwhile, the scientists, they're not there to go on television. Their brains don't work like that.”

“This is not some alarmist Orwellian scenario; it is here, now, financed by $20 billion last year and $15 billion more this year of federal money appropriated out of sheer fear. By creating the means to monitor 300 million visits to the United States yearly, this administration and a supine opposition are building a system capable of identifying, tracking and spying on 300 million Americans.”

“I grew up in repertory theaters, so it was comedy one night, drama the next. I'm used to going from one to the other. And I worked for years in television as well. So, I like the interrelationship of it and having a good relationship with a group of artists creating something really where the sum is greater than all of our individual contributions, our parts.”

“It is an odd fact of evolution that we are the only species on Earth capable of creating science and philosophy. There easily could have been another species with some scientific talent, say that of the average human ten-year-old, but not as much as adult humans have; or one that is better than us at physics but worse at biology; or one that is better than us at everything. If there were such creatures all around us, I think we would be more willing to concede that human scientific intelligence might be limited in certain respects.”

“You're not going to have the police force representing the black and brown community, if they've spent the last 30 years busting every son and daughter and father and mother for every piddling drug offense that they've ever done, thus creating a mistrust in the community. But at the same time, you should be able to talk about abuses of power, and you should be able to talk about police brutality and what, in some cases, is as far as I'm concerned, outright murder and outright loss of justice without the police organization targeting you in the way that they have done me.”

“My mother was a tremendous woman. I was just cleaning up old trunks and I found a book with her notes written during the war years, in the 1940s. She was studying in Lahore, which became Pakistan. She was writing about how women alone could bring peace to the world, that the men with all their greed and egos were creating all these tensions and violence. I always knew she was a feminist, ahead of her time.”

“Abbie Hoffman's inspiration was, in a sense, inadvertent. I wanted to do something to celebrate the 20th anniversary of Woodstock at the time, and it just happened that Abbie died the same year. Hoffman was always an inspiration to me, for his activism and execution of that activism, and any of his books will give you a guide and a map to creating almost anything, if you apply it to what it is you want to do.”

“I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the ­envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.”

“Everybody would be better off if they could buy housing for only, let's say, a carrying charge of one-quarter of their income. That used to be the case 50 years ago. Buyers had to save up and make a higher down payment, giving them more equity - perhaps 25 or 30 percent. But today, banks are creating enough credit to bid up housing prices again.”

“I actually went on lectures at Harvard, Stanford, Oxford and all the business schools eight years ago, explaining what the implications were and how the platforms could be powerful in creating the narrative of your brand and mobilizing your life so that you become humanized as well. I understood that and thought that was really empowering, not only to artists, but to brands as well and in general.”

“I am not responsible for creating an opposition, neither am I responsible for appointing my own successor. My job is to allow for the opposition to exist within what the realms of the law. There is space in Rwanda for political parties - if fact we have about a dozen of them - as long as their objective is not to take us back twenty two years. On that point, we are and will always be very vigilant.”

“My family didn't go to church. Once when I slept over at the house of a friend, her parents brought me to Sunday school with her. I was given this little pamphlet of tiny poems about the natural world, about butterflies and sunsets. My 7-year-old self was so astounded by how these few words were creating pictures and feelings in me.”

“I think that the thing is, all those years of creating music or trying to express something of a dark shadow, an existential angst that I have felt most of my life and still feel today, to not be overwhelmed by it. Music, in a way, is a great vehicle, a means by which one can express all these somewhat contradictory feelings.”