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“The United States has an isolationist and insular culture, combined with a global and interventionist posture. This highly dangerous and febrile mixture, which greatly facilitates the task of the fear-mongers and chauvinists, needs a very exact and nuanced diagnosis. I don't think that analogies from the totalitarian model, however suggestive, are sufficient.”

“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle-class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”

“We live in a church culture that has a dangerous tendency to disconnect the grace of God from the glory of God. Our hearts resonate with the idea of enjoying God's grace. We bask in sermons, conferences, and books that exalt a grace centering on us. And while the wonder of grace is worthy of our attention, if that grace is disconnected from its purpose, the sad result is a self-centered Christianity that bypasses the heart of God.”

“Even healthy families need outside sources of moral guidance to keep those tensions from imploding--and this means, among other things, a public philosophy of gender equality and concern for child welfare. When instead the larger culture aggrandizes wife beaters, degrades women or nods approvingly at child slappers, the family gets a little more dangerous for everyone, and so, inevitably, does the larger world.”

“...There are issues worth advancing in images worth admiring; and the truth is never "plain," nor appearances ever "sincere." To try to make them so is to neutralize the primary, gorgeous eccentricity of imagery in Western culture since the Reformation: the fact that it cannot be trusted, that imagery is always presumed to be proposing something contestable and controversial. This is the sheer, ebullient, slithering, dangerous fun of it. No image is presumed inviolable in our dance hall of visual politics, and all images are potentially powerful.”