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“Unchecked, the dominating influences of money and of barren intellectualism would reduce the life of emotions to freezing point. And, unable to grasp the holier benefits of religion, the mysticism of the heart reacts in the art-intoxication. .... In this cold, irreligious and practical age the warmth of this devotion to art has kept alive many higher aspirations of our soul, which otherwise might readily have died, as they did in the middle of the last century.”

“Storytelling is how we survive, when there's no feed, the story feeds something, it feeds the spirit, the imagination. I can't imagine life without stories, stories from my parents, my culture. Stories from other people's parents, their culture. That's how we learn from each other, it's the best way. That's why literature is so important, it connects us heart to heart.”

“Skywalker is a direct translation of the word shaman out of the Tungusic, which is where Siberian shamanism comes from. So these heroes that are being instilled in the heart of the culture are shamanic heroes. They control a force which is bigger than everybody and holds the galaxy together.”

“A lot of artists give up because it's just too damn hard to go on making art in a culture that by and large does not support its artists. But the people who don't give up are the people who find a way to believe in abundance rather than scarcity. They've taken into their hearts the idea that there is enough for all of us, that success will manifest itself in different ways for different sorts of artists, that keeping the faith is more important than cashing the check, that being genuinely happy for someone else who got something you hope to get makes you genuinely happier too.”

“I had no plan for that year but it wound up being one of the most important years of my football coaching career. It hit me along the way that I needed to really get at the heart of what's really true to myself. And then I was able to mold it and shape it in the years at SC to become the approach and the concept and the culture that we try to create here at Seattle.”

“Our culture is almost entirely prepared to not just help you create your false self, but to get very identified with it and attached to it. So, without some form of God experience, which teaches you who you are apart from that - we would say in the religious world, who you are "in" God, in the mind and heart of God - there's almost no way to get out of it.”

“I believe deeply in a common humanity. The black man belongs to the family of man. One part of that family is out of control - like a virus or cancer - and that is the white man. He and his technological society are bent on destroying the world. Everywhere the white man has gone with his empire, he has destroyed people, races, societies, cultures, and in the course of it, has sterilized himself. He is completely the mechanical man: without heart, without soul. He is the Tin Man of The Wizard of Oz. But I don't believe that all the white people in the world are no good.”

“Secretly in my heart, I believe food is a doorway to almost every dimension of our existence. ... Food never was just food. From the time a cave person first came out from under a rock, food has been a little bit of everything: who we are spiritually as well as what keeps us alive. It's a gathering place, and in the best of all worlds it's possible that when people of one country sit down to eat another culture's food it will open their minds to the culture itself. Food is a doorway to understanding, and it can be as profound or as facile as you would like it to be.”

“Sometimes a rural life - without agricultural culture, community, or land - it means that you're a very long drive from everything. It's a big cultural isolation in terms of any kind of schooling where you could get exposed to things that might push the positive buttons. The geography of where people find themselves situated, both in metropolises and in the heartland, really starts to matter.”

“We have not chosen this time. We cannot help it if we are born as men of the early winter of full Civilization, instead of on the golden summit of a ripe Culture, in a Phidias or a Mozart time. Everything depends on our seeing our own position, our destiny, clearly, on our realizing that though we may lie to ourselves about it, we cannot evade it. He who does not acknowledge this in his heart, ceases to be counted among the men of his generation, and remains either a simpleton, a charlatan, or a pedant.”

“We live in a church culture that has a dangerous tendency to disconnect the grace of God from the glory of God. Our hearts resonate with the idea of enjoying God's grace. We bask in sermons, conferences, and books that exalt a grace centering on us. And while the wonder of grace is worthy of our attention, if that grace is disconnected from its purpose, the sad result is a self-centered Christianity that bypasses the heart of God.”

“Blood Dazzler is Patricia Smith's impassioned lyric chronicle of a beloved city in peril, a city whose people were left to die before us all, a people who were the heart of our country and lifeblood of our culture. After rising water, winds and abandonment, after our failure and neglect, comes this symphony of utterance from the ruins: many-voiced, poignant, sorrowful and fierce. This is poetry taking the full measure of its task.”

“The only way we'll have real pride is when we demand recognition of a culture that isn't just sexual. It's all there--all throughhistory we've been there; but we have to claim it, and identify who was in it, and articulate what's in our minds and hearts and all our creative contributions to this earth. And until we do that, and until we organise ourselves block by neighborhood by city by state into a united visible community that fights back, we're doomed.”

“Why, I wondered, is there such hostility to one faith in this Hindu culture that believes all roads lead to heaven? They should be the most tolerant of all. What is it about the Judeo-Christian message that makes it so offensive? Ironically, the Indians may understand the heart of the gospel - that Christ is King, with all that portends - better than many in the 'Christian' West.”

“As we progress along the intercultural journey, we become self-reflective about habits of heart and mind and the ways these are expressed in daily life. We develop strategies for encountering change, unfamiliarity and ambiguity in creative ways. We begin to realize that what is taken, as "common sense" is really "cultural sense". Our life becomes richer and deeper for having encountered differences.”