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Dark Quotes

“Maybe in writing about and through trauma it was therapeutic in a way, but it didn't feel like it at the time. I was in a very dark place, in lots of foreign cities, far from New York. A lot of personal trials and tribulations took over my life in those years. It might be some time before I see what therapeutic function this book did serve. But for now, it's not even easy to read from it.”

“The rise of the anti-hero can be traced to a litany of social reasons. Post World War I, for instance, saw the blooming of some pretty dark stuff - I'm thinking of Dashiell Hammett's Red Harvest, for instance, when "The Continental Op" shows up in Poisonville to clean up the town...and proceeds to kill something like thirty people.”

“Some writers are writing one great, big book and just taking all these different avenues towards it. They might seem on the outside to be different, but they're really not. And that's a different kind of mindset. I don't know why it is, but I just feel like I really want to escape myself as much as I can - myself as the artist, or as the writer, or as the thinker - with each new project, because one, it's just boredom, but also, I guess I just feel most comfortable starting a new book if I just feel a little in the dark about it.”

“Of course we in Europe also have epidemic, structural sexual violence. Violence is always the dark core of dominance. The men who are now coming to us from Islamic cultural circles are, of course, shaped by conditions there, which are still much more antiquated than here. That's a problem that we have ignored for far too long. In the name of a false tolerance, we have accepted that women are kept at home like prisoners and are forcibly married.”

“Many nightclubs from this era were very loud and very dark. Plus some of the best ones were incredibly crowded. To begin with, I could seldom get back far enough to get people into frame from head to foot and when I could, people would be constantly walking in front of me all the time. Then I bought a 24-mm lens and only had to be four or five feet away.”

“The reason why so many of my photographs in the book were taken in stairwells and corridors was that that was the only bit of spare space available and, in some cases, the only place where there was enough light to see anything. Even then, it was often so dark that I couldn't tell which gender my subject was (not that I particularly cared) and too dark, before the era of autofocus, to focus. I had to find a light (or carry a torch) and pre-focus.”

“When I was a book editor, I got used to being told that my tastes were dark or edgy. These are not words that would've occurred to me, but I was told that enough that I have to believe it's true - that I like things that some other people find off-putting or upsetting. My job is to publish stuff that I really, really care about. That might mean that it doesn't sit well with everybody.”

“We are the most illusioned society on the planet. We have to become adults. And it's hard; it's painful. I struggle with despair all the time. But I'm not going to let it win. It is incumbent upon all of us that at the same time we recognize how dark the future is, we also recognize the absolute imperative of resistance in every form possible.”

“There was a period of time between 2005 and 2008 that was pretty challenging. I had taken a leap of faith and moved to Los Angeles from New York, which had been incredible to me professionally. I couldn't get arrested in this town. There was a lot of doubt and fear that crept in, and boy, did insecurity stick her foot up in it. There were many obstacles that were overcome during that very dark period - creative, financial, emotional, and spiritual - and I'm here, standing, stronger than ever.”

“In one way, it is this sense of order and also love that, I think, really saved Eleanor Roosevelt's life. And in her own writing, she's very warm about her grandmother, even though, if you look at contemporary accounts, they're accounts of horror at the Dickensian scene that Tivoli represents: bleak and drear and dark and unhappy. But Eleanor Roosevelt in her own writings is not very unhappy about Tivoli.”

“What we are saying is we have to be smart about the ideology that is putting this idea into the world that a woman must be defined by her idea of modesty, that she is the vessel for honor in a community. And I believe that we have to be very pragmatic, too, about the consequence of this. Women in Iran and Saudi Arabia are jailed, punished and harassed if they don't cover themselves legally, according to the standard of those countries. So the consequences for many women is oftentimes very dark.”

“As an artist, I identify with Sandro Botticelli. We know him as the man who painted Primavera and The Birth Of Venus. The goddesses and ancient subjects he chose represented virtues which were meant to inspire people. Then he went through a dark phase when he was listening to the sermons of Savonarola, who preached against the worldly pleasures of the Renaissance. But Botticelli's works live on, inspiring people to this day. Five hundred years after his death, he still has thousands of fans!”

“My favorite track from the album Independent is Hold On. Everyone at some point fights battles or has struggles, and in moments of doubt or defeat, this is the song coming from a place of never giving up. It makes me think of the angel on the shoulder voicing understanding but guiding you in the right direction to take you out of that dark place.”

“I grew up reading crime fiction mysteries, true crime - a lot of true crime - and it is traditionally a male dominated field from the outside, but from the inside what we know, those of us who read it, is that women buy the most crime fiction, they are by far the biggest readers of true crime, and there's a voracious appetite among women for these stories, and I know I feel it - since I was quite small I wanted to go to those dark places.”

“In the same way that when the car got going, people thought it would be an electric car, people thought it would be a steam car. Actually, the dark horse in that race was internal combustion, but because of the energy density of gasoline and discovery of oil in large amounts at that point in first Pennsylvania and then Texas, it won out over those other two, to the point that those other two are actually viewed as obscure footnotes in history.”

“If you see really bright lights, or hear really loud noises, go towards them, don't run away from anything. It's like giving someone instructions on how to handle a bear, don't run away from it. Stand up and try to make yourself look as big as possible. Don't give it the signal that it should chase you. And that's the case with the after death visions. Don't go for dark seductive lights, go only for bright lights.”

“Audiences are hungry for something different. With binge-watching, they're hungry for interesting content they haven't seen before, and they want to be entertained. A lot of shows are grim, murky and dark. We wanted to spin away from the obvious, the tropes, the cliches and what people are doing right now, and do something different.”

“But strangely, [in] the original Matt Helm books, he's just this super hardass assassin. They sort of made it into a sexy romp for the movies. The books are very, very dark. I also watched 'OSS 117: Cairo, Nest Of Spies,' which is a French film. They just made a second one, I think, which is based on like, 100 novels. They're just fantastic. They're set in the '60s. A lot of the visual inspiration definitely came from 1960 James Bond movies and 'OSS 177' and also 'Pink Panther' movies.”